Lecture V
April 13, 1916 Dornach
The occult
brotherhoods do possess the ancient tradition, but they are
not aware of what the spiritual world is trying to reveal to
us in our age. There is a universal formula which rules a
large number of these brotherhoods. They speak of the
creative power which pulses and permeates the cosmos. When
they want, in their sense, to direct themselves to these
creative powers, namely, to the divine spiritual which
pulsates and permeates the cosmos, then they speak about the
Grand Architect of the World. This is a very often used
formulation: The Elevated Grand Architect of the world.
For those who
can understand the development of mankind from spiritual
science, it proves the fact that in truth such brotherhoods
go far, far back. These brotherhoods, to be sure, had other
forms in more ancient times, but, nevertheless, they go far
back in an unbroken sequence to the ancient communities which
existed with the Greeks and Romans in the 4th post-Atlantean
cultural epoch and we can also go back still farther to the
ancient Egyptian times, and our present brotherhoods come
from these ancient communities. But as we mentioned earlier,
they do not stand in a direct connection with the spiritual
world as did the earlier communities, but they preserved that
which they had as knowledge more as traditional
knowledge.
Now, you
already find the concept of the primal revelation in the
writings of individually illuminated, theological researchers
or researchers of ancient times. What do these people mean by
primal revelation? This concept of the primal revelation can
become clear when you attempt to become familiar with the
ancient religious writings. All you need to do is go back to
the writings of Gautama Buddha you will see that what is said
there is said upon the basis of the great knowledge; however,
as far as he was concerned, it was transmitted by tradition
which goes back into distant ancient times built up on a
primal knowledge. Thus we are led back to a primal knowledge
going back through the earliest centuries to that which was
known by people, but which for our particular time is
considered to be distorted nonsense by those modern
intellectuals when they try to read Jacob Boehme, or
Paracelsus. Then you come to the time when people did all
sorts of alchemistic experiment and then you go farther and
farther back and when an unprejudiced person goes back
through the Romans, the Greeks and the Egyptians, he comes to
a humanity which once had a knowledge which was spread out
over the world in a way in which present day man, however,
cannot acquire. Now, it is very difficult for present day man
to obtain an idea of this particular situation, because when
he tries to transplant himself into these ancient times, all
he can think of is that man is a type of ape man. However, in
spite of all these theories about the ape man, the
unprejudiced person must admit that there must have
originally been a knowledge which mankind with his present
cleverness cannot reach, a knowledge which is infinitely deep
and which stretched itself out over the spiritual worlds in
such a superior way that in it is contained not only a
consciousness of the fact that man can rise up into the
spiritual worlds, but that man can find other beings in these
spiritual worlds who are not incarnated in fleshy bodies,
beings which we call Angels, Archangels and so on. So, we can
find in these ancient religious writings that the people knew
of these higher beings and they speak of them as beings with
whom they were able to interact. As I said, the writings
themselves prove this.
What actually
is at the basis of this fact? From a certain stage of
initiation, one can come directly behind this mystery. We
know that the world around us is not only spread out in the
way today's sense knowledge speaks of it, but there is a
so-called elementary world at the basis of this nature, world
which, if we go back into ancient mythologies we find
descriptions of these elemental beings. These elemental
beings that lie at the base of the mineral kingdom are called
gnomes, those at the base of the water plant kingdom are
known as undines, those aeroform elementals as sylphs and the
warmth elementals as salamanders. These beings which we just
described have their special task in the world; they have a
great deal to do. External materialistic science says that
everything makes itself of itself, but this is not true.
Things do not make themselves of themselves. The person whose
eyes are open to the elementary world sees how these
elementals actually go through a kind of cycle of the year,
how there are beings working down from the spiritual world
upon these elementals, they work differently in spring,
differently in summer, differently in autumn and differently
in winter. This means that we have an elementary kingdom
spread out around us which lies at the basis of the nature
kingdom and there streams down, one cannot say an
instruction, but one can say that forces pour down in order
that these elementary beings can receive the power in the
spring in order to form the plant covering for the earth. The
forces of certain spiritual beings are carried down which
impart themselves to these elementary beings so that a new
world of form can sprout forth in the spring. And as summer
approaches, they receive, as it were, a later course of
instruction, forces are poured down upon them so that they
can effect that which has to come about in summer. An
interworking between the spirits of the higher hierarchies
and the elementary beings who weave and live in the nature
which surrounds us performs itself in the cycle of the year.
