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Query was: lay

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

• Title: The Story of My Life: Chapter: I
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  • dreadful.” This scamp, who also was in the school, played the
  • Austria. The boundary here was formed by the Laytha River. The station
  • with me a “Blutzer.” This is a water vessel made of clay.
  • fall away to a level country. Through this level country the Laytha
  • which my unanswered questions had caused me. To be able to lay hold
  • two conceptions which were naturally undefined, but which played a
  • art. He played the piano and the violin and he drew a great deal.
  • All this played its part in a childhood which was passed in the
  • at Neudörfl was but a few steps from the church, and between these lay
• Title: The Story of My Life: Chapter: II
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  • hatching and the laying on of colours.
  • could be developed to a faculty which would actually lay hold upon the
• Title: The Story of My Life: Chapter: III
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  • plays in the person of Felix Balde.
  • one does not lay hold upon it as upon thought. In it or behind it
  • which it lay at the basis of the dominant theories of natural
  • The sciences of organic nature were then – wherever I could lay hold of
• Title: The Story of My Life: Chapter: IV
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  • bring to him. He considered it of no value to lay the basis for a life
  • played any way a great rôle in my mental life at that time. I strove
• Title: The Story of My Life: Chapter: V
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  • folk-plays which were enacted every year by the German colonists in
  • these plays of the old home, and continued to perform them as they had
  • done at the Christmas festival in regions which no doubt lay in the
  • plays. Schröer then published them, as he heard them, or as he read
  • heart the Christmas plays lived on his lips, the spirit of the German
  • in general” were used. The analogy lay in the following: The
  • German Christmas Plays from Hungary.
• Title: The Story of My Life: Chapter: VI
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  • opportunity for sharing in the play of children. In this way it came
  • about that my “play-time” came after my twentieth year. I
  • had then to learn also how to play, for I had to direct the play, and
  • this I did with great enjoyment. To be sure, I think I have not played
• Title: The Story of My Life: Chapter: VII
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  • Before him there lay a little volume of her poems, an epic
  • me to follow what repelled me just as if it lay in the same direction
  • Grazie's home and played his études, one had the feeling: Anton
  • acquired afterward through experience. But in the play of countenance,
• Title: The Story of My Life: Chapter: VIII
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  • that the struggles toward all these objectives must play themselves
  • daily paper in those days. How to bring this characteristic into play
• Title: The Story of My Life: Chapter: IX
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  • who, so to speak, sketch the field of science and lay hold upon
  • lay upon a sofa, his legs stretched out and his upper body erect. It
  • me. For him the being of things lay in the unconscious, and must ever
  • very definition of the term “concept” lay the evidence that
• Title: The Story of My Life: Chapter: XI
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  • spirit as a fantastic playing with words which signifies nothing real
• Title: The Story of My Life: Chapter: XII
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  • The reason for this lay in the difficulties I have described in
• Title: The Story of My Life: Chapter: XIII
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  • over which gleams a light playing amid colours. This character seemed
  • only a group of card-players sitting round a table. In this group
  • and Transylvania. The men were playing with a vehemence which
• Title: The Story of My Life: Chapter: XIV
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  • sole satisfaction lay in the good will which the Grand-duchess Sophie,
  • would not lay hold upon the actual life of this spiritual, but
• Title: The Story of My Life: Chapter: XV
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  • appears only as a play of colours from the shallows of the sensible.
  • lay hold upon the emotions of the other person also. An unusual fire
  • in the spiritual life of that time. What lived in the plays of Ibsen,
  • This play had only a moderate success in Weimar. This confirmed him in the
• Title: The Story of My Life: Chapter: XVII
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  • In the experience of spirit lay the source of the form which I gave to
• Title: The Story of My Life: Chapter: XVIII
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  • chamber of Friedrich Nietzsche. There he lay on a lounge enveloped in
• Title: The Story of My Life: Chapter: XIX
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  • with me into this life my full humanity in order by this means to lay
  • the abstract; at that point, I said to myself, it ought to lay hold
  • hypotheses legitimately comes into play. Hypotheses should not be
  • paintings that were displayed by Weimar artists in the frequent art
  • “the role” I had to play. After me arose the young painter,
  • painter really succeeded in so guiding his brush and so laying on the
  • performance. Then, with this in mind, to see him play the role that he
  • so distinguished Heinrich Zeller played the leading rôle and almost
• Title: The Story of My Life: Chapter: XX
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  • forces which were needed to lay down a foundation for the policies
  • life so little that it did not seem to him worth the trouble to lay so
• Title: The Story of My Life: Chapter: XXI
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  • it afforded me the opportunity to write about much which then lay
  • single bust which lay out of sight in a corner attracted my attention.
  • production of his play,
  • sought to express in their lives what lay in the Nietzsche ideals of
• Title: The Story of My Life: Chapter: XXIII
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  • found it necessary to lay all possible emphasis upon the freedom of
  • itself as that which only he lays hold upon in his conceptual world
  • physics cannot possibly lay hold of it; and I – was speechless.
  • that the thought of the age could “not in the least lay hold of
• Title: The Story of My Life: Chapter: XXIV
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  • lay outside these strivings. But at all events it was not in a
  • hands. He had something in his glance and the play of his features
• Title: The Story of My Life: Chapter: XXV
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  • The purpose of this Society was that of producing plays which, because
  • “misunderstood” plays.
  • company of actors was made up of artists who played on the most varied
  • stages. With these actors the play was given in the morning in a
  • plays. Along with Otto Erich Hartleben I took part in the rehearsals.
  • We felt that we were real stage-managers. We gave the plays their
  • The first play that we produced in this way was Maurice Maeterlinck's
  • “tell distinctly” what lay behind the suggestive symbols,
  • Yet it was delightful to work at the management of such a play as
  • time been adopted also in Germany in connection with individual plays.
  • should pass “judgment” upon a play and its production. Such
  • fantasy-form stands behind the play. In artistically fashioned
  • author produced his play. For to me thoughts were never merely
  • a play is produced before an audience seemed to me a necessary
  • Whether a play is “good,” “bad,” or
  • by an idea which lay as far as possible from the habits of thought of
  • within the world, its calling to “this side,” lay in such
• Title: The Story of My Life: Chapter: XXVII
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  • lay beyond the range of vision of that time.
  • Yet the testing took such a course that the outward expression played
• Title: The Story of My Life: Chapter: XXX
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  • What lay upon my heart was to introduce into life the impulse from the
  • know where lay the forces of the time striving away from the spirit,
  • thought in laying the foundation for reality drew me again and again
  • philosophy was wholly that of a layman. For this very reason I
  • the occasion of a presentation of Borngräber's play Giordano
• Title: The Story of My Life: Chapter: XXXI
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  • This task consisted in laying a foundation for anthroposophy just as
  • put life into the ideas of science as to lead to one's laying hold
• Title: The Story of My Life: Chapter: XXXIII
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  • what lay close at hand the remote might be grasped; but one must also
• Title: The Story of My Life: Chapter: XXXVI
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  • than according to the soul-needs of its members. It could not lay down
• Title: The Story of My Life: Chapter: XXXVII
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  • lay hold by means of ideas in order to place the perception within the
• Title: The Story of My Life: Chapter: XXXVIII
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  • presentation of this. This play was then introduced into the
  • Theosophical Society up to that time. In this inner bearing lay the