You may select a new search term and repeat your search. Searches are not case sensitive, and you can use regular expressions in your queries.

Enter your search term: by: title, keyword, or context

   Query type: 
    Query was: hat
  

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

• Title: Errors in Spiritual Investigation
  Matching lines:
  • this realm one has to do not only with sources of error that can be
  • with sources of error that accompany every step of the spiritual
  • investigation of truth. One has to do with errors that must be not
  • way that one keeps, as it were, a spiritual eye on these experiences
  • It is easy to grasp that one wishing to penetrate to the
  • observation of life it is necessary that we have not only healthy
  • senses but also a healthy consciousness, that is, a consciousness not
  • to his eye condition, would see a figure that he took to be real but
  • that was nothing other than something called forth by his abnormal
  • judge the situation correctly, to recognize that what his eye called
  • starting point from ordinary soul development, from what is right and
  • (Vorstellungsarten) that we have presented as meditations and as
  • The problem now is that at the starting point, that is,
  • point that does not result from a sound power of judgment, that
  • organs. Here we are again at the point that we have often mentioned
  • in previous lectures: the significance of what one can designate as
  • embarked upon. Everything that readily surrenders itself to illusion
  • in the soul, that readily judges in an arbitrary way, that represents
  • The other starting point that is of essential significance is
  • faces the higher world in a state of what one must designate as a
  • Maximum number of matches per file exceeded.
• Title: Lecture: The Mission of Raphael in the Light of Spiritual Science
  Matching lines:
  • typewritten transcription of a lecture that is from Bn/GA 62, and is
  • typewritten transcription of a lecture that is from Bn/GA 62, and is
  • figures stand there, making us feel that they emerge suddenly out of the
  • spiritual history of man. On closer observation it becomes evident that
  • such a human being, whom we have at first compared to a star that flashes
  • the ages down to the present day. Grimm has been able to show that
  • element, and that a uniform stream of spiritual development has flowed
  • the other side of the spiritual conception of history it may be said that
  • wrote these significant words: “What would all the
  • starry world and all that is spread out in Space amount to if it were
  • Applying these words to the evolution of the ages, we may say that in
  • figures of his pictures. What Homer created long ages before the appearance
  • of Christianity unites in this sense into an organic whole with what
  • pictures we feel that something would be lacking if the creative, formative
  • Raphael. The truth of repeated earthly lives that have so often been
  • when we bear in mind what has just been said. We realized then for the
  • first time what it means that the being of man should appear again and
  • to the other what is destined to be implanted in the spiritual evolution
  • interpret the various epochs in such a way that the human soul, appearing
  • an education proceeding from all that is created and born from out of
  • Maximum number of matches per file exceeded.
• Title: Poetry/Fairy Tales: Lecture 1: The Poetry of Fairy Tales
  Matching lines:
  • reasons why it would seem a somewhat risky enterprise to speak about
  • of all, the subject is indeed difficult, for the source of what one
  • soul. The methods of spiritual science that I have often described
  • the springs that have given rise through centuries of human history
  • the second place, it is just this poetic enchantment that causes one
  • it said quite rightly that explanations and commentaries of poetry
  • spoil the immediate, lively, artistic impression that a poem
  • in such an original way that intruding our own strong judgment would
  • those regions of soul that give rise to the poetic mood of the fairy
  • flow, deep down in human soul nature, we can be completely sure that
  • gently that they are not harmed. Just the opposite: the wonder of
  • so individual that one has oneself to resort to a kind of fairy tale
  • it seemed natural to use the fairy tale itself to describe what lives
  • that Schiller brought forward in a more abstract, philosophical
  • very nature of fairy tale enchantment leads us to believe that
  • sources will find that they lie in far more profound depths of the
  • that exalt as well as crush their victim. Fate is the cause of the
  • ordeals and shocks of tragedy. We find that the tangled threads woven
  • what an individual has to suffer from the outside world. However
  • this or that fateful life-situation.
  • Maximum number of matches per file exceeded.
