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Query was: artistic
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- Title: The Story of My Life: Chapter: III
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- manuscript but in carefully formed, artistically spoken sentences.
- Title: The Story of My Life: Chapter: IV
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- fashion with the scientific, artistic, culture-historical, political
- Title: The Story of My Life: Chapter: VII
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- articles upon artistic and literary subjects. The poet's pessimistic
- remarks of Müllner on all sorts of philosophical, artistic, and other
- Title: The Story of My Life: Chapter: VIII
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- struggle for the rejuvenation of the artistic life of the nation. When
- the problem of the nature of artistic creation and of beauty. What was
- artistic sensibilities. And when Christine Hebbel told a story, the
- Title: The Story of My Life: Chapter: IX
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- Weimar. One could yield oneself in complete serenity to the artistic,
- expression of a human being. She united various artistic gifts with a
- Title: The Story of My Life: Chapter: XII
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- that in its poetic, artistic form. I always had an antipathy to
- Schiller sees man in such a mood when he is living in the artistic.
- these pictures appear in a more beautiful, noble, artistic form of
- fantasy, whereas they had until his time borne a less artistic
- Title: The Story of My Life: Chapter: XIII
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- artistic she possessed both talent and enthusiasm. At times she took
- Title: The Story of My Life: Chapter: XIV
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- he had the feeling that in artistic or literary presentation one must
- the scientific and artistic circles and the courtly circle of Weimar.
- Title: The Story of My Life: Chapter: XV
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- In dealing with the literary and the artistic, Ludwig Laistner did not
- time he was making a beginning toward the artistic realization of
- Title: The Story of My Life: Chapter: XVI
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- serene and sagacious suffused with artistic feeling and marked by an
- Title: The Story of My Life: Chapter: XIX
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- artistic element brought into the city by the art school and the
- the artistic experience of which there originated the numerous
- My artistic experience was not then so broad as my relation to
- artistic. To retrospective memory, that which I then experienced in my
- my mind the life of a young painter whose artistic way of revealing
- himself harmonized with my own evolution in the direction of artistic
- social groups, but did not come to know the artistic world.
- artistic standing which drew to Weimar, in one relation or another,
- everything artistic which was active in that period.
- Weimar moderns the chief of all was that wholly artistic
- first steps of their artistic career gave one an ineradicable
- my dear friend Otto Fröhlich. He needed, like Zeller, the artistic
- in its artistic comfort.
- And one felt this artistic comfort in the pressure of
- artistic comfort of the theatrical public. One ought to
- I then experienced in Weimar the artistic strivings in such a way that
- Title: The Story of My Life: Chapter: XX
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- artistic. One of those persons who, but for other duties intervening
- in art. Such was her destiny that, so far as I am aware, the artistic
- artist. He made all his discriminations through his artistic sense.
- Intellectualism was remote from him. Through him something artistic
- Title: The Story of My Life: Chapter: XXI
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- dramatic art must fulfil genuinely artistic requirements in the same
- something artistic in seeing a person revealing an entire expansive
- these revelations could never make any impression except an artistic
- Ansorge later developed in a brilliant way his great artistic powers.
- Ansorge was an energetically artistic man. He was active both as
- one of the pupils of the master who understood him in an artistic
- felt that Weimar put fetters upon his artistic development, moved at
- was derived from a direct and serious artistic experience and sought
- Title: The Story of My Life: Chapter: XXIV
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- all sorts of artistic and other intellectual forms. So the question
- artistic form, but in a lordly, purposely senseless mood of soul. And
- something in which they, as artistic natures, thought they
- artistic current in its representatives. This was no longer so radical
- such comprehensive artistic conviction. They relied more upon that
- Title: The Story of My Life: Chapter: XXV
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- and dogmatizing are of no use unless they come from a vital artistic
- when it seemed necessary to introduce the public to an artistic
- before his readers in an artistic-ideal picture what combination of
- fantasy-form stands behind the play. In artistically fashioned
- expressed. I saw that an artistic activity is possible in
- which is an impossible artistic structure will be visible in the
- participant in the artistic life of the time, and not a
- for all branches of art, a literary-artistic periodical is in the
- Title: The Story of My Life: Chapter: XXVIII
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- knowledge, of religious, artistic, and moral impulses in history, and
- Title: The Story of My Life: Chapter: XXIX
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- look upon artistic speaking as ineffective idealism. We could never
- first dedicated herself to genuinely artistic speaking; and then for
- artistic form.
- Title: The Story of My Life: Chapter: XXX
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- employ in hurried visits to the natural-scientific and artistic
- Title: The Story of My Life: Chapter: XXXI
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- Title: The Story of My Life: Chapter: XXXIV
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- IN the Theosophical Society artistic interests were scarcely fostered
- To Marie von Sievers and to me it was important to make the artistic
- possibility of fostering artistically the word and word-shaping. The
- initial point for the entrance of the artistic into the
- Title: The Story of My Life: Chapter: XXXVI
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- the scientific, and others the artistic. And it was necessary that
- Title: The Story of My Life: Chapter: XXXVII
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- Sievers and I through our united efforts fostered the artistic element
- prolonged submergence in the artistic. In order to comprehend the
- artistic gives this mobility.
- those mobile ideas which one derives from living in the artistic, then
- the hearers will be expelled. The artistic which is truly charged with
- from the depths of her nature this artistic, emotionally charged, but
- Title: The Story of My Life: Chapter: XXXVIII
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- in the anthroposophic work the artistic element. In this a
- otherwise than in rationalism and intellectualism. The artistic image
- in whom artistic experience was effective in the way indicated.
- sought anthroposophy were of the same kind. In Munich the artistic
- should correspond artistically with the mood that dominated the oral
- programme. Artistic environment and spiritual activity were to
- to the avoidance of abstract inartistic symbolism and to giving free
- expression to artistic feeling.
- Into the programme of the congress was introduced an artistic
- thing was that the congress had now an artistic aspect, an artistic
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