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• Title: Errors in Spiritual Investigation
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  • second thing one needs, in addition to the organ of perception, is a
  • him, particularly at dusk, causing him to see things unclearly and,
  • that was nothing other than something called forth by his abnormal
  • embarked upon. Everything that readily surrenders itself to illusion
  • damage in this striving is everything that overcomes man in ordinary
  • impartiality, a loving penetration of things and worlds, an attentive
  • interest in everything life offers, but especially a certain moral
  • The following can be seen from what has been said. Two things
  • appears is nothing other than a projection, a shadow image, of his
  • something that occurs in sense observation and that would be
  • What does this mean, however? It means nothing less than the
  • into oblivion. Something must be developed through spiritual training
  • something, he wants to do it if he neglects to do something, he
  • Another thing that is necessary when the soul undergoes
  • certain level of this development, actually to forsake everything in
  • his consciousness, everything that in his life up to now gave him in
  • security in truth, everything that gave him the possibility of
  • considering something as reality. As indicated already in previous
  • Something must be said here that perhaps sounds paradoxical. In
  • Everything that the human being experiences on entering the
  • Maximum number of matches per file exceeded.
• Title: Lecture: The Mission of Raphael in the Light of Spiritual Science
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  • the founding of Christianity, would lose something if they had not risen
  • pictures we feel that something would be lacking if the creative, formative
  • of bringing Raphael into it. Everything that I myself have experienced
  • times of evolution “clairvoyant perception of things” —
  • up in the soul of the Greek as something inwardly apart, but that it was
  • and weaving in all things. These are the ages when the human soul was
  • contemplation and the sense perception of things became two worlds which
  • Art, saying that it cannot be compared with anything that had gone before.
  • From infinite depths of the human soul, Raphael created something entirely
  • had been built in Urbino. This was something that imbued the early talents
  • down everything that crosses his path. The historian evidently has the
  • the fact that man is a being whose life transcends everything below
  • a something within him much more ancient than all the beings who stand
  • all that the Earth can produce out of herself to something super-terrestrial
  • feel how something wafts towards the Earthly when, for instance, we
  • Another remarkable thing
  • gifts inherent in this soul represents something that must have passed
  • of Italy? Why was it that something entirely different made its appearance?
  • men whose whole being is inward turned. But then, — since everything
  • we forget everything that afterwards perceived as the “life of
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• Title: Poetry/Fairy Tales: Lecture 1: The Poetry of Fairy Tales
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  • everything lying down there in the human soul is so new, so original,
  • in speaking about it all; nothing else will do to describe these
  • resources of spiritual research is to discover something quite
  • than the complexities of tragedy. For one thing, we can feel that
  • life, is not a limited portion of life, but rather something so
  • Both things seem at first to have little to do with each other; no
  • there are intentions, and where something was happening down in the
  • daily happenings; this something seems an intimate part of your own
  • everything else in the elements that we have to confront out in the
  • meet it head on, is a small thing compared to the unconscious battle
  • prevail. There is something like a yearning in the soul to dip down
  • complete unconsciousness. The soul knows nothing of what it has to
  • is something else happening in these depths, which can be caught on
  • perceived by the soul spiritually. In its depths many things are
  • something else to the facts we have mentioned. It has often been
  • between waking and sleeping quite normally to experience something of
  • with the spiritual world outside himself. He saw how everything going
  • gently as anything can be, there is an experience of the spiritual
  • Nothing of it is perceived in the wide-awake life of the day. But
  • something is there in the soul, just as hunger often is there in the
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• Title: Jacob Boehme
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  • of alchemistic formulae, or such things, it is only verbal
  • clothing. That which makes such an exceedingly powerful
  • capable of entering into such things, throw light on how Jacob
  • said, it is not one of those things which are quite
  • he had seen there in the bright noontime something like an
  • resorts to these things must also admit that such significant
  • something like the deepest stirring up of soul forces which are
  • otherwise not active in the soul. The important thing is this
  • important thing is the testimony of such a fact which proves
  • his master's shop. He was not permitted to sell anything.
  • first. There was something sun-like, shining in his eyes and he
  • simply more or less as something which could, according to his
  • is a thing of the past.” And he continued to live
  • without reason, he did indeed resolve to write nothing further
  • deny that certain things appear over and over again in
  • to it. But then there still remains for many persons something
  • themselves that one cannot do anything with this, for what can
  • does one find that something entirely different lives in these
  • knowledge. Nowhere, to be sure, does it appear that something
  • striving, he is driven to something which is not the ordinary
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• Title: Lecture: Leonardo da Vinci
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  • completely under water in the floors. Many other things intervened
  • who painted it over, so that scarcely anything of the original
  • life joyfully and working joyously on life, taking up everything with
  • everything fresh in soul, and fresh in body. Then perchance we turn
  • mouth, and the features which betray something of the opposition
  • something else besides. If we follow up his talent for painting we
  • wanted to own something of his. First he would form an idea of what
  • tell them all sorts of things to amuse or frighten them, so that he
  • interest was then aroused in something special, and he no longer
  • in the place of this soul, who was too rich to bring anything to
  • other things were going on at the same time. In describing him as we
  • engines of war that were something quite new — engines
  • Supper”. Yet in all these things, we can clearly see what a
  • target and shot it to pieces. There is nothing left of the gigantic
  • something into existence, and did not succeed. After all, one is
  • nothing more has been perceptible of what Leonardo once painted on
  • Supper” work on us, we find two things of which we can say that
  • wonderful manner in accordance with reality, nothing really explains
  • only produces, as it were, something like a suggestion. Just as
  • human soul is something that repeatedly returns to many earth lives,
  • Maximum number of matches per file exceeded.
