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  • Title: Four Mystery Plays: Introduction
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    • of man up to the moment when he is able to pierce the veil and see into
    • an initiation specially adapted to modern days — the time and manner
    • find amongst them many types — the occult leader and the seeress
    • man of the world; and we hear too the scoffing cynicism of the materialist
    • and Ahriman; the former of whom may be described as an embodiment of the
    • These two influences are given to man that he may gain free will by having
    • before the first public performance, and the first play was written
    • and acted in this manner in August, 1910, the second in August, 1911,
    • other parts of Germany, Doctor Steiner was led to set up his theatre in
    • to attend the rehearsals and assist in the performances of the plays.
  • Title: Four Mystery Plays: The Portal of Initiation: Editorial Summary of the Scenes
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    • performance of these plays. The English editor has, however, ventured
    • Continuation of Scene 4. Felicia: her First Fable. Germanus.
  • Title: Four Mystery Plays: The Portal of Initiation: Editorial Summary of the Scenes
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    • performance of these plays. The English editor has, however, ventured
    • Continuation of Scene 4. Felicia: her First Fable. Germanus.
  • Title: Four Mystery Plays: The Portal of Initiation: Interlude
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    • I say that there were moments when all I had ever known of human
    • not only gives the outer mischances happening to so many people,
    • he begins to doubt his love for a woman. She had endowed him with
    • benefactress. Constant association with this woman developed his
    • that she had lost the heart of the man she loved. When he heard
    • all that resulted from a hopeful and promising man. Without prospect
    • of life. And I believe a great many have that power, — especially
    • the revelation of a landscape or a human countenance.
    • of art. These same powers have implanted in man an impulse to
    • all that man can create, the original powers of creation have
    • That is just why so many works of art are imperfect; for the
  • Title: Four Mystery Plays: The Portal of Initiation: Beings and Persons Represented
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    • Romanus, whose prototype, as the Mystery proceeds,
    • Germanus, whose prototype,, as the Mystery proceeds,
    • Ahriman and Lucifer, conceived as Soul-influences only.
    • of the audience as in the original German. So too the left is
    • is is usually in a black riding suit, top boots, and a black mantle.
    • Ahriman,
    • the stole, mitre, and crosier of Romanus are bronze and
    • Germanus
  • Title: Four Mystery Plays: The Portal of Initiation: Prelude
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    • And human souls in reverent gratitude,
    • Congress of Psychologists; though the manner in which they treat
    • many great questions there does not appeal to him. However, as
    • for the performance of the play, which our society has been rehearsing
    • human development.
    • who think as I do, do not finally measure the character of man
    • an instrument for the manifestation of this view of life.
    • to the callousness and lack of sympathy shown by so many of your
    • life requires at the hands of the man whom we call good. And yet
    • how I have wrenched myself away from that manner of life, which,
    • understand why so many people suffer, as it seems, undeservedly.
    • Possibly my words sound harsh to you. But our friendship demands
    • nature shapes living entities. Like many another, for instance,
    • that the character of man shapes itself, and that we can merely
    • in like manner do our ideas flow into our very being, kindling and
    • the dreams which you share with so many can only be realized when
  • Title: Four Mystery Plays: The Portal of Initiation: Scene 1
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    • Aye, after many of the speakers' words,
    • Unto the very kernel of man's soul,
    • Where human souls do enter every night,
    • Man's being wanders erring: whilst the night
    • That I should grow to perfect spirit-man.
    • Man's common mode of thinking; and create
    • Man's character in sure and noble mould.
    • Mingled together, uttering manifold
    • Full many harmonies there were indeed,
    • But also many a harsh-toned dissonance.
    • Ah, when the words and speech of many men
    • It seems as though man's very prototype
    • Became through many souls articulate,
    • Grows visible in many-coloured rays.
    • Through changing scenes of many centuries
    • And set before man's soul the goals of life.
    • This mode of thought doth work. Full many a day
    • Seemed nature's gift, man's talents — and more strong
    • The kind of man I am, insufferable.
    • They fascinate the spirit of mankind,
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  • Title: Four Mystery Plays: The Portal of Initiation: Scene 2
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    • Know thou thyself, O man.
    • 'Tis thus I hear them, now these many years,
    • ‘Know thou thyself, O man. Know thou thyself.’
    • Know thou thyself, O man.
    • These words ring forth: ‘Know thou thyself, O man.’
    • Know thou thyself, O man.
    • Ye cruel words, ‘Know thou thyself, O man.’
    • Know thou thyself, O man.
    • My human form is lost and gone from me;
    • ‘Know thou thyself, O man. Know thou thyself.’
    • Know thou thyself, O man.
    • Know thou thyself, O man.
    • Blind through these words: ‘Know thou thyself, O man.’
    • Know thou thyself, O man.
    • When many varying thoughts of many men
    • Man's final refuge hath been lost to me:
    • And many things I am compelled to see,
    • A human being ever could arise.
    • ‘Know thou thyself, O man. Know thou thyself.’
    • Know thou thyself, O man.
  • Title: Four Mystery Plays: The Portal of Initiation: Scene 3
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    • And soon did learn full many a beauteous word
    • The deeds of Gods unite with human lives. —
    • And dwell there, veiled in form of flesh, as man.
    • The Karma of mankind made this demand.
    • To link themselves with human destiny.
    • Doth plant the seed within some human heart.
    • My task it was to find that human soul
    • The deed of heaven to some human lot.
    • Through many former lives thou hadst acquired
    • That human hearts can e'er experience.
