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  • Title: Curative Eurythmy: Comments by the Editor of the Third German Edition
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    • against the available shorthand reports. Some additions and corrections
    • on the occasion of a medical week in Stuttgart he was again asked to
  • Title: Curative Eurythmy: References to the Fourth German Edition
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    • encountered one another again when the Waldorf School was being founded.
  • Title: Curative Eurythmy: Synopsis of Lectures
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    • into movement again in eurythmy. Bringing the various eurythmic
    • of fractures or carcinomas. A warning against dilettantism.
  • Title: Curative Eurythmy: Lecture 1
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    • which I have just described to you were to be turned around again to
    • again that which arises sensibly-supersensibly through the reflex-reaction
    • that which has already been relayed forth and back again. Thus we have to
    • transgression against the rhythmic system is too great everything
  • Title: Curative Eurythmy: Lecture 2
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    • as movements and thus bring the body into movement again. Now we must
    • movement somewhat lower, returns again, and does it with both (arms)
    • the front, now a bit back again, and then somewhat deeper. Now I don't
    • person learn to step out again, and by having him do this exercise,
    • lower, back again, a little lower, now horizontal, back again, now below,
    • back again, and again below; that is the principle of it. And now do
    • If I were to summarize again in the same fashion as earlier, I would
    • the rest position; the ed.) and now somewhat lower, back again, lower
    • further back and now again from above to below; then the “E”
    • the ed.), now we make an “A” somewhat lower, return again,
    • changing the angle bring it down, and, again without the feeling that
    • case of these exercises you can observe once again that if they are
    • a moment and then return to the normal position; then build it up again
    • again, with B, the foot movement, in the middle (see the table); it
    • other so that they touch. Again, one-third, and placed, if possible, in
    • of movement to make the consonant inward again in a certain manner by
    • which counters the “S”-direction when laid against it and
  • Title: Curative Eurythmy: Lecture 3
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    • do the “H” once again. H: here you have an energetic unfolding
    • form an impression, I will ask you to compare once again. Here it is
    • Mrs. Baumann will be so good and make the H again, and once the tone
    • organs; if we compare once again the respective movements we will arrive
    • specialized and localized once again in the development of the speech
    • an ex-tent accumulated. In developing eurythmy we turn and go back again.
    • that once again. Before we proceed to working out the sounds particularly,
    • to bring the will back into the whole evolution of mankind again. If
  • Title: Curative Eurythmy: Lecture 4
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    • Here is a matter of trying again to move forward in a similar manner
    • out sharply, with the Q as well; but that is the same thing again. Here
    • once again, a jump onto the tips of the toes, then down on to the heels
    • again. In the case of the V,
    • L, (Mrs. Baumann) here again together with the effort to place the legs
    • now once again. It should be an effort to hop forwards, too. The forwards
    • backwards and then with the other leg forwards again. This technique
    • jump, a small jump, then again a larger jump, a smaller jump, a larger
    • of that which has moved, the hearing of the sound once again. This is
  • Title: Curative Eurythmy: Lecture 5
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    • again, the whole human being is influenced in a certain manner; it is
    • then carrying out the movement for the wish again — and always
    • irregularities in the lower body, again by way of the etheric body.
    • the movement of the foot against the knee; picture this accompanied
    • as when it is done frequently it wages war against the most varied aspects
    • glad about it once it's better again! Every pain that is brought about
    • and thereby the whole breathing system. Here again, when one leaves
    • again. And now I will ask you to make this movement in such a way that
  • Title: Curative Eurythmy: Lecture 6
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    • a condition which is similar and then again dissimilar to sleep. It is
    • crash against the resistance of organism and metamorphose; that means
    • If you would be so good we will do the poem again now, this time with
    • Mrs. Baumann will do the same poem once again consonantally. A mere
    • Once again
    • editor) is taking place here. When the rhythm pulses up against it,
    • balanced out again by doing eurythmy. For this reason eurythmy has an
  • Title: Curative Eurythmy: Lecture 7
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    • These forms of illness were brought to my attention again yesterday
    • of youth — again and again through eurythmy by challenging the
  • Title: Curative Eurythmy: Lecture 8
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    • against the nerve-sensory-man, when one does the L-movement repeatedly,
    • say anything against it or to criticise it; I acknowledge its importance.
    • whole human being into consideration in such matters. Again and again it
    • of course.” Indeed, but again and again in practice it is not taken
    • however, it must be carried out: one limb is brought up against the
    • the legs pressed against one another. That is an extraordinarily curative
    • to stress again that the methods are not brought forward in amateurish
    • and to enable you to counter misunderstandings which arise again and
    • again.



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