• Title: Raphael's Mission in the Light of the Science of the Spirit
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  • founding of Christianity, would lose something for us, in
  • something would at once be lacking for us if the creative power
  • to be able to experience something new each time. Thus, we can
  • one bears something of a total impression in one's soul. And
  • the impression before him, what lives and weaves in things of a
  • from the things themselves, from making use of their sense
  • “clairvoyant contemplation of things,” was a
  • welled up as it were in the Greek soul as something inwardly
  • separate, but as something felt in directing the senses out
  • not in the things of the external world, but in
  • receive the spiritual element that lives and weaves in things
  • things and sensory observation as, so to speak, two worlds.
  • proceeds from everything the human being experiences inwardly,
  • still greater chasm will loom between everything that goes on
  • Raphael brought forth something that distinguishes itself as
  • Since everything in regard to Raphael's nature proceeds so
  • the city: The one in which cruel and horrible things occurred,
  • something is created out of his soul by which the Christian
  • feel how something floats toward the earthly — in turning our
  • in natural existence, we can come to feel how something must be
  • Maximum number of matches per file exceeded.
• Title: Leonardo's Spiritual Stature: Lecture
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  • this wall as something of an artistic miracle, not only in
  • something that had not been done before in painting murals. A
  • wartime and so forth. All these things took their toll on the
  • picture so that hardly anything is to be seen of the original
  • increasing by leaps and bounds. But we find something else. In
  • recognized his great gifts and wanted something from him.
  • of things that amused or alarmed them. For, he wanted to study
  • Letting all this work on us, we get the impression that things
  • the details as described. Then something in particular began to
  • practice. Nothing of it remains — nothing is preserved of
  • another — attempting to bring something to realization
  • anything — how must he have taken leave of the
  • each other, while for a long time hardly anything is left of
  • various things in regard to the picture. There are further
  • on painting is a wonderful work, like nothing else that has
  • things we cannot reconcile immediately with Leonardo's
  • most wonderful way in conformity with the truth. Nothing
  • not proceed on the basis of spiritual science, only something
  • onto itself justified by nothing in the surroundings.
  • meaningful and imbued with wisdom in presupposing that things
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• Title: Fairy Tales: in the light of Spiritual Investigation
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  • number of things make it seem precarious to speak about fairy
  • explanation remains something that touches the source so
  • everything of profound significance in those
  • the sources of existence, in having something to communicate of
  • experiencing something tragic, one has the feeling, in
  • find something altogether different from what a human being in
  • experience, but of something lying so deep, and so
  • life, in a certain situation, encounters something of the kind.
  • enjoyment in tasting. The two things have seemingly
  • in which something has happened in the deep, unfathomable
  • and spiritual facts, things often proceed in much the same way.
  • without ordinary consciousness knowing anything of it,
  • forces. The human soul has something like a yearning to
  • despite knowing nothing of it — through all that the soul
  • Something else that takes place in the depths of the soul and
  • soul-spiritual experience. Things take place there in the
  • experience something of spiritual worlds. Thus, even if
  • described. Nothing of this experience enters the
  • conscious life of day. Something is nonetheless there in
  • just as one needs something to satisfy hunger, so one
  • Maximum number of matches per file exceeded.
• Title: The Worldview of Herman Grimm in Relation to Spiritual Science
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  • narrow-hearted sense, seeing in it nothing more than a sum of
  • connected in a quite special sense with everything associated
  • spirit. Even if some things as presented in the letters are
  • to be said: Everything in this remarkable book,
  • education, Herman Grimm absorbed something of an immediate,
  • into himself, in a direct and personal way, something of
  • evaluating everything in cultural life.
  • in which everything to do with Goethe receded, following his
  • period, numerous other things asserted themselves in the
  • physiognomy, his gestures, in his conduct, there was something
  • something innate, “Now, my dear Doctor, I wish graciously
  • Herman Grimm's whole lifework bears something of the same
  • undergone something of the development of German Romanticism.
  • one-sidedness, had something else not played a part,
  • Despite a refined style in everything he produced, Herman Grimm
  • have to stress something further by which he appears harmonious
  • encounter something of his adaptability — a capacity to
  • “hardness,” by reason of something else that
  • having been diverted to other things, Herman Grimm viewed
  • such as Goethe. We find nothing of a small-minded biographical
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