    • A ripened fruit of many lives that soul,
    • The power to work within our human world.
    • When it flows forth to other human souls.
    • In human nature can attain the realm
    • My son, full many trials have come to thee;
    • Whereby thou willedst to deceive mankind.
    • Here with us: and where'er a human form
    • Of that new higher life of humankind
    • Where every man may find his being's source
    • Whate'er this world engenders in man's heart
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  • Title: Four Mystery Plays: The Portal of Initiation: Scene 4
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    • Lucifer and Ahriman. Johannes is seen
    • O man, know thou thyself; O man, feel me.
    • O man, know thou thyself; O man, feel me.
    • Ahriman:
    • O man, know me; O man, feel thou thyself.
    • O man, know me; O man, feel thou thyself.
    • Ahriman:
    • The other doth obscure the sight of man
    • The one took on the woman's form e'en now,
    • in astral garb; the former, though the older man of the two
    • The soul of man may only look on me,
    • To human dreamers words of hope like these
    • To man's best observation and research.
    • In life's storm-centres many a year I stood,
    • Upon the proud heights of the mind of man.
    • Idealized through man's creative work,
    • Be thy reward for deeds commanded.
    • Creation were not possible for man
    • Sufficeth for itself; and so doth man
    • Then tell the woman, who endowed your souls
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  • Title: Four Mystery Plays: The Portal of Initiation: Scene 5
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    • Romanus (in
    • To live in spirit-realms the man to thee
    • Themselves to him; demanding from him deeds;
    • Out of myself I give to man on earth
    • Romanus:
    • Now have they learned whither mankind is led
    • Must ripen through thy power in human souls.
    • Unto my spirit, hath commanded me
    • For that which grows to-day in human brains
    • These clever human heads: they turn their gaze
    • And luckless layman, who would fain presume
    • A fancy-monger and a man of dreams
    • And bring forth fruitful work in human souls.
    • Romanus:
    • Romanus:
    • Thou wilt bear fruit on earth in human deeds
    • He who stood on his left seemed like that man
  • Title: Four Mystery Plays: The Portal of Initiation: Scene 6
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    • Continuation of Scene 4. Felicia: her First Fable. Germanus.
    • For many years one of these men did come
    • He grew to manhood steeped in all the light,
    • A man of desert soul and empty heart.
    • And now forsooth thou dost demand of me
    • Yet thy work aids the welfare of mankind
    • Mankind thou hast inspired
    • He looked upon the doings of mankind.
    • Full many thousand times the same results.
    • For therein dwelt a tired and weary man,
    • Who pondered on the love of humankind,
    • And pondered also over human hate.
    • And, grieving o'er this man, the being lost
    • And once again he saw mankind pass through
    • His gaze did fall upon a dying man.
    • (Germanus, invisible behind the rock, speaks. As he speaks,
    • Germanus:
    • A man once lived, who went from East to West:
    • He looked upon the doings of mankind.
    • The man heard not, but wandered blindly on
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  • Title: Four Mystery Plays: The Portal of Initiation: Scene 7
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    • So I can give to man
    • To mankind's seeking soul.
    • That consecrate man
    • Unto the heart of man Who is initiate;
    • The human seeker's heart:
    • In his old age I saw — this man
    • And many things besides have I beheld
    • Not human was thy nature: in thy soul
    • Which worked not as man clothed in flesh doth work.
    • This glow takes shape, and grows to human form.
    • It is a man with spirit deep imbued,
    • On that good man who rose from out thy head:
    • A woman facing him mine eye doth see,
    • At this man's words. I hear their mad wild cries:
    • But unconcernedly the man speaks on.
    • He tells now of that God in human form,
    • And swears it will wreak vengeance on the man.
    • The woman who doth stand before the man
    • A soul prays to the God in human form;
    • Thou wast the woman whom the seeress saw,
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  • Title: Four Mystery Plays: The Portal of Initiation: Scene 8
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    • A man of sad demeanour wast thou then,
    • It seemed as though the man himself heard not,
    • The living spirit is thus manifest.
    • Itself in man, who none the less remains
    • Can consciously behold; and many times
    • In every line, and many things besides,
    • As a young man I saw Capesius,
    • What is the essential kernel of a man;
    • And how a man's peculiarities
    • In earthly life do manifest themselves
  • Title: Four Mystery Plays: The Portal of Initiation: Scene 9
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    • ‘O man, feel thou thyself.’
    • O man, feel thou thyself! For three long years
    • A man may free himself to conquer first;
    • Through these same words: ‘O man, feel thou thyself.’
    • ‘O man, feel thou thyself.’
    • That they will grow and lead man's spirit up,
    • Man too can grasp whate'er hath ta'en firm hold
    • O man, experience and feel thyself —
    • ‘O man, feel thou thyself.’
    • O man, experience and feel thyself;
    • ‘O man, feel thou thyself.’
    • From all the worlds: O man, feel thou thyself.
    • ‘O man, feel thou thyself.’
    • Of these same words: O man, feel thou thyself.
    • ‘O man, feel thou thyself.’
    • ‘O man, feel thou thyself.’
    • Of these same words: O man, feel thou thyself.
    • ‘O man, feel thou thyself.’
    • Man's first conviction has just come to me,
    • Lies in these words: O man, feel thou thyself.
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  • Title: Four Mystery Plays: The Portal of Initiation: Scene 10
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    • Love shall through me reveal himself to man.
    • (He grows uncertain, as is gradually made manifest by his gestures.)
    • 'Twas no illusion, but the man himself.
    • (Lucifer and Ahriman appear.)
