Searching Rudolf Steiner Lectures by GA number (GA0063) Matches
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Query was: paint
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- Title: Michelangelo
Matching lines:
- powers, he painted the Father God on the ceiling of that chapel.
- about his new task, the painting of the ceiling of the Sistine
- done a good deal of painting, he did not feel himself really to be a
- painter; nor did he regard himself as sufficiently prepared for his
- sculpture to his painting the vital creative principle which informed
- paints this with God the Father surging through space with hand
- paintings, how the Christ-impulse was foretold. The whole of
- of painting to do. He was to paint the two end walls of the Sistine
- there today in Rome is by no means what Michelangelo painted. Not
- overpainted and spoiled by inferior artists who used the most
- appalling mixtures of paints and shading to clothe some of the too
- many figures which Michelangelo had painted naked. Yet in spite of
- Michelangelo's painting growing out into space. If we look at
- Painting nor sculpture now can lull to rest
- same spirit which we have found in his sculpture and painting. The
- Moses and David, or with the colour and form of his paintings in the
- Painting nor sculpture now can lull to rest
- contemporaries understood Michelangelo's paintings in the Sistine
- Title: Spiritual Science/Treasure for Life: Lecture XI: Spiritual Science as a Treasure for Life
Matching lines:
- if one is not a painter. However, the human being of the
- in the fields of architecture, sculpture, and painting. With
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