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    Query was: play
  

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

• Title: Lecture: Speech and Song
  Matching lines:
  • — in this we have the soul which plays upon the instrument. The
  • of the human being plays in vowels upon the consonants of the musical
  • are playing upon this instrument.
  • solid form, to play upon this plastic instrument of music and now, in
  • hand we take the breath, which the soul uses to play upon the bodily
  • the other plays upon it; the one forms and moulds the instrument, the
  • other plays upon it.
• Title: Lecture: Inner Nature of Music: Lecture II
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  • Bacchus displays an unusual glistening reddish light that is poured
  • other hand, displays a chaste, yellowish hue. It seems as if the
  • color is only playing about the body. The body allows the light only
  • predominates over the sentient body. When the minor third is played,
• Title: Lecture: Inner Nature of Music: Lecture IV
  Matching lines:
  • vowel element is the soul playing on this musical instrument. When
  • Through the vowels, the soul of man plays on the “consonantism”
  • each other. Instead, an interplay of both takes place in the head.
  • wonderful cosmic instrument, and the players of this instrument of the
  • sculptural form, is used by the soul to play on this bodily
  • to play on the instrument in song, if one extracts the vowel element,
  • brings forth and shapes the instrument, the other plays on the
• Title: Lecture: Inner Nature of Music: Lecture V
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  • the seventh. Up into the post-Atlantean age, this continued to play a
  • feels that he is an earthly being when he plays music. Formerly, when
  • angel in my being is beginning to play music. The muse in me speaks.”
  • music in a subjective direction. Subjectivity only came into play in
  • with e, the vibrating of the etheric body plays an essential role.
• Title: Lecture: Inner Nature of Music: Lecture VI
  Matching lines:
  • plays in musical experience and on the other hand of the roles played
  • not take this pedantically; pedantry must never play a role in the
  • is from the age in which the third plays the
  • as Bruckner, is played on the piano. In Bruckner's
• Title: The Occult Basis of Music
  Matching lines:
  • is played through by its music.