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Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: The Story of My Life: Chapter: I
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    • dreadful.” This scamp, who also was in the school, played the
    • two conceptions which were naturally undefined, but which played a
    • art. He played the piano and the violin and he drew a great deal.
    • All this played its part in a childhood which was passed in the
  • Title: The Story of My Life: Chapter: III
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    • plays in the person of Felix Balde.
  • Title: The Story of My Life: Chapter: IV
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    • played any way a great rôle in my mental life at that time. I strove
  • Title: The Story of My Life: Chapter: V
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    • folk-plays which were enacted every year by the German colonists in
    • these plays of the old home, and continued to perform them as they had
    • plays. Schröer then published them, as he heard them, or as he read
    • heart the Christmas plays lived on his lips, the spirit of the German
    • German Christmas Plays from Hungary.
  • Title: The Story of My Life: Chapter: VI
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    • opportunity for sharing in the play of children. In this way it came
    • about that my “play-time” came after my twentieth year. I
    • had then to learn also how to play, for I had to direct the play, and
    • this I did with great enjoyment. To be sure, I think I have not played
  • Title: The Story of My Life: Chapter: VII
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    • Grazie's home and played his études, one had the feeling: Anton
    • acquired afterward through experience. But in the play of countenance,
  • Title: The Story of My Life: Chapter: VIII
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    • that the struggles toward all these objectives must play themselves
    • daily paper in those days. How to bring this characteristic into play
  • Title: The Story of My Life: Chapter: XI
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    • spirit as a fantastic playing with words which signifies nothing real
  • Title: The Story of My Life: Chapter: XIII
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    • over which gleams a light playing amid colours. This character seemed
    • only a group of card-players sitting round a table. In this group
    • and Transylvania. The men were playing with a vehemence which
  • Title: The Story of My Life: Chapter: XV
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    • appears only as a play of colours from the shallows of the sensible.
    • in the spiritual life of that time. What lived in the plays of Ibsen,
    • This play had only a moderate success in Weimar. This confirmed him in the
  • Title: The Story of My Life: Chapter: XIX
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    • hypotheses legitimately comes into play. Hypotheses should not be
    • paintings that were displayed by Weimar artists in the frequent art
    • “the role” I had to play. After me arose the young painter,
    • performance. Then, with this in mind, to see him play the role that he
    • so distinguished Heinrich Zeller played the leading rôle and almost
  • Title: The Story of My Life: Chapter: XXI
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    • production of his play,
  • Title: The Story of My Life: Chapter: XXIV
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    • hands. He had something in his glance and the play of his features
  • Title: The Story of My Life: Chapter: XXV
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    • The purpose of this Society was that of producing plays which, because
    • “misunderstood” plays.
    • company of actors was made up of artists who played on the most varied
    • stages. With these actors the play was given in the morning in a
    • plays. Along with Otto Erich Hartleben I took part in the rehearsals.
    • We felt that we were real stage-managers. We gave the plays their
    • The first play that we produced in this way was Maurice Maeterlinck's
    • Yet it was delightful to work at the management of such a play as
    • time been adopted also in Germany in connection with individual plays.
    • should pass “judgment” upon a play and its production. Such
    • fantasy-form stands behind the play. In artistically fashioned
    • author produced his play. For to me thoughts were never merely
    • a play is produced before an audience seemed to me a necessary
    • Whether a play is “good,” “bad,” or
  • Title: The Story of My Life: Chapter: XXVII
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    • Yet the testing took such a course that the outward expression played
  • Title: The Story of My Life: Chapter: XXX
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    • the occasion of a presentation of Borngräber's play Giordano
  • Title: The Story of My Life: Chapter: XXXVIII
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    • presentation of this. This play was then introduced into the



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