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• Title: Errors in Spiritual Investigation
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  • The volume of the Complete Edition of the works of Rudolf Steiner
  • The volume of the Complete Edition of the works of Rudolf Steiner
  • intensified that it works like a force of nature. Within the ordinary
  • worked on the solution of squaring the circle, until recent
• Title: Lecture: The Mission of Raphael in the Light of Spiritual Science
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  • Raphael's creations went on working after the painter's death as a living
  • after study and contemplation of his different works has crystallized
  • to work upon us — I referred to the Greek epoch and its development.
  • he lived and all that was around him, to work upon us. While Raphael
  • in a work by Raphael, we feel the scene as described by the historian
  • the monk's robe after Savonarela's martyrdom in order to work in his Order
  • visualizing him in the company of artists and painters working at his
  • creations in lonely workshops in Florence or elsewhere, another picture
  • and ideas. In the Madonnas and other works, the tenderest, most inward
  • in Rome where all his all-conquering works were created in the midst
  • of Raphael to work upon us. This cannot be done in detail in a lecture,
  • known works for the purpose of contemplating the peculiar qualities
  • world. The Sistine Madonna is one of the greatest and noblest works
  • to work upon us, none of this can give a true picture of the whole essence
  • which work down into the Earth seem here to flow into the Earthly elements,
  • — to what works upon us in Raphael's Madonnas. This perfectly
  • mighty impulse which then worked on through the centuries.
  • works of Raphael and have thus learned to revere this soul in all its
  • depth, cannot but realize what it is that speaks from those wonder-works
  • to everything of a cosmic nature, worked hand-in-hand with the Greek
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• Title: Poetry/Fairy Tales: Lecture 1: The Poetry of Fairy Tales
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  • for one, moving beyond his work as an artist in order to plunge fully
  • soul than those from which other works of art emerge, even for
  • must come to understand. Here, as in other works of art, we meet a
  • knowledge, the spiritual processes working unconsciously in the
  • outer stimuli, working on them with our intelligence, reason,
  • other work of art gives us the feeling of utmost inner joy as the
  • worked only at night. If he had worked in the daytime, the sun would
  • those of cosmic life. A child is still having to work creatively,
• Title: Jacob Boehme
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  • work as that of Paul, which is so intimately connected with
  • his first work, The Dawn in Its Ascent, came into being,
  • from the pulpit and not only condemned his work, but also
  • rapidly, one after another, a great number of his works, as for
  • the number of his works is rather large and in this connection,
  • few of his works, because he always repeats himself —
  • one work of Jacob Boehme's and has no appetite to read the
  • other works also, does not understand much of Jacob Boehme. But
  • whoever takes the trouble to go through his other works will
  • content of Jacob Boehme's works, but also in his whole manner
  • in the universe works into the depths of the soul. And then a
  • in the inner being what weaves and works and lives
  • us once try to think how our consciousness works, what our
  • limbs to work against each other, in that, because they must
  • first become effective by working into evil and relating itself
  • general human significance. If a person allows this to work
  • for his numerous works. Such a person will gladly go to the man
  • found in his works, in some one who not only knew Jacob Boehme,
• Title: Lecture: Leonardo da Vinci
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  • Experience the works of
  • by each of these souls in the numerous reproductions of this work
  • partly in the painting; rather, it is the conception that works on
  • the soul — it works powerfully.
  • acquainted himself with Leonardo's other works, and tried to
  • study the reproductions of the works ascribed to Leonardo scattered
  • work on people today, stands practically in the same relation to what
  • if we allow the lives written by earlier biographers to work upon us,
  • mankind, working everywhere with a fresh life force, contemplating
  • life joyfully and working joyously on life, taking up everything with
  • works of his pupils, but many by himself as well) in which he has
  • attentively, we get an impression that he worked in the following
  • attained the creation of any work of which he could say it was in any
  • completion, a soul in whom the secrets of the universe so worked that
  • him to Milan. Further investigation shows us that Leonardo worked
  • from fifteen to sixteen years at these two works. To be sure, many
  • quickly. At the same time, he worked at the construction of a flying
  • but we also see him working out all sorts of military and other
  • then worked at the different works in Milan; so that one can hardly
  • imagine today how much of Leonardo's work is incorporated into
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• Title: Raphael's Mission in the Light of the Science of the Spirit
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  • All the world will want to know about the life-work of such a human
  • fated to die early. Whose death all Rome mourned. When the works of Raphael
  • Raphael's creations worked on after his death like a living,
  • contemplate the works of Raphael, we have the sense that
  • However, it will not be possible to enter into particular works
  • of Raphael as such, since this would require showing such works
  • at the same time. But the total works of Raphael also coalesce
  • a work of Raphael that especially delights us in Milan, the
  • alongside any previous work. Thus, out of indeterminate depths,
  • and so on, in stages of four years, until the work that stood
  • otherwise than that Raphael let this scene work on him. What
  • working in his spirit, in his order.