    • O man, know me. O man, feel thou thyself.
    • Thou shalt discover, who to human lot
    • O man, feel thou thyself: O man, know me.
    • Ahriman:
    • O man, know thou thyself: O man, feel me.
    • O man, feel me. O man, know thou thyself.
    • Prom me, and Ahriman did follow him.
    • Mankind doth think in truth;
    • Mankind doth live in Love.
  • Title: Four Mystery Plays: The Portal of Initiation: Scene 11
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    • Of mankind's upward striving might compose,
    • Which should have worked convincingly on man.
    • Thou gav'st me power to picture human life;
    • Which strives for truth in every human heart.
    • (Enter Benedictus with Lucifer and Ahriman; behind them
    • Ahriman):
    • Ahriman:
    • Romanus (to
    • But now at length 'twas even man's illusion
    • Romanus:
    • That man without thine aid may fire himself
    • A human image is now born therefrom;
    • From this same human form. E'en thus they sound:
  • Title: Four Mystery Plays: The Soul's Probation: Editorial Summary of the Scenes
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    • Same period. The Interior of the Castle. The Grand Master and Council. The Monk's demand. The apparition of his late Master, Benedictus.
    • Meditation chamber as in Scene 2. Maria defeats Ahriman.
  • Title: Four Mystery Plays: The Soul's Probation: Editorial Summary of the Scenes
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    • Same period. The Interior of the Castle. The Grand Master and Council. The Monk's demand. The apparition of his late Master, Benedictus.
    • Meditation chamber as in Scene 2. Maria defeats Ahriman.
  • Title: Four Mystery Plays: The Soul's Probation: Beings and Persons Represented
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    • Benedictus, Theodosius, Romanus, Hierophants of the Temple
    • Ahriman
    • a white Maltese cross on their mantle and on their tunic. The mantle
  • Title: Four Mystery Plays: The Soul's Probation: Scene 1
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    • Thus erring human nature often seeks
    • The inward life of many human souls.
    • Down many a path my restless soul I turned.
    • Which transforms human life, and makes to rise
    • Abides in every man. And since from him
    • As chief amongst the many sins of life
    • That unto knowledge man aspires in vain;
    • That human destiny demands of man
    • Have been implanted in the human soul,
    • The work divine committed unto man.
    • Upon the human will.
    • With all thy human strength.
    • With thy humanity.
    • To depths of human life
    • Mankind doth live in thought
    • Mankind illusion weaves.
    • Prepare to change the sense of many words
    • A man can lose
    • In human life. Mere words of comfort now
    • For human souls may not be written down,
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  • Title: Four Mystery Plays: The Soul's Probation: Scene 2
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    • They seek to lay upon me a command
    • With thee united. Now his soul demands,
    • But this it doth demand with strict decree —
    • Doth wear the mask of truth to human minds,
    • of manifold shortcomings. Not till now
    • Ye bring to fruitage in the self of man
    • To long past ages of humanity.
    • Mankind doth guide his life,
    • Mankind himself doth lose.
  • Title: Four Mystery Plays: The Soul's Probation: Scene 3
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    • From her rich store of wisdom manifold.
    • Be manifest in matter which is drawn,
    • The magic warmth that streams through human hearts,
    • And, sensing even then their need of man,
    • Out of my pictures to the human heart.
    • Mankind doth not attain
    • They fain would lure mankind
  • Title: Four Mystery Plays: The Soul's Probation: Scene 4
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    • With many a disputatious argument
    • There are no goals in life ordained for man
    • Of which that woman showed herself possessed.
    • Dost thou recall the artist, that young man
    • For many weeks benumbed, to madness nigh
    • So now I am a factory manager,
    • For many hours in which I can forget
    • I sought through many a weary wakeful night
    • A man to whom it hath been thus ordained
    • This man hath willed this fate upon himself
    • How many veils enshroud mine inmost self?
    • The man whom I have recognized in thee
  • Title: Four Mystery Plays: The Soul's Probation: Scene 5
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    • Ahriman. Dame Felicia is seated on a bench in front of her
    • When scarce another man came near this house,
    • That came between us, e'en though many now
    • Is nowadays a man much visited?
    • To many men lending a willing ear
    • So she deplores the many days that pass
    • Equally faithful unto its command.
    • Our human nature undergoes a change
    • Be now revealed unto every man
    • Is in agreement with man's current thought;
    • I am a man into whose heart must flow,
    • As is his body's sheath to man on earth;
    • That every man is free to come to me
    • Many are led by curiosity
    • I have admired thee now these many years;
    • Man, as the image of the cosmos, is:
    • The human form as it before us stands,
    • All these, full many gods have worked to mould
    • Which should, in combination, make mankind.
    • For they regard mankind as nothing else
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  • Title: Four Mystery Plays: The Soul's Probation: Scene 6
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    • First Countryman:
    • On hearing which they'd burn for many a day.
    • Second Countryman:
    • First Countrywoman:
    • Third Countryman:
    • Second Countrywoman:
    • And many more can tell the selfsame tale.
    • Third Countrywoman:
    • Fourth Countryman:
    • Fifth Countryman:
    • Fourth Countrywoman:
    • Fifth Countrywoman:
    • Sixth Countrywoman:
    • Sixth Countryman:
    • They set themselves apart from all mankind,
    • Must now reveal themselves unto mankind
    • And one thing then was manifest to me: —
  • Title: Four Mystery Plays: The Soul's Probation: Scene 7
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    • who has passed away about fifty years earlier. Then Lucifer and Ahriman.
