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- Title: Four Mystery Plays: The Portal of Initiation: Prelude
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- dogmatically allegorical themes, to gaze on a show of puppets,
- Title: Four Mystery Plays: The Portal of Initiation: Scene 2
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- Begotten out of primal lust and greed.
- Title: Four Mystery Plays: The Soul's Probation: Beings and Persons Represented
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- the connection between the Soul and the Cosmos. They are not allegorical,
- The Voice of Conscience, not allegorical, but a reality,
- Title: Four Mystery Plays: Guardian of the Threshold: Beings and Persons Represented
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- These spiritual beings are not intended to be allegorical or symbolic,
- allegory or symbol. For any one who recognizes the spiritual world as
- allegories, he would not have represented them in the way he has done.
- Title: Four Mystery Plays: Guardian of the Threshold: Scene 1
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- Fancies begotten from its unconscious wish.
- Title: Four Mystery Plays: Guardian of the Threshold: Scene 2
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- Thou wilt forego the power which must be thine,
- Title: Four Mystery Plays: Guardian of the Threshold: Scene 8
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- are white. Their attitude suggests the habitual egoism of their last
- Title: Four Mystery Plays: Guardian of the Threshold: Scene 9
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- Which but as self-begotten show themselves.
- Title: Four Mystery Plays: The Soul's Awakening: Editorial Summary of the Scenes
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- About 2000 B.C. The hierophant (Capesius) has refused to use his thought power to suggest to the candidate what his vision should be. The candidate has a free vision looking far into the future. A breath of love and freedom is wafted into the closely sealed precincts. The truth shall make thee free. But with this rebellion against the old order, there is a consequence. Lucifer and Ahriman hitherto chained within the temple break their chains and begin to work their will. The ancient temple has been invaded, but the Ego begins to wake. The reader will not over-look, in all this cosmic development, the individual development of the different characters which are difficult to understand from the other plays with-out this glimpse into their previous incarnation. The author has presented it in this order, as it corresponds to the reader's own experience.
- Title: Four Mystery Plays: The Soul's Awakening: Editorial Summary of the Scenes
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- About 2000 B.C. The hierophant (Capesius) has refused to use his thought power to suggest to the candidate what his vision should be. The candidate has a free vision looking far into the future. A breath of love and freedom is wafted into the closely sealed precincts. The truth shall make thee free. But with this rebellion against the old order, there is a consequence. Lucifer and Ahriman hitherto chained within the temple break their chains and begin to work their will. The ancient temple has been invaded, but the Ego begins to wake. The reader will not over-look, in all this cosmic development, the individual development of the different characters which are difficult to understand from the other plays with-out this glimpse into their previous incarnation. The author has presented it in this order, as it corresponds to the reader's own experience.
- Title: Four Mystery Plays: The Soul's Awakening: Persons, Figures, and Events
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- to be mere symbols or allegories. Anyone interpreting them in this manner
- soul-picture. Were the case one of mere symbolism or allegory, I should
- Title: Four Mystery Plays: The Soul's Awakening: Scene 3
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- Which are begotten on the mystic way.
- But your worlds I can never more forego.
- Title: Four Mystery Plays: The Soul's Awakening: Scene 4
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- The heart's hope, that was first begot by him,
- Title: Four Mystery Plays: The Soul's Awakening: Scene 5
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- Go, gather them to make thine ego strong.
- Title: Four Mystery Plays: The Soul's Awakening: Scene 8
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- The ego from the group-soul and let loose
- Title: Four Mystery Plays: The Soul's Awakening: Scene 9
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- Mine ego joins that self which fashioned me
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