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Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: Errors in Spiritual Investigation
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    • him, particularly at dusk, causing him to see things unclearly and,
    • which this appropriate moral mood can be established. Of particular
    • a particular sympathy for this or that experience. Inner tranquility,
    • impartiality, a loving penetration of things and worlds, an attentive
    • spiritual world can be observed particularly in the people who deny
    • sheath that is cast off, the wooden part of the tree, or the shell of
    • notice, however, that all this actually has no particular meaning and
    • he finds that a large part of mysticism consists of the phenomena
    • one's own dear ego, especially into the parts of the ego into
    • parts of the spiritual world, not spiritual facts and beings. In the
    • be handled in this way, of that which stands apart from the
    • however, is by far the greatest part of the spiritual world, and the
    • isolated parts, after picking out what suits us — we receive a
    • spiritual investigator to cultivate one particular mood of soul,
    • circle would have to be to equal a particular square. This means that
    • particular kind of proof; one can prove it in this way as little as
  • Title: Lecture: The Mission of Raphael in the Light of Spiritual Science
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    • up in the soul of the Greek as something inwardly apart, but that it was
    • of action existing in the inner being of the soul apart from the external
    • as a mighty spirit at a parting of the ways in human evolution. All that
    • of the world of sense, and it then becomes part of history itself.
    • through this inward deepening and whose souls have long lived apart
    • before Greek culture could become visible in this particular form, and
    • “symbolical”, in the upper part of the picture. We see it again
    • of the various works of Raphael do not show us once this particular
    • of Raphael imparted to his feeling and perception. He says: “A
    • went in his own particular way he began to describe Raphael. We can
  • Title: Poetry/Fairy Tales: Lecture 1: The Poetry of Fairy Tales
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    • particular, circumscribed sphere of life.
    • tale expresses is not about one person in a particular situation in
    • one is able to say, from savoring a food, what its particular use
    • daily happenings; this something seems an intimate part of your own
    • traditions in various parts of the world. In those earlier times the
    • and also the particular name of the little man. Finally, after
    • there is something within you that is far, far greater than the part
    • unconscious conversation with the more capable part of the soul, you
    • this particular tale. Even though I would never wish to explain it in an
    • that from those parts of the earth where souls are closer to
    • particular difficulty, while the fairy tales show us what is relevant
    • involved with the life of the time. Therefore at various parts of our
    • part of our nature; we would be giving up what is incomprehensible
  • Title: Jacob Boehme
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    • does not have any particular means of education, we shall find
    • had departed and a short time had passed, Jacob Boehme heard
    • reached into all parts of the world and immersed itself in this
    • one thing stands out particularly. It has been emphasized
    • participates, so that one feels what he perceived vibrating in
    • mean anything particular in Jacob Boehme, but one should try to
    • counterpart (Gegenwurf), [The term Wurf is
    • created by the Wurf, its counterpart.] as Jacob Boehme
    • confront Himself with His experience — as counterpart
    • Divine Being. But for the Divine Being the counterpart is the
    • through the object, so the counterpart for Divine Consciousness
    • counterpart.
    • counterpart.” Thus, everything that lives and
    • Consciousness set up Its counterpart and wanted to become
    • “counterpart of the Godhead.”
    • the counterpart of the Godhead, which the Godhead set out of
    • that you yourself belong to the counterpart of the Godhead; for
    • into existence as counterpart of the Godhead, there appeared in
    • this counterpart the dividedness, the differences among
    • Boehme, to be the counterpart of the Godhead, the possibility
    • Maximum number of matches per file exceeded.
  • Title: Lecture: Leonardo da Vinci
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    • particularly in this picture? There we see embodied pictorially a
    • relate itself according to its particular temperament and character,
    • compelled to depart in technique from the method in which such
    • door heightened. This ruined a great part of the picture. Then at one
    • partly in the painting; rather, it is the conception that works on
    • chin larger and larger. To study the significance of a single part of
    • in the smallest particular to offend against the truth — which,
    • comprehensible. What can be studied with regard to particular human
    • tried to sketch him at particular moments of his life, we are led
    • referred to. In one particular sphere, in the time of Copernicus,
    • of the separate parts of an animal, or the human countenance! He
    • very smallest part of what lived within it. Such souls as Leonardo
  • Title: Raphael's Mission in the Light of the Science of the Spirit
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    • evolution, just as a limb is an integral part of an
    • However, it will not be possible to enter into particular works
    • in sensory images. And does this not then in fact become part
    • acts of cruelty on the part of the Church, against secularization,
    • that once again shows how Raphael stood inwardly apart from the
    • She calls forth a quite particular feeling in us. In permeating
    • symbolically, in the symbolism of the Trinity in the upper part
    • developments of humanity, participation in which will be denied
    • profoundly indicative of a particular feeling living in a human
    • of an ever more inward nature, to impart to humanity.
    • The History of Art part 1, Bn/GA# 292
    • The History of Art part 2, Bn/GA# 292
  • Title: Leonardo's Spiritual Stature: Lecture
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    • In this way part of the picture was devastated. [The feet of
    • partly the painting as such; it is also the idea that
    • of the Dominicans in Milan with quite particular feelings. For,
    • picture, in making the final brush-stroke, depart from it
    • frequently followed a person for a whole day when a particular
    • single parts of the human figure have, he enlarged a single
    • Drawings by him exist in which he sketched a particular feature
    • the details as described. Then something in particular began to
    • to be borne in mind that it is partly a matter of copies
    • of the duke's father, Francesco Sforza. He studied every part
    • course of many earth-lives. Born into a particular age, a soul
    • arise in particular epochs, not by chance, but according to
    • In a particular field prior to Copernicus, reliance was placed
    • our souls, exerting an educational effect. Quite apart from
    • movements of the hand, the parts of an animal, or the human
    • fully, and then departing from it embittered. We look into this
  • Title: Fairy Tales: in the light of Spiritual Investigation
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    • since for the most part we penetrate only with difficulty
    • into the particular make up of the individual. Still, they can
    • one way or another, a particular soul is entangled
    • in a particular destiny, as this is presented to us.
    • instance at a particular age, a particular period of life
    • destiny as a result of particular inner experiences. We sense
    • us in the tragedy with their particular sets of
    • a particular life situation may become involved in. It is
    • We cannot say, a particular human soul at a particular age of
    • when we partake of food is removed from the
    • from how a particular food tastes, no one is capable of
    • in particular, namely that people not only dream when they
    • accompanying it nonetheless and taking part in the various
    • pleases the child, participating as invisible spirit
    • part of the soul, we may feel reverberating in this fairy tale
    • inner participation in the spiritual forces of the cosmos
    • all show human beings only at a particular age of life and in
    • particular situations, while what lives in fairy tales is of a
    • done its part over a period of centuries to estrange the human
  • Title: The Worldview of Herman Grimm in Relation to Spiritual Science
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    • same time, so distinctive and unique as to stand apart. Today's
    • With inner participation, Herman Grimm experienced the
    • Grimm stood somewhat apart in his relation to cultural matters.
    • soulful participation. This contributes to the wonderful
    • one-sidedness, had something else not played a part,
    • asks, in forgetting everything of a particular life
    • particularly in the oldest periods. Even someone like
    • though directly within the unique qualities of the particular
    • western culture had appeared to him, A particular subject he
    • himself in Herman Grimm's spirit has the finest precepts. Apart
    • This becomes particularly evident when he directs his attention
    • composition appears to us inwardly coherent. But apart from
    • Apart from his novella, Herman Grimm wrote a further work, a
    • of life. Particularly remarkable is what might be called the
    • suddenly, as though it sprang apart and unfolded itself,



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