    • To seek the goal appointed unto man,
    • For many a castle of our brotherhood
    • And many Brethren dear to us have fallen
    • Should doom so many brothers' single lives,
    • The sacrifice demanded from these men
    • And yet whose nature still shows many a stain.
    • The heart of each man in our brotherhood,
    • The man who cannot hear with perfect faith
    • The manner in which ye possessed yourselves
    • This have we won for human industry:
    • To distant lands, to further human weal,
    • And many honest souls are now at work
    • Of peaceably accepting our demand
    • The honour of our brotherhood demands
    • An audience with thy lord, who here commands?
    • Those human beings who have joined its ranks
    • (Ahriman and, Lucifer appear.)
    • Ahriman:
    • To trace the paths on which mankind must tread.
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  • Title: Four Mystery Plays: The Soul's Probation: Scene 8
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    • The worthy man; we prize him for his skill,
    • Our enemies are many if one more
    • My service to the cause of human love
    • To acts of men, is manifest in me.
    • But I, alas, have felt for many days
    • A human form appears in front of me
    • The greatness and the beauty of this man
    • To take a human form upon Himself,
    • The primal form of our humanity
    • How cosmic aims are linked to human fate.
    • To understand the soul of every man,
    • There are amongst them many men indeed
    • Earth once only in a human frame.
    • That all mankind must needs be born again,
    • Human existence where the Spirit seeks
    • In easy manner to posterity.
    • That we to-day can meet so many souls
    • This seed can only manifest itself
    • In man, by opposition to those Powers
    • Can only in such manner be disclosed;
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  • Title: Four Mystery Plays: The Soul's Probation: Scene 9
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    • So many friends are always glad to hear.
    • Once on a time there lived a man who spent
    • ‘'Twas but a year ago a man did cleave
    • And when the man had listened to these words
    • But which completely answered his demand:
    • May form fresh knowledge in a human head.
    • I know how many things I can make clear
    • First Countryman:
    • Full many a bit of news he hath to tell
    • Second Countryman:
    • Many amongst us will most certainly
    • First Countrywoman:
    • How can a man be such a witless fool!
    • Second Countrywoman:
    • Yet there are many hereabouts to-day
    • The good man who in former days was wont
    • To help so many in sore need, can now
    • Third Countrywoman:
    • Of course! For many people were enraged
    • Third Countryman:
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  • Title: Four Mystery Plays: The Soul's Probation: Scene 10
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    • I saw mankind and all its works evolve
    • ‘O man know thou thyself within thy world.’
    • And just as man doth often feel a scene
  • Title: Four Mystery Plays: The Soul's Probation: Scene 11
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    • Maria, Ahriman.
    • Ahriman:
    • Woman thou sawst as woman, man as man,
    • So 'tis but easy for a man to yield
    • The force that gives mankind discernment true.
    • Ahriman:
    • But which can also guide man to the truth.
    • At these times, many men will be reborn
    • (Ahriman withdraws with reluctant mien. Thunder.)
    • But unto me hath been made manifest
  • Title: Four Mystery Plays: The Soul's Probation: Scene 12
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    • And knows his tasks for many lives to come.
    • Are trusty guides for every human soul,
    • Yet it was not a human being whole
    • What hath a man attained who gives himself
    • When in earth's primal days his human form
    • This will must know the wherefore of man's life
    • Though human knowledge cannot make it plain.
    • That which in perfect manhood it creates
    • When it flows mightily through human souls;
    • Whose human self stands firm within the world.
    • That hath more wisdom than the human soul.
  • Title: Four Mystery Plays: The Soul's Probation: Scene 13
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    • Mysteries of the Hierophants; Lucifer, Ahriman, the three Soul-Figures,
    • Strader, Benedictus, Theodosius, Romanus, Maria.
    • (Enter first Lucifer and Ahriman.)
    • The human soul that gave itself to me
    • Ahriman:
    • Intent on shaping man's development.
    • Bestow the spirit-food on human souls
    • To guide this man's soul from the spirit-night
    • And so through many lives he had to pass
    • As barred him from the cosmos and from man.
    • Another man strives to the temple's light;
    • Romanus:
    • Learn how a man must, in a single life,
    • Take up a load. of duties which demand
    • Of many lives of eartly pilgrimage.
    • In human nature there are springs of love
    • A load unwittingly assumed by man, —
    • To bear fruit for the real good of man.
    • Whose symbols are the actions of man's life.
    • Shall henceforth work awakened for man's weal.
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  • Title: Four Mystery Plays: Guardian of the Threshold: Editorial Summary of the Scenes
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    • The groves of Lucifer and Ahriman and their creatures who dance. Dame Balde's fable.
    • The kingdom of Ahriman. The reincarnated country folk come here unconsciously in sleep. Strader comes consciously.
  • Title: Four Mystery Plays: Guardian of the Threshold: Editorial Summary of the Scenes
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    • The groves of Lucifer and Ahriman and their creatures who dance. Dame Balde's fable.
    • The kingdom of Ahriman. The reincarnated country folk come here unconsciously in sleep. Strader comes consciously.
  • Title: Four Mystery Plays: Guardian of the Threshold: Beings and Persons Represented
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    • known as Germanus in ‘The Portal of Initiation.’
    • Probation’, and known as ‘Romanus’ in ‘The
    • Ahriman.
    • BEINGS OF THE ELEMENT OF HUMAN SPIRIT:
    • whose agency the human soul forces are connected with the Cosmos.
    • Michael Nobleman.
