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  • Title: Curative Eurythmy: References to the Fourth German Edition
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    • and the human healing effect of vowels, for instance AUM. Our
    • it rather than filling it with our consciousness. The vowels, consonants,
  • Title: Curative Eurythmy: Back Cover
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    • Language and the dynamism that is contained in individual vowels and
  • Title: Curative Eurythmy: Synopsis of Lectures
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    • The character of vowels and consonants. Speech and
    • vowels into the realm of therapy. Man expressing himself through the
    • vowel as person, as Man, as soul. The difference between vowels and
    • outside world; when he performs vowels he goes into himself in an
    • speaking of vowels and their use in curative eurythmy. The inner
    • Vowels work directly upon the rhythmic organism, the
    • performed in eurythmy first with the vowels and then with the
    • physical body in eurythmy. Doing vowels and consonants alternately in
  • Title: Curative Eurythmy: Lecture 2
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    • intend to discuss matters related to the vowel element in eurythmy.
    • science — that vowels express more that which lives inwardly in
    • two statements are valid: vowels, more expression, revelation of the
    • inwardness of feeling; we reveal ourselves to an extent in the vowel,
    • speak of vowels and consonants in this manner when one has an earlier
    • In eurythmy we bring back what attended the vowels and consonants
    • realize that when we pronounce vowels we omit the movement and make
    • the vowel inward, that previously joined in the outward movement to
    • We take the movement away. Thus we restore to the vowel in outer
    • the case of the vowel, matters are such that the outward movement is
    • of the vowel, eurythmically expressed, onto the whole man. That is what
    • In speaking of vowels today, we will speak purely of the meaning of
    • for this. In what pertains to vowels it is extremely important
    • is important. Starting from here, we will transpose each of the vowels
    • manner. This is especially true in respect to the vowels.
    • know that the vowel element can be developed in this fashion, and that
    • by applying the vowels. You will be able to achieve in particular the
    • as that is greatly facilitated through the practice of the vowels. When
    • the practice of the vowels. So in the cases of chronic headaches and
    • the vowel element should be sharply distinguished to begin with from what
    • Maximum number of matches per file exceeded.
  • Title: Curative Eurythmy: Lecture 3
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    • living out into the world. In the vowels he comes to himself; in the
    • vowels he goes within and unfolds his activity there. In the consonants
    • a vowel. It is impossible to sound a consonant without it being tinged
    • by a vowel, you follow it up with an “A”. The pure consonant
    • is vocalized, combined with a vowel. If you consider the “F”
    • different, according to whether the vowel tinges the consonant from the
    • the vowel element of the consonantal sound, and with the shading through
    • You can determine to what extent the vowel colouring is involved by
    • three organizational principles — the vowel colouring,
    • look at the other vowels you will find a progressive internalization.
  • Title: Curative Eurythmy: Lecture 4
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    • we have seen the vowels in eurythmy
    • interesting letter is the H, which actually has the most vowel nature
    • vowels. As we considered the making of vowels in eurythmy I had to draw
    • to the vowels, it would be good to have the patient sound the vowel
    • have him carry out the movement for the vowel in question. When he has
    • when you have the patient speak the vowel, entone it, the organism as
  • Title: Curative Eurythmy: Lecture 6
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    • Gipfeln ist Ruh” alternately in vowels and in consonants, while
    • only the vowels. So that the emphasis is on the vowels alone. (Miss
    • here. When only the vowels are carried out then that which I have
    • consonants and vowels
    • vowels are spoken. When a person listens to vowels — which occurs
    • therapeutically — when one recites a simple sequence of vowels
    • expression for the vowel element while doing eurythmy — then, in
    • the normal person listening to vowels those movements of the the etheric
    • are otherwise manifest in the etheric body when vowels are heard. That
    • This will serve as an introduction to the physiology of the vowels in
    • the vowel-element in eurythmy you will be able to affect the rhythmic
    • and the vowels as they are carried out eurythmically. The difference
    • and unilluminated by a vowel lying between. You will find it possible
    • are present. To be sure when the words are spoken the vowel element
    • thoroughly permeated by vowels. Thus one has to do with quite another
    • us just now is that through the vowel element in eurythmy one has the
    • the human being organically to himself through the vowels. One can awaken
    • will find that the alternation between the two, between the vowels and
    • forth by alternating consonantal and vowel elements in eurythmy.
    • case of the person who does vowels in eurythmy, his aura is drawn together,
  • Title: Curative Eurythmy: Lecture 7
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    • normalization of the situation by practising vowels in eurythmy. In
    • eurythmy the vowels affect internal irregularities which are precisely
    • done as we saw yesterday in vowels or consonants — then the one
    • respiration arises of its own accord under the influence of the vowels in
    • by means of eurythmic vowel exercises (in accordance with the diagnosis
  • Title: Curative Eurythmy: Lecture 8
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    • whether they be vowels or consonants. Just as a certain formation and
    • allowing the vowel and consonantal elements, let us say in the A-movement
    • through the movements for vowels, you will be able to do this, if you
    • for A or O. The vowel movements affect the exhalation and begin to work
    • exhalation can be rein-forced by doing the vowels in eurythmy. When
    • you do the vowels in eurythmy, the plastic element works directly together
    • eurythmy and follow with the vowels; in order to work on formation
    • through the vowels as opposed to the deformation which has already



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