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Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: Curative Eurythmy: Lecture 1
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    • may be considered the basis for human eurythmy itself since it appears
    • ribcage. Considering the matter etherically, we carry in our breast,
  • Title: Curative Eurythmy: Lecture 2
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    • Another exercise which can be considered parallel to this should be
    • more comes into consideration. In “O” one should feel not
  • Title: Curative Eurythmy: Lecture 3
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    • deepened physiologically and psychologically tomorrow, considering the
    • developed as the form involved in consonantal movement consideration
    • — it is necessary to take into consideration whether the human
    • Consider the pronunciation of H: actually you say H-a, you follow up with
    • is vocalized, combined with a vowel. If you consider the “F”
    • into consideration, one can carry on from here to form a mental picture
    • then we should consider a second element which I believe people pay less
    • One arrives at the outermost division of the sounds by considering the
    • Considering
    • we consider the consonants individually, let us contemplate the following.
    • into account, however: if one considers the forms outwardly one does
    • into consideration. Thus I must say that when man utters the O he actually
    • must also taken into consideration that one can fight, not alone through
  • Title: Curative Eurythmy: Lecture 4
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    • actual intestinal space through which the food passes. When we consider
    • system. That is something which one really only notices when one considers
    • the bodily physiology into consideration. One can talk at length around
    • vowels. As we considered the making of vowels in eurythmy I had to draw
    • must of course arise when eurythmy is considered as a hygienic-therapeutic
  • Title: Curative Eurythmy: Lecture 5
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    • take into consideration that all these things of which we have spoken
    • by those matters which would otherwise come into consideration. I do
    • consideration.
  • Title: Curative Eurythmy: Lecture 6
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    • hygienic-therapeutic and eurythmy. Today we want to take into consideration
    • consideration physiologically. That is the first matter of importance.
    • when he does it? If you consider the process from a
    • is asleep the etheric body is considerably more active than when he
    • interesting. Consider the human being schematically: head, rhythmic
    • one wishes to consider the physiology of eurythmy one should keep the
    • study will quicken the whole of physiology. Consider alone the following:
    • Consider
    • should be taken into consideration in an advanced civilization. However
    • considered, alternating between the lessons one would place more in
    • our consideration of eurythmy as such here. Tomorrow there will be two
  • Title: Curative Eurythmy: Lecture 7
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    • active. Just consider what earth formation is, in reality: a formative
    • should appear, they can later be taken into special consideration as the
    • when considered in a higher light. However, one must be able to rise
  • Title: Curative Eurythmy: Lecture 8
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    • created there as movement of air. If we consider the outermost periphery
    • by inhalation. You must take inhalation into consideration here in its
    • may be considered alone; every such activity results from the nerve-sensory
    • must be studied in such a way that respiration is taken into consideration.
    • early stages. If the kidney distrubance has been present a considerable
    • you take into consideration that the whole system of curative eurythmy
    • whole human being into consideration in such matters. Again and again it
    • happens that the entire human being is taken too little into consideration.
    • into consideration. How often one hears: this person has an irregularly
    • to take the total human being into consideration one would have to say:
    • be taken into consideration.
    • one speaks about something he knows nothing about. He considers it a



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