    • have human form, as they are bound to have upon the stage. If the writer
    • Ahriman in
    • Luna, and the Other Philia, flowing muslin robes of many colours,
    • short blue mantle thrown over the back and attached to the front by
  • Title: Four Mystery Plays: Guardian of the Threshold: Scene 1
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    • And to the commonsense of human minds.
    • Which is so highly prized by many men;
    • Michael Nobleman:
    • Their life and deeds make manifest to all.
    • As have seemed wise to mankind's general thought
    • Many sure signs show plainly much must change
    • Along the path away from human health.
    • How long path man with sorrow had to feel
    • Full many a fetter has been riveted
    • Which in our day Both weigh on many souls.
    • As to the service it may render man.
    • We see how in man's daily life on earth
    • Man's life itself becomes mechanical.
    • Many have sought with painful diligence,
    • Might no more lame the soul-life of mankind
    • How man should act towards his fellow-men.
    • I have myself spent many a solemn hour
    • In thinking out this riddle of man's life.
    • Restore that freedom to humanity
    • That every man shall have what he may need
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  • Title: Four Mystery Plays: Guardian of the Threshold: Scene 2
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    • Bear fruit in all the worlds, where power of man
    • Thou had'st to part for many years with much
    • Who went from thee, so that thy human soul
    • Ye think to see before you now a man
    • Would not have wished to lead me. Ahriman
    • What human-beings think they know of him
    • For Ahriman hath clearly shewn to me
    • Which Ahriman in his own realm revealed.
    • Then I shall have to love great Ahriman
    • Hides close from mankind.
    • Reveals to mankind.
    • Which far from man's thought
    • Doth rouse in mankind.
    • Where man must lose what once he hath attained.
    • Full many a glance thou hast toward spirit-realms
  • Title: Four Mystery Plays: Guardian of the Threshold: Scene 3
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    • Through which mankind fulfils its spirit-life.
    • He finds important many threads of fate
    • And when the human soul can clearly see
    • The human being who here talks with thee
    • At times he feels aware of human souls,
    • Seems but a shadow in the human soul,
    • So through his body man may serve the gods.
    • Self-knowledge for that very human soul
    • But I command thee not to speak a word
    • Man carries hidden in his nature's depth.
    • And at this moment I demand him back.
    • Then once more shall he find himself as man.
    • Thou hast appeared, and here am I, a man
    • But since that time each soul of man hath been
    • That unto mankind's gods it gave itself.
    • Thou from the first deceived'st all mankind,
    • Man's human nature shall through love find out
    • The fruits of Love can only come to man
  • Title: Four Mystery Plays: Guardian of the Threshold: Scene 4
    Matching lines:
    • In spirit-life I was a starving man
    • To find the worth of life and goal of man.
    • For thou didst show me that man's spirit seeks
    • Within the human soul. What thus I saw
    • And formed ... the image ... of an earthly man. ...
    • The man in whom I always have believed. ...
    • How of himself and Ahriman he spake —
  • Title: Four Mystery Plays: Guardian of the Threshold: Scene 5
    Matching lines:
    • These many years there hath been granted me
    • To spend on Earth for many years as yet
    • Shown herself helpful to so many men.
    • I plied her oft with many questionings —
    • Capesius speaks in such a manner strange
    • With human knowledge, which, if treated thus
    • All human knowledge, that it may approach
    • To try to clear my thoughts about this man.
    • Which can just now make blind so many souls.
    • Which he one day must render to mankind
  • Title: Four Mystery Plays: Guardian of the Threshold: Scene 6
    Matching lines:
    • Spirits, and the latter by Ahriman and his Spirits. The dance movements
    • Ahriman, and Creatures which move in a dancing fashion and which represent
    • Where words do not depend on human speech,
    • and Ahriman from the other. They go to their thrones raised
    • Lucifer on the right of the stage, Ahriman on the left.)
    • Ahriman (speaking
    • on Ahriman's side move and carry out dancing movements which
    • Ahriman:
    • (The thought-beings on Ahriman's side repeat their movements,
    • Ahriman:
    • (Repetition of the movement in Ahriman's group.)
    • Ahriman remain: Philia, Luna, and Astrid advance from the background,
    • In these domains which Lucifer commands
    • Ahriman:
    • Who have curtailed my many ancient rights.
    • I wished to give unto mankind such strength
    • So that I might not make mankind too strong.
    • (As Ahriman finishes speaking, Benedictus appears.)
    • And manifest the light 'midst breathing men.
    • So turn and go unto mankind and bring
    • Maximum number of matches per file exceeded.
  • Title: Four Mystery Plays: Guardian of the Threshold: Scene 7
    Matching lines:
    • Dull human dream existence following.
    • The gods desire to draw near to mankind
    • Thou must first part with many of those powers
    • And given as his own to Ahriman.
    • To keep back many men from here, who would
    • Pouring from Lucifer to human souls
    • By that same God Who dwells within mankind
    • That dignified old man, his solemn face,
    • That yon old man may go his way in peace,
    • As once mankind in olden times on Earth
    • The old man's soul doth trace that line of thought
    • They speak of that old man with reverence deep.
    • And in his life full many a time it chanced
    • To enter his own home, a man disgraced;
    • But since the man's proud soul was soon compelled
    • The man who was the teacher of this band
    • With my soul's sight, this aged man, who thus
    • The greatest human task — to conquer self —
    • The man to whom I wholly give myself,
    • Surely I once was pupil of this man
    • Maximum number of matches per file exceeded.
  • Title: Four Mystery Plays: Guardian of the Threshold: Scene 8
    Matching lines:
    • Ahriman's Kingdom. No sky is visible. A
    • glutton, etc., etc. Ahriman is seated on a rock. Hilary, Frederick
    • The wise direction for full many a plan
    • Of human acts, to ripen in due course,
    • Ahriman (in a feigned voice, sardonically):
    • Ye now believe that Strader is the man
    • What he hath won for progress of mankind
    • So all that he may do to help mankind
    • That what I wish shall happen to this man
    • (Ahriman becomes invisible.)
    • Ahriman (who
    • To age-long pains of hell that human soul
    • ignorance of the fact that they are in Ahriman's kingdom. The
    • which are audible in Ahriman's kingdom. Strader, who also appears,
    • Ahriman:
    • Ahriman:
    • Ahriman:
    • Ahriman (audible
    • Michael Nobleman:
    • In human life, will surely find that I
    • Maximum number of matches per file exceeded.
  • Title: Four Mystery Plays: Guardian of the Threshold: Scene 9
    Matching lines:
    • garden overlooking a town with many factories.
    • To heal this human woe by deeds of love.
    • And when with human words so wise and true
    • Which through his words doth reach the heart of man.
    • That best may serve to further human health.
    • For many years I could find nought but thoughts
    • What I could learn from Ahriman himself,
    • Twelve helpers from the number of mankind.
    • Which Ahriman showed forth, drew near to thee,
    • And I could feel quite sure that Ahriman
    • So Ahriman desired to mould the souls
    • My work from out the realm of Ahriman
    • It was through Ahriman thou hadst to learn
    • To human progress and perform such work
    • I have to feel myself a twofold man.
    • Ye now have given me a manhood new
  • Title: Four Mystery Plays: Guardian of the Threshold: Scene 10
    Matching lines:
    • And one man's error had to guard it once,
    • The inner soul of man is fructified.
    • My son, the words man utters in this place
    • And yet the man who stands here visible
    • Endowed with second manhood, which the first
    • In mine own human personality.
    • For such time as the spirit doth command.
    • Which mankind scarce can understand aright.
    • He might call water evil, since a man
    • From that same spirit which can guide mankind
    • As bearer of the light to man's soul-sight
    • But then the human soul will always wish
    • But, more than any other spirit, man
    • When He Himself doth dwell within man's soul,
    • A man may turn to Lucifer and feel
    • But to that other Spirit man doth cry,
    • Which Karma spins in human lives on Earth.
    • Demand the debt Maria owes to him,
    • In many a temple which it seems to me
    • If Ahriman were not opposed to it.
    • Maximum number of matches per file exceeded.
  • Title: Four Mystery Plays: The Soul's Awakening: Editorial Summary of the Scenes
    Matching lines:
    • Hilary's business is threatened with disaster because of his attempt to introduce into it his spiritual ideals and occult methods. He has engaged as controller of his machinery, Strader, who is generally known to be a failure because of his impractical inventions. With him comes a group of similar “cranks.” Hilary's old manager is in despair.
    • Johannes is a prey to delusion and loves to wander in his own dreamland. He is warned by Maria and Benedictus. Capesius, in a moment of clairvoyance gets a glimpse of Johannes' inner mood, and is so alarmed that he decides that there can be no blending of spiritual gifts with earthly things, and he withdraws from Hilary's group and goes to the old mystic Felix. Maria urges Johannes to discriminate between truth and self-delusion which can be done by the study of elemental sprites.The dance of gnomes and sylphs.The Youth of Johannes appears. It is in despair because it is separated from Johannes. Lucifer tries to console it with promises of human wisdom and love of beauty. Theodora offers divine wisdom.
    • Arguments on plans of action and occult powers, during which Ahriman glides stealthily across the stage to bring dissension and confusion of thought among the speakers, who are ignorant of his presence.Strader's temptations.Felix speaks on mysticism.The appearance in spirit form of Maria and Benedictus to help Strader, and of Ahriman to thwart him. There is a repetition of Strader's part in Scene 2.
    • Similar discussions between Hilary's manager and Romanus. Ahriman had succeeded in separating the various mystics. (see Strader's vision on p. 268.)Romanus makes a great impression upon the manager.Johannes and his double.Ahriman scoffs at the Guardian of the Threshold. Strader with Maria and Benedictus. The vision of the latter is troubled.
    • Drop scene. Egyptian woman (otherwise Johannes Thomasius) is in love with a man who is a neophyte or candidate for mysticism and about to retire from the world. This mystic is known to us otherwise as Maria.
    • About 2000 B.C. The hierophant (Capesius) has refused to use his thought power to suggest to the candidate what his vision should be. The candidate has a free vision looking far into the future. A breath of love and freedom is wafted into the closely sealed precincts. The truth shall make thee free. But with this rebellion against the old order, there is a consequence. Lucifer and Ahriman hitherto chained within the temple break their chains and begin to work their will. The ancient temple has been invaded, but the Ego begins to wake. The reader will not over-look, in all this cosmic development, the individual development of the different characters which are difficult to understand from the other plays with-out this glimpse into their previous incarnation. The author has presented it in this order, as it corresponds to the reader's own experience.
    • Ahriman's manner, shape, and speech betray the fact that he is being found out by the followers of Benedictus. Ahriman hopes, however, to catch Strader. Note the satire indulged in at the expense of those occultists, theosophists, and others whose air of superiority makes them a laughing stock. Note also the last lines showing the importance of remembering the dead.
    • Hilary and Romanus.
    • Strader's death is announced and Hilary's manager is converted.
