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Query was: movement

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• Title: Curative Eurythmy: Comments by the Editor of the Third German Edition
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  • of all ages grasped and carried out the movements of eurythmy so naturally
  • of eurythmy movement is a language that is in genuine harmony with the
  • better form, movement exercises which would help the etheric formative
  • to take hold of the movement potential in the human body, is still at
  • movement for many years found that the exercises Rudolf Steiner either
• Title: Curative Eurythmy: References to the Fourth German Edition
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  • was even at that time about healing by means of eurythmy movements, and
  • and that our movements in this therapeutic eurythmy would really have
  • speech and music, then through movements of the human body itself, and
• Title: Curative Eurythmy: Cover Sheet
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  • 2. Movement therapy
• Title: Curative Eurythmy: Back Cover
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  • transmuted into silent eurythmic movement. In such movements the
• Title: Curative Eurythmy: Synopsis of Lectures
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  • being. The connection between movement of the limbs and thinking,
  • element in eurythmic movement.
  • movement in earlier times. The ceasing of these expressions of
  • movement as language becomes inward in our times. Bringing the body
  • into movement again in eurythmy. Bringing the various eurythmic
  • movements carried out for curative purposes. Movement in the will and
  • movement in the intellect. The losing of the formative quality of
  • eurythmy. Bringing movement into man's etheric body, regulating the
  • similar to sleep, a gentle imagining. The ether movements of the
• Title: Curative Eurythmy: Lecture 1
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  • and in the tendencies to movement of the human body — is that which
  • down into the breast, is in such inner movement, that this movement
  • respiratory system. It is by means of the transformation of the movement
  • in movement, reciprocally conditioning each other in motion, that thinking
  • syllables and their movement, into the movement of the sounds and into
  • of successive movements.
  • up to it; thus one has the arm movements forming the “A”
  • (one after the other) reinforced by the leg and foot movement. One must
  • clumsy hand and finger movements and so on, he will exhibit a particular
  • movement with the arms; release and repeat, release and repeat and so
  • certain movements that are actually only metamorphoses of the usual
  • eurythmic movements and to trace their effect on the human organization.
  • each organ stands in a certain relationship to a possible form of movement
  • a tendency to assume an abnormal form. A form of movement exists which
• Title: Curative Eurythmy: Lecture 2
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  • movements which the tongue, the lips and the palate perform, the consonants
  • to a degree connected with movements of the body — the movement of
  • was removed more to the interior and the possibilities of movement,
  • of expression through movement, ceased. Today in normal life we speak
  • largely without accompanying our speech with the corresponding movements.
  • as movements and thus bring the body into movement again. Now we must
  • realize that when we pronounce vowels we omit the movement and make
  • the vowel inward, that previously joined in the outward movement to
  • We take the movement away. Thus we restore to the vowel in outer
  • movement what we have taken away from it on its inward-going path. In
  • the case of the vowel, matters are such that the outward movement is
  • that which is eurythmically vocalized in movement. Here it is very
  • important that one develops a feeling for what flows into the movement.
  • that one feels the movement made or the position taken up. That is what
  • movement somewhat lower, returns again, and does it with both (arms)
  • always returning (to the rest position; the ed.). When these movements
  • call this the movement for children or adults who cannot stand. In the
  • Now please do the “O”-movement: quite high up and back (to
  • still, and so on. Now do it so that you make the “O”-movement
  • above; feel distinctly the rounding of the arms within the movement
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• Title: Curative Eurythmy: Lecture 3
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  • forms which consonants take in eurythmic movement. In what has been
  • developed as the form involved in consonantal movement consideration
  • and show us first of all the movement for “H”. Now please
  • disregard this H-movement altogether and Mrs. Baumann will demonstrate
  • the F-movement. And now keep an eye on what you can observe here in
  • these two different movements. You can observe what is present by virtue
  • find the movement for it deviates greatly to begin with from what takes
  • it in movement. In certain instances one must go over to the exactly
  • the characteristic movement that was present in D. Thus the thrusting
  • quality of speech is lamed when one conveys the sound through movement.
  • immediately become outward, where one would enter into the movement
  • precisely the running after the movement of the sound that comes to
  • expression, one can express the labial R by carrying the movement further
  • in the eurythmic movement. But you see that the form is determined by
  • sound where one has, not a vibrating, but a sort of wave in the movement
  • movement in it as in the R; but the running-after is mild and comes
  • organs; if we compare once again the respective movements we will arrive
  • here one starts with the position and the essential lies in the movement.
  • in movement into its polar opposite when performed outwardly in eurythmy.
  • of the soft transformation in the movement, must be in a sense of an
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• Title: Curative Eurythmy: Lecture 4
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  • consonantal eurythmic movements the case is that, although the rhythmic
  • details. We will now go through the most important consonantal movements
  • a complicated leg movement which is very similar to the movements of
  • of the movements that are connected with the eurythmic consonants have
  • activity — movement such as we have just made work back on the
  • kidneys, you should have such movements carried out. Precisely the
  • movements which we have just done, B and P, are those which work
  • try to make a D. Now attempt to make the same movement with the legs:
  • the T for us; here the corresponding movement will be a hop forwards
  • the speech organism — which takes up the movement in the course
  • in the case of G, as well as of K and of Q we have a movement which
  • which thus promotes the movement of the intestine itself. The difference
  • this movement one has something which one can have those children do who
  • headaches, since this movement
  • this movement in particular will have a most important effect.