  • its isolation (joining other artists and painters working in
  • solitary workshops or elsewhere in Florence) a picture emerges
  • Christian legends arise in the Madonna pictures and other works
  • inwardness of soul in Raphael's works and all that went on
  • us allow the pictures of Raphael to work upon us. For the
  • be one of the noblest, most magnificent works of art in the
  • sensory element of Greek cities, of Greek works of art, or
  • appears in the works of
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• Title: Leonardo's Spiritual Stature: Lecture
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  • precisely because he was already working out of the depths of the spirit,
  • was already working out of the depths of the spirit,
  • this in the numerous reproductions of this work distributed
  • exerts an effect on the soul, yet this works powerfully.
  • can acquaint ourselves with other works of Leonardo, by means
  • of reproductions, or by means of the works attributed to him in
  • the impression, in Leonardo a personality appeared working with
  • to work in such a way that he did not merely study a single
  • corresponding works. Even if some of these derive from his
  • Letting all this work on us, we get the impression that things
  • commissioned work at all.
  • — a soul upon which the cosmic secrets work in such a way
  • see Leonardo at work on these projects for a period of fifteen
  • be built and taken down again. At the same time, he worked on
  • also working out all manner of war plans and other plans, as
  • numerous pupils who then worked on the various projects in
  • the enormous amount of work of a personality who, it may be
  • said, sought to investigate world secrets in creating a work in
  • is known how Leonardo worked on the “Last
  • satisfaction the greatest conceivable work he undoubtedly
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• Title: Fairy Tales: in the light of Spiritual Investigation
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  • the fairy tale ought to make in simply letting it work on one,
  • works of art — the most moving tragedies for instance.
  • is human comes to meet us in the tragedy, as in other works of
  • works of art, in tragedies, are relatively easy to
  • works on the soul as food works on the taste buds. For the
  • With really no work of art other than fairy tales does one have
  • work within you; it can carry you to the point of attaining the
  • resin and could only perform his work during the night, since,
  • had he carried out his work by day, he would have been melted
  • that, the forces are required that work on the plant from
  • experience. Thus, from one phase it works in one way, from a
  • different phase it works in another way on the physical body.
  • works differently onto the earth according to
  • work creatively on its own physical formation,
• Title: The Worldview of Herman Grimm in Relation to Spiritual Science
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  • Herman Grimm's whole lifework bears something of the same
  • and complete. In taking up the works of Herman Grimm, we
  • of Goethe's works. And we gladly follow him in pursuing this
  • individual in contemplating Goethe's work. In the end, we are
  • led by Herman Grimm to the point where the work takes its start
  • experienced has found its rebirth in the works of Greek art,
  • creative folk-phantasy at work in western culture — a
  • colossal strength, that continues to work on throughout the
  • “Künstler und Kunstwerke” [Artists and Works
  • Raphael and so on, followed by the works of
  • attention to a specific work of art — be it Raphael's
  • work. In considering with him the arrangement of colours,
  • the work of art, there emerges for us something like a tableau
  • intimate aspects of the work of art in question and is then led
  • segments of an enormous work. Even in only reading a' book
  • were cut out from a colossal work setting forth the whole
  • before such a colossal work, having opened it, and as though
  • work. However, he placed no more value on what had been printed
  • fond of Herman Grimm, remaining so, and in valuing his work and
  • even his works on Homer, on Raphael, on Michelangelo, on
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