This means we are continuously concerned with an up and down
pouring, with an up and down streaming of spiritual beings of
the hierarchies whose students are the elementary beings who
provide the enlivening forces for all that which has to
sprout and germinate in the course of the year. All that
which arises and fades away in the course of the year, that
does not simply grow out of the earth, but stands in a direct
interworking with the divine spiritual. And it was said that
that which germinates and sprouts in the course of the year
stands in direct interworking with the beings who permit
their forces to stream up and down and they pour these forces
into the elementary world. But, my dear friends just as today
sylphs, gnomes, undines and salamanders receive their
influence from the beings of the hierarchies who stream up
and down according to the course of the year, so when man
did not have such a solid physical body in those ancient
times, he received instructions from the higher hierarchies
who streamed up and down. All the sagas and myths that remain
tell us that in ancient times man received such instruction
from beings who themselves had descended out of the spiritual
worlds. These myths absolutely rest upon a truth. Man found
himself with those spirits among whom the gnomes, sylphs,
undines, and salamanders exist today, and whereas these
elementary beings receive those forces through which they are
able to effect the forms which sprout out of the Earth during
the course of the year, so man in ancient times received his
instructions from hierarchies who streamed up and down. And
that which he received in ancient time remains as a
residue in writings which have still been preserved and from
which an unprejudiced person can prove — as we said
— that once upon a time such a primal revelation did
exist. Thus we see that such a primal revelation really did
exist and in those periods which preceded the eighth century
B.C. you have the last residue flowing down to mankind from
this primal revelation. Actually we can put the year 747 B.C.
as the year which mankind, a result of the further
development of his physical nature, was excluded from a
direct participation in such instruction. Naturally such an
exclusion occurs very gradually, step by step. All that which
was contained in ancient science flowed down in this way as a
direct knowledge from the spiritual worlds into mankind and
has been transmitted by tradition, but is no longer
understood today.
Let us focus
our attention upon the last science which came to the human
being in this way. The question is: What did man experience
from such a primal revelation that had flowed down in the
course of the time from the earliest periods an into ancient
Atlantis? He experienced the connection in which he himself
as a human being stood within the spiritual worlds since he
is a microcosm and all the processes and forces in the
microcosm which otherwise occur in the great macrocosmic
world play in him. And the last thing which man learned in
this way, the last thing which flowed to him from the
external is geometry and mathematics. That person who today
allows geometry and mathematics to work upon him in a true
sense, will still be able to perceive the fact that a
different kind of knowledge comes to him in geometry and
mathematics, a different kind of knowledge from the other
knowledge which he gathers from experience. There is
something within geometry and mathematics which one can
perceive apart from external experience. No man can prove
that the three angles of the triangle are 180° by merely
drawing a triangle in a sense sort of way. He can arrive at
the fact, but proving it can only be done as a result of an
inner experience of thinking. Man does not need to use his
fingers to prove to himself that 3x3=9; all he need do is
ideate it to himself and in an inward way he will come to the
truth that 3x3=9.
But what comes
to expression in the forms of architecture is obtained from a
much wider basis. That which is at the basis of geometry and
mathematics goes back to a much more ancient knowledge than
that which is at the basis of architecture art. In the
Graeco-Latin times, that which was ancient knowledge in the
mysteries was mediated to the human being by one saying the
following to him: ‘When you really deepen yourself,
then you bring out of yourself that which was revealed to you
by the spirits of the higher hierarchies earlier lives on
Earth.’ In the Egyptian Mysteries you did not have to
do that. The higher beings themselves still came down. Now in
the Greco-Latin period the master assembled his students and
said the following: “You were there in earlier
incarnations and you went through human development in which
the spirits of the higher hierarchies took part. This has
established itself in your souls. Bring it up.” Thus
Masters of the Greco-Latin mysteries were still able in this
way to fetch up that which was established in the human soul.
Everything is to be found in the human soul, because
everything streamed down through spiritual beings into the
human beings from the primal revelation. What we once upon a
time experienced in instructions from the hierarchies we
really bring out of ourselves.
Now came the
year 1413 and man can no longer become conscious of what the
earlier spiritual instruction was because it has been covered
over in his soul by the materialistic age. Since 1413 the
soul unites itself thickly with the body and that is able to
act as a covering for that which exists within our souls.