• Title: Jacob Boehme
  Matching lines:
  • dawn of the new world-conception breaking forth, at that time
  • tableau. And in a certain sense one might say that the
  • of the different points of view which meet us elsewhere in that
  • epoch. And then we see how, very strangely, what Jacob Boehme
  • fact that we are dealing with a deeply significant spiritual
  • what came into being as his following, or as his
  • opposition, we have the impression that both the
  • understand every personality that appears in the spiritual life
  • that by assembling these details they can acquire this or that
  • understand how Jacob Boehme grew out of that which constituted
  • Many, therefore, have professed the opinion that in Jacob
  • Boehme we have to do with a kind of spiritual meteor. All that
  • arose there, all that this personality had to give, appears as
  • that many a turn of expression, many a way of presenting his
  • tendencies that were still alive in his time. But whoever
  • will find that such a procedure has hardly more value than if
  • clothing. That which makes such an exceedingly powerful
  • that it has a bearing here, we need mention only a few
  • it understandable that even as a boy of twelve or
  • native locality, the “Landskrone.” He declared that
  • Maximum number of matches per file exceeded.
• Title: Lecture: Leonardo da Vinci
  Matching lines:
  • significant moment — one that by innumerable souls is
  • of each of the twelve figures so individualized, that we may well
  • receive the impression that every form of the human soul and
  • to what the picture expresses, is embodied in them. In his treatise
  • We see what is taking place in each of these twelve souls, so closely
  • the utterance of these words; we see all that wonderfully expressed
  • down to Leonardo da Vinci; and we find that Leonardo
  • introduced into his “Last Supper”, what we might call the
  • dramatic element, for it is a wonderfully dramatic moment that
  • that old Dominican church, Santa Maria Delle Grazie, and there see on
  • the wall what can only be described as blurred, indistinct, damp
  • daubs of color — which are all that remains of the original
  • that comes to us then, is that for some long time back, there has not
  • such enthusiastic, fervent and rapturous terms. What must once have
  • what must have spoken through Leonardo's marvel of color in
  • such a way that in these colors was expressed the inmost depths of
  • all that must have long ceased to be visible on the wall. What has
  • position of the whole place was such that comparatively soon these
  • picture; they found that the door which led from the kitchen into the
  • who painted it over, so that scarcely anything of the original
  • Maximum number of matches per file exceeded.
• Title: Raffaels Mission Im Lichte der Wissenschaft vom Geiste
  Matching lines:
  • da sind, so daß man das Gefühl hat, sie kommen aus
  • angenommen hat, daß sie wie ein Stern aufglänzt und
  • Dieses Gefühl hat man insbesondere bei Raffael.
  • ich das letztemal hier sprechen durfte, hat versucht, Raffaels
  • geschaffen hat, nach seinem Tode fortwirkte wie ein Lebendiges,
  • bis in unsere Tage hereinzieht. Hat Herman Grimm so gezeigt,
  • einmal getan hat, und ihn sozusagen von der Raumeswelt auf die
  • geschaffen hat, mit demjenigen, was im sechzehnten Jahrhundert
  • gebraucht hat, das Wort «die Erziehung des
  • faßt. Da gewahrt man erst, wie es einen Sinn hat, daß
  • Raffaels Schaffen ergeben hat. Und nicht weil es sozusagen eine
  • was sich mir selbst ergeben hat nach mancherlei Anschauen und
  • ganz naturgemäß zu dem zusammenkristallisiert hat,
  • studiert hat, sozusagen etwas von einem Gesamteindruck in der
  • Sinneseindruck vor sich hatte, zugleich dasjenige, was
  • befreit hatte sie sich im Griechentume in einer gewissen Weise,
  • welche die menschliche Seele zu durchleben hatte.
  • und in seinen Schriften dargestellt hat, mit dem vergleichen,
  • Diese Verinnerlichung, die so stattgefunden hat,
  • Herman Grimm hat zuerst auf gewisse Regelmäßigkeiten
  • Maximum number of matches per file exceeded.
