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• Title: Errors in Spiritual Investigation
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  • MERCURY PRESSSPRING VALLEY, NEW YORK 10977
  • sense organs. I bring this up only as a
  • develop into a real spiritual investigator, how he brings into use
  • appearing in ordinary sense and intellectual
  • essential and most significant aspects of preparing for a spiritual
  • other slumbering qualities in the depths of the soul; spiritual
  • feels himself so connected, so bound, to what he himself brings forth
  • he himself brings forth as a reality. If a human being leaves the
  • appearing, developed into a force of nature, if it is only a
  • are followed systematically. When we awaken the slumbering
  • considering something as reality. As indicated already in previous
  • Everything that the human being experiences on entering the
  • frightened and horrified on entering the spiritual world. This
  • To what extent fear plays a certain role on entering the
  • described before entering — and yet be aware of nothing
  • spiritual world, but who have acquired an understanding of entering,
  • spiritual world. One could say mockingly that fear-mongering is the
  • he who brings to the spiritual world the same soul condition that
  • spiritual world. The error here, however, lies in considering a proof
  • in considering that everything should be like condensed ghosts. Here
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• Title: Lecture: The Mission of Raphael in the Light of Spiritual Science
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  • again in repeated earthly lives through the epochs, bearing from one life
  • interpret the various epochs in such a way that the human soul, appearing
  • to human evolution as a whole during the last few centuries, is not intended
  • of bringing Raphael into it. Everything that I myself have experienced
  • we restudy human evolution during the last few thousand years. Greek
  • on account of Raphael's towering greatness.
  • appears in the year 1483 in a “spring-like” birth, as it
  • his soul the picture of St. George bringing the enemy to his feet. Later,
  • with the outer world. And on the other hand stirring events that had
  • appears before them uttering words of fire against the current misdeeds,
  • the very Spirit's breath of Spring, although in a different way from
  • in Rome where all his all-conquering works were created in the midst
  • of the Sun, all that is radiant and spring-like. This gives us a glimpse
  • of Christian legends and traditions appearing again in Raphael's pictures
  • was meant to signify. Then during the age of the Emperors, when Rome
  • we realize how Raphael brings this fire with him through birth from
  • perfect; it does not come forth as a consuming and shattering element
  • this Greek culture could bring forth its fairest flower because the
  • and activities of those Spirits who developed onwards during the epoch
  • whole grouping of the figures, in the wonderful coloring, indeed in the
• Title: Poetry/Fairy Tales: Lecture 1: The Poetry of Fairy Tales
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  • the springs that have given rise through centuries of human history
  • springs of the folk soul or from single human hearts. They flow out
  • seem like tearing a flower to pieces.
  • searching out the sources and wellsprings from which fairy tales
  • hidden springs.
  • into the wellsprings and sources of life, would not take to
  • the creative mood; to dig down into those wellsprings with the
  • to bring only a few hints regarding the results of research.
  • instance, the most awe-inspiring tragic drama. In a tragedy, the poet
  • difficult this may be to discern, requiring as it does our finding
  • one is able to say, from savoring a food, what its particular use
  • There the essence of the fairy tale is pouring forth, satisfying the
  • every day, when the soul leaves the world it has been in during sleep
  • represses its morality. In falling asleep and during sleep, the soul
  • reach a kind of stammering about such experiences. This is how the
  • as being with the child wherever he is, sharing all his joys and
  • experience but don't understand, something we don't even bring to
  • can spin straw into gold, the king has him bring her to the castle in
  • you?” she gives him her ring. By morning all the straw is spun
  • into glittering gold. But the king is still not satisfied. The
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• Title: Jacob Boehme
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  • greatest imaginable dissemination we may say, considering the
  • Boehme was the object of appreciative and admiring, or
  • capable of entering into such things, throw light on how Jacob
  • that it has a bearing here, we need mention only a few
  • write. But another experience confronts us even during his
  • something like the deepest stirring up of soul forces which are
  • during seven days, Jacob Boehme felt as if withdrawn from
  • be the significance of offering explanations about a universal
  • suffering and pain, and through the overcoming of
  • suffering and pain. And he notices, when he tries to
  • entirely different way from that occurring when something is
  • brings about in the human soul is only a feeling by means of
  • with a task which meets us elsewhere during his time also, and
  • storing away in the objective makes our consciousness possible.
  • a struggling soul, a soul that experiences pain and suffering,
  • spirit-regions, everywhere and always. Then there rings out to
  • to us like a last offspring of the forests of ancient
  • themselves to be beguiled by the glistening and glimmering
• Title: Lecture: Leonardo da Vinci
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  • expressive movements and bearing; we see the gestures and attitudes
  • besides — the quartering of soldiers there in war time and so
  • coloring is now to be seen. In spite of this, when one stands before
  • love, with a tremendous thirst for knowledge desiring to grasp
  • with its expressive lines caused by suffering, with the embittered
  • catch the facial expression, the whole bearing of the victim; in the
  • in the place of this soul, who was too rich to bring anything to
  • himself! It was thus extraordinarily difficult to bring the picture
  • bring forward a hypothesis of Spiritual Science, which may be reached
  • tried to investigate secret after secret for his studies to bring
  • perspective and coloring, how it must work according to principle.