  • the same. Here we have a movement which should be practised when one
  • whatever reason — here is the movement to be performed.
  • of course, entirely possible to combine the movements in the most varied
  • stretching movement himself; the ed.), put the weight on the foot,
  • from its being necessary to do these movements not in a dilettantic
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• Title: Curative Eurythmy: Lecture 5
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  • when one makes the eurythmic movement corresponding to a judgment, here
  • through judging eurythmically. Mrs. Baumann will show us the movement
  • in its essence. When you give such a confirmation or negation, the movement
  • fleeting, a thought which has gained wings and gone over into movement.
  • negation — then it is a thought which rides on the movement. And
  • because the thought rides on the movement one projects in fact on the
  • the thought rides on the movement one takes a part more thoroughly into
  • oneself than otherwise. That is to say, one makes a movement through
  • which one becomes more awake than one otherwise is. Such movements are
  • actually movements that awaken. However, because one does not wake up
  • Now imagine you make this movement repeatedly, one after another: sympathy,
  • It is a sort of falling asleep. The other movement (confirmation and
  • out slowly. It is indeed a movement which brings forth the imagination
  • such a movement — not in reality, however, at least that shouldn't
  • this movement, the “I” is more strongly active in relation
  • to the body than it usually is. And by means of such a movement the
  • movement the tendency to belch, for example, can be counteracted.
  • accompanied by a powerful E between each of the movements. Thus, Love-E,
  • Love-E, and so on, one after another. You accompany the movements which you
  • feeling as well — with the movement for E. Here we have a strong
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• Title: Curative Eurythmy: Lecture 6
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  • the etheric body takes up those movements which it carries out —
  • movements of the etheric body are awakened to a greater degree. These
  • movements of the etheric body can be observed. Thus in the listener
  • one has a person demonstrating in a heightened manner the movements
  • for you, ether movements of the human being in sleep. It isn't at all
  • movements of the human being when listening and has in fact here the
  • heightened movements of the etheric body in sleep. One studies these
  • movements and has them carried out by the physical body. That is to
  • say one allows the physical body to glide into all those etheric movements
  • apparent as well. The result is that by means of the physical movement
  • what corresponds to the outward movement.
  • characterized is correct when someone speaks and the movements for
  • differentiated movements have been performed all of which prove to be
  • movements within the etheric body having primarily to do with what lies
  • for this person, or when one has him carry out such movements, in which
  • case he would be listening to the movements which are the forms of
  • the normal person listening to vowels those movements of the the etheric
  • now you have the person doing eurythmy carry out in turn those movements
  • through which he glides with his physical body into the movements which
  • movements of the etheric body which are otherwise actually carried out in
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• Title: Curative Eurythmy: Lecture 7
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  • and shapes him, lives on the other hand in the movements for the
  • and the movements that are carried out are in continuous opposition
  • to the luminous movements within. In particular, there appears an entire
  • certain consonantal movements. One has a picture of the excretory process
  • carried out outwardly in movements in the person doing eurythmy as well.
  • the movement possible, as it should now be inaugurated in the medical
  • to the person, what the welfare of the movement may entail; that the
  • welfare of the movement is dependent in each individual instance upon
  • otherwise able to, in the anthroposophical movement, insofar as matters
  • anthroposophical movement we must be in the position to say: what is
  • the anthroposophical movement the doctors are responsible for the therapy
• Title: Curative Eurythmy: Lecture 8
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  • created there as movement of air. If we consider the outermost periphery
  • into force. In this way ordinary speech is metamorphosed into movements of
  • to create correlatives in human movement for the individual sounds,
  • movement of air can correspond to an A or an L, so can an outwardly
  • visible form in movement correspond to an A or an L. Here we have a
  • movement, or movement structure, as I would like to call it, derived
  • he could not endure the anti-alcohol movement — that more people
  • collision, is unloaded in the movement of the air (This is something
  • has thus to do with the following. Imagine that you place an A-movement
  • together with an L-movement. First of all you have the movements repeated,
  • allowing the vowel and consonantal elements, let us say in the A-movement
  • and the L-movement, to work together, you will always induce a functioning
  • brought about by the eurythmic movement, work together in this exceptional
  • against the nerve-sensory-man, when one does the L-movement repeatedly,
  • and when the L-movement is associated with an A-form. Thus one can say:
  • instigation of the forms and movements necessary. When, for example,
  • you let someone carry out a consonantal movement, it works, to begin
  • movements of artistic eurythmy are somewhat modified for curative eurythmy.
  • One can say that when an A- or an L-movement is carried out, it is always
  • do the movement for A. You can support the same process in the lower
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