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Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: Curative Eurythmy: Comments by the Editor of the Third German Edition
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    • against the available shorthand reports. Some additions and corrections
    • the shorthand notes more closely.
  • Title: Curative Eurythmy: References to the Fourth German Edition
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    • down in short-hand by the professional shorthand writer Helene Finckh
    • (1883–1963) and then written out in longhand. The Stuttgart lecture
    • taken down by participants. There is no shorthand report.
    • Hans W. Zbinden, used Helene Finckh's original shorthand notes as a
  • Title: Curative Eurythmy: The Publication of Rudolf Steiners Lectures
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    • commenced according to her directions. The volume at hand constitutes
  • Title: Curative Eurythmy: Cover Sheet
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    • Translated from shorthand reports unrevised by the lecturer. The
  • Title: Curative Eurythmy: Lecture 1
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    • arm and the left hand forwards, thereafter the right arm, so that this
    • so that the leg and foot exercise is added to the hand and arm exercise,
    • the other hand one has a child who is phlegmatic, who doesn't want to
    • clumsy hand and finger movements and so on, he will exhibit a particular
  • Title: Curative Eurythmy: Lecture 2
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    • It is a proper “E”-movement only when this hand lies on the
    • then somewhat lower, the right hand over the left arm, and then, so
    • consonant, first with the right hand, now with the left, but taking
    • it backwards, now taking the right hand back, and “M” with
    • the left hand and now with both hands, that can be multiplied in various
    • “S” for us now, right, left, and now with both hands.
  • Title: Curative Eurythmy: Lecture 3
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    • man's confrontation with the outer world must consist on the one hand
    • pot-bellied. If with the O, on the one hand, one has this propensity
    • why when reversed the O represents on the other hand that which combats
    • the left hand — in art only an indication of all these things
    • can be given — when you grasp the right arm with the left hand
  • Title: Curative Eurythmy: Lecture 4
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    • fashion, but in a manner suitable to the matter at hand, in accordance
    • the one hand, just as correct to say that the gymnastics of today is
    • one-sided on the other hand to say that gymnastics is a barbarism. Why?
  • Title: Curative Eurythmy: Lecture 5
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    • one hand, a part of this being outwards; on the other hand, because
    • left-handed, for example, in the same category. I want to emphasize,
    • be done with the right hand or the left hand should be determined only
  • Title: Curative Eurythmy: Lecture 6
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    • in the subconscious. Such is the process at hand.
    • hand. The organs no longer want to be modellers, they want to become
    • teacher as well and require on the other hand that the gymnastic
  • Title: Curative Eurythmy: Lecture 7
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    • on the other hand, the absorption of what the other has secreted and
    • and shapes him, lives on the other hand in the movements for the
    • the Mechthilds von Magdeburg should be eradicated. On the other hand
  • Title: Curative Eurythmy: Lecture 8
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    • embodiment on the one hand of what has to do with mental picturing and
    • concern about something which lies close at hand here: amateurs and
    • you induce, you have the entire process of in-breathing in your hands.
    • at the periphery will have a most beneficial effect. On the other hand,
    • and will be handed on by our physician friends and thus be available
    • on the other hand, one must not overestimate something like curative
    • during the course of man's life on earth, but, on the other hand, nothing



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