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• Title: Curative Eurythmy: Comments by the Editor of the Third German Edition
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  • of eurythmy, which, as he explained in his introductory words to eurythmy
  • words are taken from Frau Baumann's introduction: “Children
  • even today the creative and curative power of the Word, with its capacity
  • as is clearly stated in Rudolf Steiner's own words. In October 1922,
• Title: Curative Eurythmy: Concerning the Transcripts of the Lectures
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  • part, would have preferred spoken word to remain spoken word, but the
• Title: Curative Eurythmy: References to the Fourth German Edition
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  • to stop their thoughts scattering”. Those were his words, and one
  • of these forms was the curve of Cassini, to the words “We will
  • and in the meantime, from February till April, we had heard no word
  • indications for word meaning and sentence construction, with all the
• Title: Curative Eurythmy: Contents
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  • Foreword to the English Edition
• Title: Curative Eurythmy: Foreword to the English Edition
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  • Foreword to the English Edition
  • FOREWORD TO THE ENGLISH EDITION
  • In the German, one has of course to do with the spoken word, which is
  • sound of the words and their sequence rather than in their meaning,
• Title: Curative Eurythmy: Lecture 3
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  • a result a word was used in order to express such an event, in order
  • that we have so little living feeling left for what lies in the words.
  • The words are actually only signs. What sort of feeling do people still
  • have for that which lies in words? I would like to know how many people
  • drawn is expressed in the word “Kopf” (Head), which has a
  • You see, that is a metamorphosis of the word “Furche” (furrow)
  • word that is experienced unpictorially is actually an inward
  • cause of illness; I am speaking in coarse words now — but then
  • we have only coarse words — of something which expresses itself
  • experience words pictorially, has upon it. The results are so far-reaching
• Title: Curative Eurythmy: Lecture 4
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  • consists almost solely of words, one can think out at length all sorts
• Title: Curative Eurythmy: Lecture 6
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  • something which is in essence the meaningful word, a meaningful
  • association of words. He listens to something in which the activity of
  • to observe this up to and even within Europe. just look at words written
  • are present. To be sure when the words are spoken the vowel element
• Title: Curative Eurythmy: Lecture 7
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  • case here the word “plastic”.
• Title: Curative Eurythmy: Lecture 8
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  • the corresponding sound, to the formation of the word or the artistic
  • And since one does not stop at an A or an L in the middle of a word,
  • in the devotion to the sound-, word- and sentence-formation in artistic
  • be, in their own words, “intoxicatingly simple.” Something
  • in other words, so that the treatment isn't carried out unconsciously.
  • refers to this lecture at the end of the foregoing with the words: