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Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

• Title: Lecture: Speech and Song
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  • back into pre-historic ages, the more does speech become recitative
  • takes back his now prosaic language into the poetic and artistic
  • song takes it all back again into the breathing process (including
  • Wherever he looks back, whether it be towards Saturn, Sun or Moon, or
  • friends, when man down here on earth takes back his speech (which is
  • Cosmos) — when therefore man takes speech back again into the
  • conditions and must adapt himself to these. But in Art he goes back
• Title: Lecture: Inner Nature of Music: Lecture II
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  • recollection or impression back into his familiar state of
  • by the sleep, but he also brings back art from those worlds. When a
  • flows back to it again, so do its shadows, the tones, the harmonies.
• Title: Lecture: Inner Nature of Music: Lecture III
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  • us imagine ourselves back in a distant age, the Lemurian age.
• Title: Lecture: Inner Nature of Music: Lecture IV
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  • element. The further we go back into prehistoric times, the more
  • system he draws back into the stream of breathing when he sings
  • composes songs takes everything back into breathing, and therefore
  • of spiritual beings. Where he looks back at Saturn, Sun, Moon, Aries,
  • shaped for earthly conditions. When man takes speech back into song,
  • takes a step back, he brings the earthly affairs surrounding him to a
• Title: Lecture: Inner Nature of Music: Lecture V
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  • the airborne tone back into the inner being of man in such a way that
  • back into our inner being. The ear is a reflecting apparatus for the
  • that in human evolution all musical experience first leads back to
  • the ancient Atlantean time — unless we wish to go back further,
  • could go back into the Atlantean age, you would find that the music
  • transition to the experience of the third actually can be traced back
  • then outside himself; his soul swings back and forth between
  • really strives to lead man back to what he lost in primeval times. In
• Title: Lecture: Inner Nature of Music: Lecture VI
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  • teachers in school what they need as background for their
  • prime, second and third — by backward movements and in the case
  • perceiving itself, would have to look back upon itself; this, then,
• Title: Lecture: Inner Nature of Music: Lecture VII
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  • evolution. Going back into the distant past of human evolution, to
  • man, as it were; how the cosmos penetrates man; how, when we go back
  • back into a still earlier time, an age of human earthly evolution
  • reaching back into the dimmest primeval past, which can be brought
  • lamentation. We thus can look back upon an epoch of the earth
  • with the air of the science of the spirit, one looks back at the
• Title: The Occult Basis of Music
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  • world back with him into waking life. Then he sees the astral bodies