    • Secretary and Nurse.The Secretary's speech.Ahriman's shape is here even more that of the conventional devil than in Scene 12. This is to show that his true nature is now fully grasped by Benedictus and his followers. This is seen in Ahriman's last speech. Note Benedictus' speech about the dead and their messages (p. 293).Benedictus tells Ahriman that one can only serve Good when one does good not for oneself.Ahriman's knowledge of his own final destruction.The defeat and exit of Ahriman.The triumph and initiation of Strader; his future power.
  • Title: Four Mystery Plays: The Soul's Awakening: Editorial Summary of the Scenes
    Matching lines:
    • Hilary's business is threatened with disaster because of his attempt to introduce into it his spiritual ideals and occult methods. He has engaged as controller of his machinery, Strader, who is generally known to be a failure because of his impractical inventions. With him comes a group of similar “cranks.” Hilary's old manager is in despair.
    • Johannes is a prey to delusion and loves to wander in his own dreamland. He is warned by Maria and Benedictus. Capesius, in a moment of clairvoyance gets a glimpse of Johannes' inner mood, and is so alarmed that he decides that there can be no blending of spiritual gifts with earthly things, and he withdraws from Hilary's group and goes to the old mystic Felix. Maria urges Johannes to discriminate between truth and self-delusion which can be done by the study of elemental sprites.The dance of gnomes and sylphs.The Youth of Johannes appears. It is in despair because it is separated from Johannes. Lucifer tries to console it with promises of human wisdom and love of beauty. Theodora offers divine wisdom.
    • Arguments on plans of action and occult powers, during which Ahriman glides stealthily across the stage to bring dissension and confusion of thought among the speakers, who are ignorant of his presence.Strader's temptations.Felix speaks on mysticism.The appearance in spirit form of Maria and Benedictus to help Strader, and of Ahriman to thwart him. There is a repetition of Strader's part in Scene 2.
    • Similar discussions between Hilary's manager and Romanus. Ahriman had succeeded in separating the various mystics. (see Strader's vision on p. 268.)Romanus makes a great impression upon the manager.Johannes and his double.Ahriman scoffs at the Guardian of the Threshold. Strader with Maria and Benedictus. The vision of the latter is troubled.
    • Drop scene. Egyptian woman (otherwise Johannes Thomasius) is in love with a man who is a neophyte or candidate for mysticism and about to retire from the world. This mystic is known to us otherwise as Maria.
    • About 2000 B.C. The hierophant (Capesius) has refused to use his thought power to suggest to the candidate what his vision should be. The candidate has a free vision looking far into the future. A breath of love and freedom is wafted into the closely sealed precincts. The truth shall make thee free. But with this rebellion against the old order, there is a consequence. Lucifer and Ahriman hitherto chained within the temple break their chains and begin to work their will. The ancient temple has been invaded, but the Ego begins to wake. The reader will not over-look, in all this cosmic development, the individual development of the different characters which are difficult to understand from the other plays with-out this glimpse into their previous incarnation. The author has presented it in this order, as it corresponds to the reader's own experience.
    • Ahriman's manner, shape, and speech betray the fact that he is being found out by the followers of Benedictus. Ahriman hopes, however, to catch Strader. Note the satire indulged in at the expense of those occultists, theosophists, and others whose air of superiority makes them a laughing stock. Note also the last lines showing the importance of remembering the dead.
    • Hilary and Romanus.
    • Strader's death is announced and Hilary's manager is converted.
    • Secretary and Nurse.The Secretary's speech.Ahriman's shape is here even more that of the conventional devil than in Scene 12. This is to show that his true nature is now fully grasped by Benedictus and his followers. This is seen in Ahriman's last speech. Note Benedictus' speech about the dead and their messages (p. 293).Benedictus tells Ahriman that one can only serve Good when one does good not for oneself.Ahriman's knowledge of his own final destruction.The defeat and exit of Ahriman.The triumph and initiation of Strader; his future power.
  • Title: Four Mystery Plays: The Soul's Awakening: Persons, Figures, and Events
    Matching lines:
    • The Manager of Hilary's business of sawmills.
    • Magnus Bellicosus named Germanus in ‘The Portal
    • Romanus who is here re-introduced under the
    • Ahriman.
    • BEINGS OF THE ELEMENT OF HUMAN SPIRIT:
    • spiritual beings through whose agency the human soul-forces
    • The Soul of Ferdinand Fox in the realm of Ahriman (Scene
    • Capesius, Felix Balde, Dame Balde, Romanus, Maria, Johannes Thomasius
    • to be mere symbols or allegories. Anyone interpreting them in this manner
    • and events. On the other hand, it must be said that the manner in which
  • Title: Four Mystery Plays: The Soul's Awakening: Scene 1
    Matching lines:
    • He is a manufacturer of sawn woodwork.
    • Manager:
    • So many as were our admirers then,
    • Manager:
    • Manager:
    • A serious diminution in demand
    • For what we manufacture; nor do we
    • As many clients truthfully attest.
    • And thus supply for daily human need
    • Manager (after
    • That thou shouldst find a man to realize
    • The man to realize what I propose?
    • That Strader is, in fact, this very man.
    • And I who, knowing this man's inner self,
    • And my own duty to humanity,
    • To find a field of work for such a man, —
    • Manager (surprised):
    • Am I to look on Strader as this man?
    • In his case hath it not been manifest
    • Unto a man who came to grief himself
    • Maximum number of matches per file exceeded.
