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Query was: position

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

• Title: Curative Eurythmy: Foreword to the English Edition
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  • beginning that the text could not read like an English composition.
• Title: Curative Eurythmy: Synopsis of Lectures
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  • centripetal dynamics. Sensitivity and an artistic disposition are
• Title: Curative Eurythmy: Lecture 1
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  • certain, in a way rudimentary, but who is in his dispositions, in his
  • its former position so as to appear as the posterior head, then it would,
  • this second man, who takes up an appositive position in us, into being:
  • as well, is not the mere form of the limb in position seen from without,
  • the positioned limb is felt. What is felt in the limb is what is important.
• Title: Curative Eurythmy: Lecture 2
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  • that one feels the movement made or the position taken up. That is what
  • one then returns (to the rest position; the ed.) and performs the same
  • out, one could make it more complicated by taking more positions; one
  • “I”-positions as possible, carried out from above to below,
  • always returning (to the rest position; the ed.). When these movements
  • position; the ed.) so that you reach the last position only by turning:
  • The arms quite high up, and back to the starting position, now a bit
  • the rest position; the ed.) and now somewhat lower, back again, lower
  • other so that they touch. Now return (to the rest position; the ed.),
  • Now we want to make an “A”: we return (to the rest position;
  • and then trying to stand in this manner and hold one's position. One
  • a moment and then return to the normal position; then build it up again
  • it to you yesterday. It consists in assuming this spread position while
  • is effective; the person must really see himself inwardly in the position
• Title: Curative Eurythmy: Lecture 3
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  • within. For this reason the eurythmic transposition of the sound must
  • can see from the position — which as the third element must be
  • here one starts with the position and the essential lies in the movement.
  • shows through the outward movement and the position of the movement
  • in opposition to the specialization of the human organization in the
• Title: Curative Eurythmy: Lecture 4
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  • in the knock-kneed position and hop forwards — draw together —
  • the position to counter these symptoms, which quite justifiably appear,
• Title: Curative Eurythmy: Lecture 5
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  • disposition of the will
  • the wish repeatedly — always returning to the position of balance,
  • your own movement in the other person and accompany it with the O position
• Title: Curative Eurythmy: Lecture 6
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  • called forth by the power of one's own ego in opposition to those movements
• Title: Curative Eurythmy: Lecture 7
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  • opposition to them stand those forces in the human being and in the
  • and the movements that are carried out are in continuous opposition
  • be in the position to refute any allegations that I myself interfere in
  • anthroposophical movement we must be in the position to say: what is
  • always be in the position to say that, in certain cases. And we come
• Title: Curative Eurythmy: Lecture 8
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  • and one has as a result eurythmy. In this way one is really in the position
  • of spiritual science's position in regard to medicine as a whole.
  • convinced by the expositions that I have made here that this is not
  • upon the artistic disposition of the soul.
  • opposition to official medicine, as is often the case in fanatical