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  • Title: Curative Eurythmy: Lecture 2
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    • is outwardly objective. When we remain within the realm of speech, these
    • conform themselves more plastically to the outward forms of objects
    • of the outward form-nature of things. However, one can actually only
    • the vowel inward, that previously joined in the outward movement to
    • the case of the vowel, matters are such that the outward movement is
    • must thereby stand on tiptoe, however, and bend outward, remain so standing
    • the outward-going path of speech is restored to it. And, whether one
  • Title: Curative Eurythmy: Lecture 3
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    • the larynx. The eurythmic process must express this outwardly. It expresses
    • also has sounds that carefully connect the inward with the outward;
    • immediately become outward, where one would enter into the movement
    • in movement into its polar opposite when performed outwardly in eurythmy.
    • within outwards, at least in our language. We don't say “le”,
    • seeks an essentially outward movement with the U. In the pronounciation
    • into account, however: if one considers the forms outwardly one does
    • to outward expression and more on the tendency involved. The tendency
    • shows through the outward movement and the position of the movement
    • outward physical studies, but also by outward means, this process of
  • Title: Curative Eurythmy: Lecture 5
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    • one hand, a part of this being outwards; on the other hand, because
  • Title: Curative Eurythmy: Lecture 6
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    • outwardly is the activity of mental representation clothed in an
    • the case in outward artistry is in a higher degree the case here as well
    • what corresponds to the outward movement.
    • he would like to be imitating outwardly, physically, when he listens
    • is more outwardly physiologic, Swedish gymnastics and so on. Nevertheless
    • We could stimulate them by outward means as well; it would be natural
  • Title: Curative Eurythmy: Lecture 7
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    • have a deformation of the joints. That is an outwardly-working tendency
    • ray outwards, leaving the human being instead of working within him as
    • when eurythmy is done outwardly. And in the moment when what is concealed
    • carried out outwardly in movements in the person doing eurythmy as well.
    • his ascent to the outward formative forces, to the objectively intuiting
    • person doing it: make very clear to yourself what you hear outwardly!
  • Title: Curative Eurythmy: Lecture 8
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    • movement of air can correspond to an A or an L, so can an outwardly
    • Yet this outward scratching about on the human being is inconsequential
    • as an outward indication. It will not have a curative effect, however,
    • we no longer proceed in so outward a fashion, that we picture the whole



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