However, in the whole period from 747 B.C. to 1413 A.D. it
was possible to bring up out of the soul that which in
earlier times streamed in in the way I indicated. Just
imagine how a person, particularly in the ancient Greek Age,
actually had to perceive. Precisely in the ancient Greek Age
he perceived as I have indicated. he said to himself:
“Geometry as it is brought to expression in the form of
architecture, flowed down earlier through divine spiritual
instruction from the external would.” Man was hemmed in
by forms. Now when man wants to draw a triangle, he takes a
piece of chalk and draws it, but the ancient Greek did not
have to do that. All he needed to do was to meditate upon
himself and at the same time he could, as it were,
clairvoyantly see the triangle for himself. Thus he was still
able to diagram geometry for himself in a clairvoyant way. It
was also so with writing in primal ages, but this applies to
a still earlier period. There one did not need to write upon
papyrus, but one was able to write clairvoyantly for oneself;
you wrote for yourself clairvoyantly. At a certain time in
the Greek Mysteries, man was told the following: you are able
to have thoughts about yourself and meditate clearly upon
yourself, you can then recall what lives in you. You can
recall the divine being which lives in you when you do not
just focus on the transient earth human being but recall the
divine being in you, then you would be able to build up an
architectural structure around you which is put together from
the forms of geometry. You are within all of that. Just as
the spider who spins her web is within it, thus such a
student of the Greek Mysteries etherically spun geometry
around himself, whole geometry and the other human knowledge
is presented in itself in this geometrical structure which he
spun out of himself. All he needed to do was establish it
outside of himself and then he had the Greek Temple. The
Greek Temple is nothing other than the filling in with
physical material that which presented itself in this way
clairvoyantly in geometrical forms around the human being.
The Greek Temple only put the stones into that which appeared
before the Greek. Hence the Greek always had the tendency to
present a figure of the god in the Temple which he actually
had to think of to himself as his own divine hunan being. He
did not simply build a temple, but he also put in a divine
god such as Pallas Athene.
Thus from all
this you can see the connection of architecture, the building
of the temple with the original clairvoyance. That person
felt something in architecture of a divine nature in these
times, something which is connected in the highest degree
with all the inner revelations of the human being. They felt
that one did not build in the way people build today where
you learn all sorts of things at the university, but at that
time man could perceive the architectural structure as the
revelation of the Spirits of Form. For this reason, we can
see the rather special way in which Vitruvius, the great
architect of the time of Augustus, speaks of the architect,
of the moral qualities which the architect must have, of
recollecting the divine spiritual of the universe. And why
was it necessary that according to Vetruvius' perception, the
architect had to know all this? They saw the manifestations
of the beings of the higher hierarchies in the forms of the
buildings and this is of great significance. It is true that
today's architect would make a face if you demanded that he
also learn medicine, philosophy, astronomy, etc., besides his
studies at the technical university; in other words, he would
be a spiritual scientist of sorts.
Now, why was
this so? It was so because Vetruvius, himself, was still able
to perceive the following: “When I build” he said
to himself “this finite human being is not allowed to
build, but this finite human being must be a channel so that
a being, of the higher hierarchies can work through
him.” However, this possibility of coming into
connection with the higher hierarchies so that when one puts
stone upon stone in the building, not what finite man creates
but what the spirits of the hierarchies create, this
possibility was received only in the secret places of the
mysteries. One had to be initiated into the connection of the
divine spiritual with the human. One had to know medicine,
because one had to so adapt the forms so that they could
actually be an imprint of the human being himself. Note how
in a similar way the shell of the snail is an imprint of the
snail himself, how the macrocosm injects the forces into the
snail enabling the snail to build the shell out of its own
beingness. In a similar way man felt the working of the
divine spiritual beings in him; a divine spiritual being led
his hand, his own spirit and worked into the forms of
architecture.
Now, because
the forms of the architecture were the last which were
revealed, all those spiritual brotherhoods of which I spoke
last time, speak of the real architecture and of the soul
mood which real architecture must have. Above all, there live
in these occult brotherhoods, even if it is in caricature,
that which entered from the spiritual world in the way
just described. The person who enters the first grade enters
into the spiritual world upon this path. He is presented in
these occult communities in the second grade and is made
familiar not with those external social relationships but
with those relationships which pass from one human soul to
another. He becomes a brother member in the second grade and
finally he learns to feel in himself what it means to say:
‘Here I stand as a human being and I, as a man, feel
that I am a sheath of that which lives in me as spirit man to
whom beings of the higher hierarchies can speak, down to whom
they can descend; that I can speak no word that is not
inspired by these spirits of the higher hierarchies.’