  • coloring are to be turned to account in painting, all this is to be
  • impossible by means of the then existing art to bring this problem to
  • alone, but in the whole plan and process of its evolution brings with
  • physical body. A fifteenth-century body could not bring to expression
  • every page problems spring up which mankind could only solve in the
  • through a life in which it was only able to bring to expression the
  • What I wanted to bring
  • them. Because they bring the results of previous incarnations, souls
  • soon disappeared from view after bearing an illegitimate child, he
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• Title: Raffaels Mission Im Lichte der Wissenschaft vom Geiste
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  • Geistigen vordringen wollte. Geistige Betrachtung der Dinge und
  • ringsherum sinnlich vorging.
  • umkleidet und umringt, die sich wie von selbst zu
  • ich das vorbringen, sondern um möglichst weitherzig zu
  • erschaffen und hervorbringen kann, uns zu etwas
  • hingeben und sich damit durchdringen kann, was in Raffaels
  • Erdenleben durch die Geburt dieses Feuer ins Dasein bringend,
  • Tragiker in das römische Leben eindringt. Noch einmal
  • Segnatura», wo wir das alte Geistesringen auf den Bildern
  • wiedererstehen sehen, das Ringen jener Geister, die sich
  • Streben hindurchringt, aber in griechischer
• Title: Raphael's Mission in the Light of the Science of the Spirit
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  • disappearing again after deeply impressing their being upon
  • other than by gathering together all his spiritual forces,
  • made use of in an important connection, in referring
  • throughout the various epochs of humanity, bearing from one age
  • periods. In appearing again and again in earth-lives that
  • natural outcome of considering Raphael's creative activity from
  • What has just been said becomes fully evident in considering a
  • apparent in comparing what St. Augustine experienced and set
  • of expression. On account of Raphael's towering greatness, the
  • veritable “spring-time birth,” undergoing an inner
  • bring about, born of profound soul experiences, though manifesting
  • the streets, the embodiment of the spirit of war, massacring
  • year 1504 — bringing, with his creative activity, the spirit's
  • “breath of spring” that introduced into the city a
  • II. The latter admitted to appearing to people as someone who
  • to the Madonna. In considering human evolution in the sense of
  • spring-like in nature.
  • imperfect in Giotto's pictures, in bringing the inner nature of
  • Entering in feeling into the way in which Raphael himself must have
  • work in Savonarola. If we see Raphael as bringing this fire
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• Title: Leonardo's Spiritual Stature: Lecture
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  • and bearing are so individualized that we have the impression:
  • expressive of pain and suffering, with the embittered mouth and
  • comparing it with the oldest engravings, the oldest
  • considering Leonardo as a complete individual.
  • paint on the Christ figure, his hand trembled. And, considering
  • difficult to bring the picture to a conclusion. But Leonardo
  • lived in his soul and what he was able to bring onto the
  • another — attempting to bring something to realization
  • bringing it no further than the model that was lost, never
  • impressions are to come to light in rendering a battle scene.
  • art of representation as it was at the time, to bring this to
  • a task the execution of which could not bring him satisfaction,
  • correspond with what had lived in his soul. Hence, considering
  • disposition, brings qualities over from earlier earth-lives.
  • especially in considering human souls that rise above
  • flowering of the natural-scientific worldview — before
  • could not bring this to realization. Though someone may have
  • fifteenth century could not bring to expression what Leonardo
  • strength. In the age preceding the flowering of the natural
  • point of view, he is enormously significant, appearing at the
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• Title: Fairy Tales: in the light of Spiritual Investigation
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  • wanderings, to be a trustworthy comrade throughout -- offering comradeship, and
  • original that one would like best of all to bring it to
  • Lily, wanting, in his fashion, to bring to
  • thinking, in which a kind of pondering has taken place,
  • morgana appearing to one's spiritual gaze,
  • That is one of the strangest experiences — this peering
  • world in which it unconsciously resides during sleep and
  • occurring deep within the soul, as connected with the
  • of amount to stammering; and that is how fairy tales arise.
  • them in pictures bearing only a distant similarity to what had
  • soul companion, even perhaps considering it salutary for
  • straw to gold for you?” She gives him a little ring, and
  • daughter sends everywhere, inquiring after every name. In
  • actually succeeds in discovering his name —
  • after all alone with itself during sleep, as also in the rest
  • in comparing its ability with what external Nature can do, in
  • within it not only the soul's experiences during sleep, but
  • resin and could only perform his work during the night, since,
  • certain figures, towering one over the other, so that a
  • ladder, one of them during the day, the other during the night.
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• Title: The Worldview of Herman Grimm in Relation to Spiritual Science
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  • said that for the purpose of gradually entering into the whole
  • while she presents herself as a child grasping at the strings.
  • [l781-1831], who had contributed to bringing out the fine
  • development of German cultural life during the decades of the
  • cultural life, entering into this, it was always the essence of
  • forefront, rather than what proceeded from Goethe. During that
  • intervened in his upbringing. Both his father and his
  • during the 1890s, leading to his truly exemplary book,
  • the gods with the normal human world of warring Greek and
  • to say, an “older” class of beings wandering on the
  • regular periodic stages taking place ~~ brings him especially
  • Herman Grimm is sparing in what he has to say about the figure
  • work. In considering with him the arrangement of colours,
  • referring to this, one would like to add a further impression,
  • be said that for the purpose of gradually entering into the
  • Michelangelo and Goethe. And, bearing in mind what is set
  • tearing his soul out of himself and striding as though
  • said, he brings the highest spiritual spheres down to the
  • opportunity of hearing a few words from his lips. With Leonardo
  • wandering the streets, visiting every palace in Florence. ...
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