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Searching Rudolf Steiner Lectures by GA number (GA0062)
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Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: Errors in Spiritual Investigation
    Matching lines:
    • images called into consciousness by his free will, tries to draw
    • has been undertaken, one conclusion can be drawn: spiritual
  • Title: Lecture: The Mission of Raphael in the Light of Spiritual Science
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    • not necessary for man to withdraw from sense impressions or to give
    • destined to withdraw into itself and experience its struggles and conquests
    • was now to draw into the souls of men and to be laid hold of by dint
    • of the human spirit. We would fain draw nearer to him nay, we need him
  • Title: Poetry/Fairy Tales: Lecture 1: The Poetry of Fairy Tales
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    • asleep. The human soul withdraws from the sense world and from the
  • Title: Jacob Boehme
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    • during seven days, Jacob Boehme felt as if withdrawn from
    • the withdrawal into another world, remained to him a phenomenon
    • his writings. If, however, a person draws the conclusion
    • should like to draw upon the following.
    • Jacob Boehme, who draws deeper forces from his soul with
    • we were not capable of drawing up out of our memory what we
  • Title: Lecture: Leonardo da Vinci
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    • for drawing, he entered the school of Verrochio. His father sent him
    • there because he believed his talent for drawing could be made
    • execution, and the drawing is still preserved in which he tried to
    • lower corner is the drawing of another head so as to catch the whole
    • we find in Leonardo. Drawings of his have been preserved (many the
    • drawn the same detail over and over again — drawings which he
    • light of Spiritual Science? We have repeatedly drawn attention to the
    • to the drawing which is considered to be, and justly so, his own
    • portrait drawn by himself — the drawing of an old man —
  • Title: Raphael's Mission in the Light of the Science of the Spirit
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    • culture of the human spirit is founded. We would fain draw nearer to him,
    • drawn from many directions, asking himself: Is it permissible
    • attention is necessarily drawn to an important age with which
    • the human soul, the withdrawal of the human soul in turning to
    • organs. A withdrawal from sense impressions, in giving oneself
    • human soul had to withdraw into itself and experience its own
    • withdrawn from the external world — how impossible does this
    • new religion. Buried, withdrawn for outer eyes and buried
    • draw nearer to him, since we have need of him for our well-being.
  • Title: Leonardo's Spiritual Stature: Lecture
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    • first place. Since he showed talent in drawing early on, he was
    • talent in drawing could be exploited. The young Leonardo was
    • execution. — The drawing still exists in which he
    • is drawn, recording the exact impression.
    • example, draw a countenance and see what would result in making
    • Drawings by him exist in which he sketched a particular feature
    • again and again — drawings he then wanted to use for
    • secrets of Nature in an original manner by means of drawing
    • Leonardo da Vinci: Drawing of a Horse
    • have often drawn attention to the fact that the further we go
    • become ready of themselves to feel drawn to spiritual science.
    • to the instrument of the brain. Leonardo felt drawn everywhere
    • again to the drawing that rightly counts as a self-portrait, to
  • Title: Fairy Tales: in the light of Spiritual Investigation
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    • falling asleep. Having withdrawn itself from the senses and
  • Title: The Worldview of Herman Grimm in Relation to Spiritual Science
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    • become aware that parallels can be drawn to modern cultural
    • himself in an immediate way to the human soul, in drawing our
    • bound, had drawn her towards him from the realm of the dead.
    • field of spiritual research, we draw a picture of how the
    • backwards, drawing her after him, the whole magnificent figure



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