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Query was: leg

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• Title: Curative Eurythmy: References to the Fourth German Edition
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  • courses in almost all the big towns in Germany, and I had the privilege
• Title: Curative Eurythmy: Lecture 1
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  • stepping out with the left leg and bringing the right leg up to it,
  • so that the leg and foot exercise is added to the hand and arm exercise,
  • the other hand one has a child who is phlegmatic, who doesn't want to
  • that first the right leg is placed in front and the left leg brought
  • (one after the other) reinforced by the leg and foot movement. One must
  • with his legs and the “O” by moving his arms so. have the
  • upper body vertically, separate the legs, and make the “O”
• Title: Curative Eurythmy: Lecture 2
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  • should be practised by people who have weak legs, who tire easily while
  • done with the legs as well where possible, only somewhat less forcefully,
  • “I”, for example, with the legs? It's very easy. One must
  • only stretch out the leg and feel the stretching in it. The
  • on both legs, so that one has a distinct
  • stretching feeling in both. “O” with legs must be learned,
  • described, to do the “O” with the legs as well. That consists
  • it, you must have the feeling that what is done later for the legs and
  • But one must stand on tiptoe and lay one leg over the
  • (with the legs; the ed.) is also necessary; I have already demonstrated
  • walk in such a manner that he always touches each leg alternately.
  • he crosses over first with one leg, then with the other, so that he
  • always crosses one leg over the other, so that he places one leg at
• Title: Curative Eurythmy: Lecture 4
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  • one leg imitates the motion of the arm while moving; but repeat the
  • Now you must attempt to do this with the legs as well. That brings about
  • a complicated leg movement which is very similar to the movements of
  • try to make a D. Now attempt to make the same movement with the legs:
  • you hop, and while hopping you bend the legs somewhat at the knee. Here
  • (Mrs. Baumann). And now you must try to hop forwards with the legs spread
  • it is necessary to hop, to hop forwards keeping the legs continuously
  • the legs down in this 0-shape, namely, this actually has a very inward
  • to put the weight on the foot with the legs bent — you must try
  • L, (Mrs. Baumann) here again together with the effort to place the legs
  • tries to stand with the legs together, to hop forwards, and in the course
  • of this hop forwards, to spread the legs and strike the floor with the
  • legs apart; one should always be moving forwards. That is a movement
  • step”. It is good to do one step with one leg and the next with
  • the other leg — forth and back. One can also do the peewit step
  • backwards and then with the other leg forwards again. This technique
  • the beginning. So, one keeps the legs, the knees, bent and then jumps.
  • 1. X-beine; literally, X-legs.
• Title: Curative Eurythmy: Lecture 5
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  • that we make a bending and stretching movement with the legs and at
  • a trochee in the movement of legs and vice versa. Eurythmy in its entirety
  • lethargy is a general expression and can be relegated to something or
• Title: Curative Eurythmy: Lecture 7
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  • be in the position to refute any allegations that I myself interfere in
• Title: Curative Eurythmy: Lecture 8
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  • the legs pressed against one another. That is an extraordinarily curative
  • no more heal a broken leg or broken arm through curative exercises alone,
  • seen as a sort of central telegraphic apparatus to which the so-called