Even if only a small consciousness of this is present in
those who are in the third grade of such occult brotherhoods,
nevertheless they still call themselves masters of the third
grade. But because revelations do not occur any longer,
because today things do not work so intensively, because
today there is no longer a direct connection with the
spiritual world, one has to take hold of the traditions of
that which was handed down, then one spreads a mystery over
it and does not allow it to be imparted to any one else.
However, this primal knowledge was continued in such
communities from generation to generation, from century to
century and sometimes it was utilized in a very bad way as I
indicated last time.
I have already
indicated that during the whole time from the year 747 B.C.
to 1413 A.D. there was a certain connection with the
spiritual world. One could at least enliven it out of one's
inner being in these years, one could at least enliven it out
of memory. That ended in the 14th century. However, beyond
the 14th century certain sensitive people did feel that the
spirit still plays in, that if, for example, you want to
understand the 15th, 16th, 17th century, you must get an idea
that those were still times in which the breath of spiritual
life still streamed over the earth. However, this gradually
disappeared. In the time from the 14th, 15th, 16th, even from
the 17th century, there were sensitive natures who knew: The
spirit weaves and lives around us.
Now, I want to
bring a fact to your attention. The present historian speaks
about the time of Savonarola in the 15th century, for
example, in such a way that he speaks of Florence as he does
of a city today, because he cannot transplant himself into
the soul mood of that time, into that mood where one could
still experience something of the spiritual. Why was it that
at that time in a certain week in Florence every person who
you met on the street looked so very sad and walked with his
head bent down and his eyes dimmed? This was because
Savanarola had given a sermon on the previous Sunday and he
had said: “If the moral aspect continues as it is, then
the flood will break in.” And he ended it with the
words: “I tell you, waters will flow over the
earth.” When he spoke these words, they were enlivened
with spirit. The spirit streamed out, and for a whole week
the people of Florence dwelled under this spiritual
influence. It was very sad.
One of the
contemporaries of Savanarola was Pico della Mirandola, Count
Mirandola, who lived at the end of the 15th century and also
experienced the soul mood which lived in Florence. Pico della
Mirandola was one of those spirits who belonged to the
sensitive spirits and in that year which passes over from the
4th to the 5th period he felt how the spirit was disappearing
from the environment and at the same time he received an
inner yearning to feel the spirit. There were a number of
people in Florence at that time who experienced this in the
same way. They felt that the spirit disappears for the normal
person, but they must try to receive it into themselves and
these Renaissance men called themselves the Neo-Platonists.
In the Academy of Florence, there was a reliving of Plato. I
wanted to characterize this for you so that you can
understand that there was a sudden transition from the 14th
to the 15th century in the soul mood in reference to how
these men connected themselves with the spiritual world. When
you go back into those times, you can see that people yearned
to receive impressions of the spiritual world, but these
people were single people all over the world and they had to
do special ascetic exercises so that they could receive
something of the spiritual in a sort of caricature way. You
know that modern science says that nature makes no jumps, but
that is not true, it does jump everywhere. When the leaf
transforms itself into the blossom, that is a jump. So we see
that there was a sudden spring from the 14th to the 15th
century and this feeling died away.
Our task is to
appeal to those forces which we have as a replacement for the
ancient way of grasping the spiritual. There are two ways of
doing this. One way is to continue to propagate tradition and
many secret societies arose from being satisfied with the
propagation of what the ancient said through tradition.
However, there were people who attempted to reckon with the
new soul forces which came in as replacements for it. They
attempted to translate that which came in from the ancient
way in the form of pictures, of direct perception into the
form of intellectual power, this intellect which is bound to
the physical body of our 5th post-Atlantean period. One of
the people who tried to do this was Amos Comenius.
Very few people
today know that Amos Comenius was the actual founder of the
modern pedagogy and that he founded the primer in the 16th,
17th century. A book by Friedrich Eckstein entitled
Comenius and the Bohemian Brothers
was recently published. Friedrich Eckstein is one of those people
who was united with me in a small theosophical group in Vienna at
the end of the 1880's. Then he went his own way and I had not
heard of him until this book about Amos Comenius appeared.
These 150 wood cuts from the original edition are given with
German and Latin texts. Here you have wood cuts beginning
with God, the world, heaven, the elementals, the elements,
plants, fruits, animals, the human body and its members,
etc., all of which was put in such a way as to appeal to the
heart. This sort of presentation still appeals very much to
people. Herder and Goethe loved all this in their childhood.
