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  • Title: Curative Eurythmy: Synopsis of Lectures
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    • movement as language becomes inward in our times. Bringing the body
  • Title: Curative Eurythmy: Lecture 2
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    • science — that vowels express more that which lives inwardly in
    • inwardness of feeling; we reveal ourselves to an extent in the vowel,
    • the vowel inward, that previously joined in the outward movement to
    • movement what we have taken away from it on its inward-going path. In
    • it is in essence the expression of the inward. One must only grasp through
    • of movement to make the consonant inward again in a certain manner by
    • it is important that they photograph themselves inwardly in their thought
    • as it were; then in this inward photographing of oneself lies that which
    • is effective; the person must really see himself inwardly in the position
    • — even when the organic form is carried out inwardly — that
  • Title: Curative Eurythmy: Lecture 3
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    • even in those things in respect to which modern man has become inward.
    • already experiences entirely inwardly in his ego. The reason why spiritual
    • also has sounds that carefully connect the inward with the outward;
    • which one would like to be active in such a manner that the inward would
    • inward character — fundamentally only in the case of L.
    • a strong connection to the inward. We have to do with a colouring from
    • taking place inwardly.
    • not come to the truth of the matter; one must grasp them inwardly in
    • things if one wishes to understand these matters inwardly.
    • of oneself inwardly, wants to contract together inwardly. For that reason
    • this forming of the E lies the way in which man's inward perception
    • how this inward E-making in man sums itself up into the vertical. As
    • you will see now how there is an inward connection between the eurythmic
    • word that is experienced unpictorially is actually an inward
  • Title: Curative Eurythmy: Lecture 4
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    • inward digestion, on all that which is digestive activity in the blood
    • the legs down in this 0-shape, namely, this actually has a very inward
    • your attention to the manner in which the inward, that which lies more
    • the sounds inwardly in a soul-spiritual manner. Thus one must tell him to
    • an inwardly regulated movement into the etheric activity of the human
  • Title: Curative Eurythmy: Lecture 5
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    • will become supple and inwardly flexible. And by means of them one will
    • increasingly and of gaining control over himself inwardly. Therefore
  • Title: Curative Eurythmy: Lecture 6
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    • myself so, in respect to his inwardly oriented digestion. He becomes
    • He becomes an inwardly more agile person. And to become a true artist
    • inward digestion. These organs are strengthened; in them the appeal
    • to consonants is inwardly exceptionally invigorating. If one has an
    • inwardly — how, the human being deports himself in his interior
  • Title: Curative Eurythmy: Lecture 7
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    • traces only in its details and not in regard to what is actually inwardly
    • tendency works from the planetary sphere inward. And furthermore, from
    • spherical forwards, from without inwards, some-thing is formed which
    • inwards which is in turn re-absorbed. In between lies thus what can
    • built inwards from without, as embryology demonstrates, but is consolidated
    • upon the forces which inspire man from without inwards in his breathing,
    • system, the objective inspiration which goes inwards does not encounter
    • the inner breathing of the organs orientated from without inwards and
    • inwardly directed clairvoyance then sets in, people begin to draw wildly.
    • notion of these peculiar processes which light up as inward processes
    • thing crosses the other; then an inward silent speaking joins what is
    • By this method one can drive out all the tendencies to fix inwardly
    • when what is beautiful in the outer world is experienced inwardly, it
    • to be able to say that, when we are all inwardly initiated in the contents
  • Title: Curative Eurythmy: Lecture 8
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    • lies further inward. What is related to the mental image plays in here.
    • eurythmy is reflected inwards in curative eurythmy. It is reflected
    • inwards simply through the fact that in curative eurythmy the sound
    • by another dynamic working from without inwards — a dynamic which
    • of organs which work together to move inwardly in a different manner,
    • through the elements of curative eurythmy. That is the most inward kneading
    • as correct in massage is, in an unendingly powerful way, made inward



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