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  • Title: Curative Eurythmy: Comments by the Editor of the Third German Edition
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    • it is essential to have an artistic understanding of the patient. All
  • Title: Curative Eurythmy: References to the Fourth German Edition
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    • when I was in Stuttgart of standing in for Frau Baumann at the Waldorf
    • we could not understand a lot of what Dr. Steiner was saying, and as
    • students and scholars! But — even if we did not understand it
    • and could understand and support our endeavours from both the medical
  • Title: Curative Eurythmy: Foreword to the English Edition
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    • translating intellectually what we understand his meaning to be.
    • Sentences which are difficult to understand will on comparison
  • Title: Curative Eurythmy: Synopsis of Lectures
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  • Title: Curative Eurythmy: Lecture 1
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    • to understand what eurythmy in its most varied aspects is, one must
    • first of all gain a certain understanding of the human larynx. We will
    • it comes to full expression. And if one wishes to understand man, one
    • find that these things present difficulties for an inner understanding
    • learn to understand that one thinks not only with the brain but also
    • figures. He cannot understand a geometric figure by looking at it. However
    • each organ stands in a certain relationship to a possible form of movement
  • Title: Curative Eurythmy: Lecture 2
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    • call this the movement for children or adults who cannot stand. In the
    • we have those who cannot stand.
    • Now not being able to stand is to have weak feet and to become very
    • easily tired when standing. It would also mean, for example, that one
    • could not stand long enough on tiptoe properly, or that one could not
    • stand on one's heels long enough without immediately becoming clumsy.
    • Standing on tiptoe or on the heels are no eurythmic exercises, but they
    • standing or who can't stand properly at all. To be unable to stand properly
    • stand. And for such people the “U”-exercise is especially
    • “U” would be simply to stand with full awareness
    • and then trying to stand in this manner and hold one's position. One
    • must thereby stand on tiptoe, however, and bend outward, remain so standing
    • But one must stand on tiptoe and lay one leg over the
    • standing insofar as it is possible on tiptoe. That should also be
  • Title: Curative Eurythmy: Lecture 3
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    • we want to understand the formation of consonants in the field of eurythmy,
    • one states that one is bringing to a standstill, arresting, that in
    • of what one usually brings to a standstill is expressed. Thus it is
    • the sound we use therapeutically when a person cannot stand. You saw
    • hold one's stand is called forth. This is present in the U in artistic
    • to become big-bellied, as I would like to call it, it is easy to understand
    • things if one wishes to understand these matters inwardly.
    • fastening together of E's which stand one above another; that expresses
    • truly so: the person who understands that developing oneself spiritually
  • Title: Curative Eurythmy: Lecture 4
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    • tries to stand with the legs together, to hop forwards, and in the course
    • but, as I said, tranquilly and standing still after each separate hop.
    • It is particularly important to understand this matter. Then, you see,
  • Title: Curative Eurythmy: Lecture 5
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    • us imagine the movement so: one of the ladies stands here, the other
    • that there be no misunderstanding, I emphasize that of course the opinion
  • Title: Curative Eurythmy: Lecture 6
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    • understand that the habitual practise of eurythmy activates the plasticity
    • instructor stands at the spiritual level of the child. Such things
    • matters much more consciously. And those nations that stand in the
    • One should understand that the person who does consonantal eurythmy
  • Title: Curative Eurythmy: Lecture 7
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    • opposition to them stand those forces in the human being and in the
    • here, then we begin to understand the organs and their functions. This
    • is an indication of how to understand the organs and their functions.
    • in this area when we can stand up to the outer world — as we are
    • are conducted with understanding and not bowdlerized by people without
    • understanding. Simply by virtue of knowing what is going on in the
  • Title: Curative Eurythmy: Lecture 8
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    • basis for the correct understanding of curative eurythmy must be taken
    • depends upon one's understanding that a sort of centrifugal dynamic
    • insecurities in standing, which may, of course, arise in the most varied
    • other so that one stands as when “at attention” — with
    • to you; and because I wanted to give you the possibility of understanding
    • in order to prevent misunderstandings, however, I particularly want
    • to you, so that you yourselves do not leave here under a misunderstanding,
    • and to enable you to counter misunderstandings which arise again and
    • side of medicine is that one confront the misunderstandings at least to a
    • misunderstandings,



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