You may select a new search term and repeat your search. Searches are not case sensitive, and you can use regular expressions in your queries.

Enter your search term: by: title, keyword, or contextually

Query was: feel

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

• Title: Curative Eurythmy: References to the Fourth German Edition
  Matching lines:
  • seek one another, we feel near one another, we know one another
  • was with a deep feeling of responsibility that we took our departure
• Title: Curative Eurythmy: Lecture 1
  Matching lines:
  • — which will transform itself into a sort of feeling for the
  • what we think, feel and so on. This eurythmy really goes on within us.
  • is, if you do not know that feeling is mediated by the rhythmic system
  • you observe only its line, its content as a form. You must feel
  • he feels the stretching power in the I as he does it. Similarly when
  • not that he does this (crosses the arms), but that he feels: here one
  • limb comes to rest on the other. In this feeling of one limb on the
  • upper body. He feels the whole body stretched. He makes the “A”
• Title: Curative Eurythmy: Lecture 2
  Matching lines:
  • man as feelings, emotions and so on. Consonants describe more that which
  • inwardness of feeling; we reveal ourselves to an extent in the vowel,
  • that is to say, we reveal what we feel towards an object. Through the
  • important that one develops a feeling for what flows into the movement.
  • that one feels the movement made or the position taken up. That is what
  • above; feel distinctly the rounding of the arms within the movement
  • feeling and contemplation that which takes place. One must bear in mind
  • order to be healed, must feel them; in “E” he feels that one
  • more comes into consideration. In “O” one should feel not
  • feel that one is building a circle. One should feel the circle that
  • should feel as though he himself or someone else were to draw a line
  • along his breastbone, thus by means of feeling, closing the whole to
  • changing the angle bring it down, and, again without the feeling that
  • only stretch out the leg and feel the stretching in it. The
  • stretching feeling in both. “O” with legs must be learned,
  • it, you must have the feeling that what is done later for the legs and
  • not a feeling in the way one does with a vowel, a feeling of stretching,
  • begin with it appears that you have the feeling, or should have the
  • feeling when the “S” is done that you encounter something
  • “M” that was just performed, you should have the feeling
  • Maximum number of matches per file exceeded.
• Title: Curative Eurythmy: Lecture 3
  Matching lines:
  • feeling, which already leads to a greater extent into the physical.
  • individual sounds have a nuance of feeling, namely, which is deeply
  • right arm upon the left, just as when you feel an object outside yourself,
  • you are feeling yourself. This contacting oneself has come to expression
  • that we have so little living feeling left for what lies in the words.
  • The words are actually only signs. What sort of feeling do people still
  • of the soul through the head. People have no more feeling for the
• Title: Curative Eurythmy: Lecture 4
  Matching lines:
  • such feels as if the sound were being induced. If he then carries out
• Title: Curative Eurythmy: Lecture 5
  Matching lines:
  • want to express that which one could call the feeling of love towards
  • something (Mrs. Baumann). Take a good look at this, the feeling of love
  • have learned as expressing feeling in eurythmy — it could be another
  • feeling as well — with the movement for E. Here we have a strong
  • accord with the feeling of veneration. It encompasses all that which
  • the feeling of veneration actually effects in the organism. The effect
  • on the human organism of the feeling of veneration, when it is habitual,
  • into feeling. Eurythmy makes man capable of recognising himself within
  • left, but rather in order to call forth the feeling of the iambus or
  • left completely to the feeling. The question of whether a thing should
• Title: Curative Eurythmy: Lecture 6
  Matching lines:
  • about the head as a volition-feeling factor and penetrates into the
  • feels — that is designated spiritual activity in normal life.
• Title: Curative Eurythmy: Lecture 7
  Matching lines:
  • feeling to think back on these days here, which it was your desire to
• Title: Curative Eurythmy: Lecture 8
  Matching lines:
  • only be conducive to health; a certain artistic feeling of satisfaction
  • a fact that one must awaken in oneself a feeling for the artistic in the
  • forth who will cultivate a fine feeling for what can be achieved in
  • with one another, so that one limb feels the other, is of particular
  • unless in the process of doing the exercise you feel the muscles throughout
  • such a way that the person in question should continually feel them,