The whole way of writing children's books rests upon Amos
Comenius. He was connected with many secret brotherhoods all
over Europe and he wanted to establish what he called his
“Pan Sophia”. In the beginning of our period, in
the 16th, 17th century, we have in Amos Comenius a human
being who knew that now is the time for a sudden change, that
one must transmute all the knowledge from earlier times into
the form of external intellect. You do not simply continue it
in the form of the ancient tradition. This tradition rests
upon that which was the Temple architecture. Amos Comenius
had as his task translating in his “Pan Sophia”
everything which worked in the 5th post-Atlantean period and
he says the following: “Why should the Temple of Pan
Sophia be erected according to the ideas, directions and laws
of the higher architect Himself? Because we have to follow
the primal picture of the totality; measure, number, position
and the goal of the paths according to the wisdom of God,
Himself, when, indeed, He instructed Moses to erect the
Tabernacle, then Solomon to erect the Temple and finally
Ezekial to reestablish the Temple. The structure materials of
Solomon's Temple were very precious stones, metals, marble
and sappy, good smelling trees like spruce and cedar.”
And so we want to establish a school of wisdom, a universal
wisdom, a “Pan Sophia” wisdom so that one can say
that that which is in Goethe's
Wilhelm Meister,
which was represented in the
Wander Years,
is a continuation of what Amos Comenius wanted.
In conclusion I
want to add some more things. A book has recently been
written by Karl Ludwig Sleiss entirely out of natural
science. I just want to read something of it to you.
(Summary of what was read) He talks about a hysterical young
woman sitting on a sofa in a room where an electrical
ventilator was running. She became hysterical and said:
“Oh, there is a bee that wants to sting me.” She
had heard the buzzing of the ventilator. Low and behold, she
did produce an inflammation of the eyelid which was quite
large. Here is another case where Sleiss talks about a
well-known business man who approached him and asked him to
cut off his arm because he felt that it was poisoned. Sleiss
said that the arm was not poisoned. The man went away and the
next day he died. Sleiss said that there was no inflection at
all and his diagnosis was death by hysteria. What he wanted
to say is that you cannot only cause an inflammation of the
eyelid through thought, but you can also kill yourself
through thought. What this modern scientist is saying is that
thought can incarnate itself, that thought can make itself
flesh. However, in the second case of the businessman who
wanted his arm cut off because it was poisoned, this was a
case of mediumistic clairvoyance where he knew he was going
to die. Now, what happened in the case of the hysterical
woman who had a swollen eyelid was that the thought that she
imagined there was a bee from the sound of the ventilator
became imagination and then descended into the astral body,
it then came through the ether body and incarnated in the
physical body.
In this same
book in a chapter entitled “The Myth of Metabolism in
the Brain”, Sleiss says that Goethe must have been some
sort of clairvoyant, because Goethe had come to the idea that
not only are the bones transformed out of the spinal column
but also the whole brain has been transformed from it. Now,
Sleiss said this in 1916 and he wondered if he could find
some indication that Goethe had this idea. However he does
not know that in 1892, I, myself, found this indication in
the Goethe Archives.
Therefore we
can see how certain truths of the spiritual world are
penetrating into mankind's consciousness through certain
channels. For example, they are talking about Strindberg's
play of dream, “Tramspiel” which he produced and
they can see the spiritual world breaking in everywhere.
Strindberg worked in an extraordinary way and people are
saying that there must be some spiritual communication there.
Much streamed into Strindberg; however, everything is
caricatured. Even that is very interesting for people today.
For example, you can read the book
Golom
by Gustav Merig and you can find something there of which you
can say that a stream of spiritual life breaks into mankind in
a powerful way; however it is caricatured in forms where it can
be more damaging than useful for those people who are not
solidly established. Again you get a stream of the spiritual
world breaking into the short story entitled “Cardinal
Napaloos” (sic). In this story you find certain
knowledge about the playing in of the Akashic Chronicle and
so forth in a quite wonderful way. You can find indications
of how the spiritual world wants to pour into mankind. It is
very important to open our eyes to the fact that the
spiritual world wants to pour into mankind today. We do not
have to warm up ancient traditions, although they are
interesting to study. We ought to meet the demands of the
present. The spiritual worlds want to pour in. It comes
unconsciously and is caricatured. However, when we develop
ourselves according to spiritual science, it will not be
caricatured; we can actually experience the spiritual world
properly. through anthroposophical spiritual science, one can
get an understanding for the opening up of our soul, our
heart, our head, to the streams of the spiritual world.
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