Searching Rudolf Steiner Lectures by GA number (GA0283) Matches
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Query was: breath
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- Title: Lecture: Speech and Song
Matching lines:
- outwards, which does not mainly follow the out-breathing process, but
- the spiritual in-breathing or inspiration (which we observe to
- correspond to breathing in the pre-earthly life). Thus in pre-earthly
- our breathing-in the air. The air which we breathe in passes through
- breathing beats in unison with the movements that are executed along
- canal, the current of the breath is perpetually meeting with the
- activity, and a separate breathing activity; we have in the head a
- harmony and mutual resonance of breathing activity and nervous
- life, sets more store by the nerve forces than by the breathing
- nervous system; he lived in the breathing system. Hence the primeval
- current of the breath. He consciously calls into activity this second
- stream — the breathing. It is the continuation of the breathing
- note. But here in song man does not leave the element of breath; he
- nature of the rhythmic breathing process. The poet of to-day still
- strives to maintain the rhythm of the breath itself in the way he
- song takes it all back again into the breathing process (including
- the breathing process of the head). Thus we may say, the very process
- makes use of the current of the breath which does not enter into
- hand we take the breath, which the soul uses to play upon the bodily
- Title: Lecture: Inner Nature of Music: Lecture III
Matching lines:
- understand in this sense the words of the Bible: “God breathed
- into man the breath of life, and he became a living soul.” In
- Title: Lecture: Inner Nature of Music: Lecture IV
Matching lines:
- the breathing process unites with the movements taking place along
- the nerve fibers. The stream of breath (yellow), which pushes upward
- activity. Nerve activity and breathing activity are not isolated from
- nervous system; he dwelt more in the breathing system, and for this
- system he draws back into the stream of breathing when he sings
- (sketched in yellow), the stream of breathing. When vowel sounds are
- of breathing extends into the head and is directly activated from
- there; it no longer emerges from the breath. It is a return of
- breathing process.
- poet still makes an effort to retain the rhythm of breathing in the
- composes songs takes everything back into breathing, and therefore
- also into the head-breathing. When man shifts from speaking to
- body; and the stream of breath, which does not pass into solid,
- from the human being the breath, which the soul makes use of in order
- Title: Lecture: Inner Nature of Music: Lecture V
Matching lines:
- breath to the exclusion of the actual “I” sphere of the
- his breath. He said to himself — though he did not say it, he
- “I breath in, I breath out. During a nightmare I am especially aware
- of the experience of breath due to the change in my breathing. The
- the breathing process within. Based on all this, you find a specific
- Title: Lecture: Inner Nature of Music: Lecture VI
Matching lines:
- connection between pulse and breath, the ratio of eighteen breaths
- breathing and the heartbeat, the circulation of the blood. One thus
- on the stream of breath — and therefore in an outer slackening
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