• Title: Raphael's Mission in the Light of the Science of the Spirit
  Matching lines:
  • that appear all at once, like a star, who are simply there, so
  • that one has the feeling, they arise quite suddenly from
  • this spiritual history. Closer observation reveals that such
  • Raphael's influence, his renown, through the times that follow
  • Raphael's own age, up to our own day. He was able to show that
  • unified stream of spiritual development that continues beyond
  • preceding age leaves us with the impression that it already
  • expression of Raphael's creations. Thus, what Homer brought
  • us to an organic whole through what arose from Raphael's soul
  • contemplate the works of Raphael, we have the sense that
  • only lives on in the centuries that follow him; what preceded
  • Thus, an expression that
  • especially in such outstanding figures as Raphael. What we have
  • on further significance in contemplating what has been said. We
  • become aware of the significance of the fact that the human
  • to another what is to be implanted in mankind's spiritual
  • in human evolution. It does not want merely to present what
  • periods. In appearing again and again in earth-lives that
  • all that is cultivated and achieved by the common spirit of
  • What is put forward here from a spiritual scientific standpoint
  • Maximum number of matches per file exceeded.
• Title: Leonardo's Spiritual Stature: Lecture
  Matching lines:
  • We can say that he [Leonardo] bore within him the whole spirit of
  • making use of powers that were only to emerge in later centuries. --
  • We can say that he [Leonardo] bore within him the whole
  • making use of powers that were only to emerge in later
  • s a result of the distribution of what is perhaps the most widely
  • marvelled at the tremendous idea that comes to expression in
  • and bearing are so individualized that we have the impression:
  • these figures, every manner in which an individual of whatever
  • temperament or character might respond to what the picture
  • After these words have been uttered we see what goes on in each
  • to Leonardo da Vinci, we find that, in depicting the Last
  • Supper, Leonardo introduced what can be called the dramatic
  • in Milan, in that old Dominican church of
  • This is all that remains of the original painting that has
  • back, one has the impression that for quite some time already
  • it has not been possible to see much of what people witnessed
  • What must indeed at one time have spoken to human beings from
  • terms of the idea that has just been haltingly enunciated, but
  • the wall. — What has this picture not suffered in the
  • course of time! [It should be noted that from 1978 to 1999,
  • Maximum number of matches per file exceeded.
• Title: Fairy Tales: in the light of Spiritual Investigation
  Matching lines:
  • “Old fairy tales that are an expression of the
  • ancient spiritual secrets of the world, arose such that
  • spiritual secrets to them, so that how they are put
  • second difficulty is that, in regard to what is magical
  • that the original, elementary impression, indeed the
  • that they destroy the immediate living impression
  • with one's power of judgment in what wells up so pristinely
  • that what may be offered as a kind of spiritual scientific
  • explanation remains something that touches the source so
  • from being impoverished, one has the feeling that
  • original that one would like best of all to bring it to
  • may be regarded as entirely natural that someone like
  • again for the soul's most noteworthy experiences. This is what
  • that
  • the Human Race. It lies in the nature of what is magical in
  • fairy tales that explanations cannot ultimately destroy their
  • (If I were to say all that I should like to say about the
  • That is to say, whoever seeks to come to the aforementioned
  • sources from the standpoint of spiritual research finds that
  • Tragedy depicts what the human soul can experience in
  • Maximum number of matches per file exceeded.
• Title: The Worldview of Herman Grimm in Relation to Spiritual Science
  Matching lines:
  • “Spiritual science aims to show what can be
  • said that for the purpose of gradually entering into the whole
  • t could easily appear as though what is set forth here as
  • spiritual science stood in isolation to what is otherwise
  • conceives of this spiritual science in a somewhat
  • become aware that parallels can be drawn to modern cultural
  • life in various ways. It will be seen that this manner of
  • Herman Grimm, he appears as a kind of mediator between all that
  • that she was his mother-in-law, the same Bettina Brentano who
  • close proximity to Goethe. In all that he took up in his
  • starts out from whatever stimulated him, that furthered the
  • Grimm that suited his aims, a realm in which he felt at home.
  • appeared to him as though it lived on. And in seeking out what
  • derived from Goethe and what was compatible with him in
  • Goethe that he sought. This then became a yardstick for him in
  • forefront, rather than what proceeded from Goethe. During that
  • that he certainly hoped would come, a time in which Goethe's
  • that he regarded himself as, so to say, the
  • Grimm stood somewhat apart in his relation to cultural matters.
  • that interested him. We also talked — and I was pleased
  • Maximum number of matches per file exceeded.