  • Title: Four Mystery Plays: The Soul's Awakening: Scene 2
    Matching lines:
    • Brim up the air with riddles manifold,
    • The man who, flooding thee with spirit, rose
    • Through thy will into human deeds. He must
    • Finds many a hint to shape his destiny.
    • So 'tis with man, what time his better self
    • Such is the sleep all human beings sleep
    • A living man, he claims his natural rights
    • And place them near to demons manifold
    • Who dwell close linked with dormant cosmic powers
    • When human souls still slept (said slowly and dreamily)
    • That mankind may enjoy
    • When stumbling human sense
    • And fumbling human mind
    • When young mankind's dawn-life
    • And old mankind's errors
    • I find deep-seated in the human soul.
    • But without human wisdom. So shalt thou
  • Title: Four Mystery Plays: The Soul's Awakening: Scene 3
    Matching lines:
    • Enter left, Magnus Bellicosus, Romanus, Torquatus,
    • Torquatus is speaking (page 183), Ahriman enters left, glides stealthily
    • Romanus:
    • Romanus:
    • Another sign doth still make manifest
    • Romanus:
    • What can the spirit products of this man
    • Romanus:
    • Who bring to many a mystic danger great
    • How highly thou dost rate the man whom he
    • Romanus:
    • With all the worldly goods at my command
    • Romanus:
    • In human life they well may stand so close;
    • And in that work, thou dost but manifest
    • Which I have sought unwearied many years,
    • In which the human spirit feels itself
    • A man cannot attain the spirit-world
    • That is the mystic mood. When waked in man
    • And seeks, through human sense-activities,
    • Maximum number of matches per file exceeded.
  • Title: Four Mystery Plays: The Soul's Awakening: Scene 4
    Matching lines:
    • (The Manager and Romanus, pausing in their walk,
    • Manager:
    • And I perceive in thee a clever man
    • Romanus:
    • Manager:
    • Thou off'rest little and demandest much.
    • What saith this spirit of that brave strong man
    • Romanus:
    • His servant certainly was that old man
    • Manager:
    • Romanus:
    • In life and work and service for mankind
    • Manager:
    • How shall I manage to protect mine own
    • Romanus:
    • Manager:
    • A dreamer — over thee — the man of deeds!
    • Romanus:
    • Manager:
    • That hold a value for mankind's whole life?
    • Maximum number of matches per file exceeded.
  • Title: Four Mystery Plays: The Soul's Awakening: Scene 5
    Matching lines:
    • reddish outer-garment, shaped like a mantle and gleaming
    • elemental spirit modified to resemble a man's; the head less
    • bowed, and the limbs more human.)
    • Ahriman:
    • Full many figures are they fashioning;
    • One, many years ago, slid gently by
    • Demand a payment in, thy next earth-life.
    • That thou as man mayst recognize the man
    • When Saturn soon his many-coloured light
    • Ye souls who now at Lucifer's demand
  • Title: Four Mystery Plays: The Soul's Awakening: Scene 6
    Matching lines:
    • This spirit-realm with many-coloured rays,
    • Romanus' Soul:
    • Romanus'
    • Romanus' Soul:
    • On yonder shore of souls. A human form: —
    • ‘From source divine hath sprung the human soul;
    • I take thy words to many cosmic spheres,
    • Romanus'
    • (The souls of Romanus, Torquatus, and Bellicosus disappear — Benedictus'
    • The earnest word of Fate, that human souls,
    • And, loving it, shall live as it commands.
    • Astrid, to thee I give a strict command:
  • Title: Four Mystery Plays: The Soul's Awakening: Scene 7
    Matching lines:
    • So far as human forethought can provide
    • Hath filled the temple now for many days.
    • His human nature is well known to me.
    • In dealing with a man who still is young
    • I do not judge the man, I judge the deed
    • Into the current of our human life.
    • Such silence his high dignity commands.
  • Title: Four Mystery Plays: The Soul's Awakening: Scene 8
    Matching lines:
    • As in Scene 7. An Egyptian woman is seen crouching
    • Egyptian woman:
    • Romanus, and with him the Impersonator of the Air Element, an earlier
    • and Ahriman to the right in the guise of sphinxes, with the cherubim
    • emphasized in the case of Lucifer and the bull in the case of Ahriman.
    • All hath been done that our rite doth demand.
    • O human soul, read now what through the flame
    • Reflected sparkling colours manifold;
    • As ancient holy duty did demand.
    • The young man therefore path declared to us
    • (The sphinxes begin to speak one after the other as Ahriman
    • Ahriman as Sphinx:
    • With rightful meaning into human life.
  • Title: Four Mystery Plays: The Soul's Awakening: Scene 9
    Matching lines:
    • ‘O human soul, read now what through the flame
    • When in times past I uttered this command,
    • That woman, too, who near the temple stayed,
  • Title: Four Mystery Plays: The Soul's Awakening: Scene 10
    Matching lines:
    • The woman whom my spirit-vision sees;
    • That woman doth the youthful mystic seek,
    • The woman near the temple shows it thee
  • Title: Four Mystery Plays: The Soul's Awakening: Scene 11
    Matching lines:
    • Romanus lately told me of his plan:
    • The labouring oars were under my command;
    • Romanus and the friend of Hilary —
    • Lo! Ahriman stood by their side to help.
    • An inward fight — a fight with Ahriman:
  • Title: Four Mystery Plays: The Soul's Awakening: Scene 12
    Matching lines:
    • to be being pressed downward from the roof. (One hand of Ahriman is a
    • Ahriman (at
    • Within the world of form. A man doth strive
    • The spirit-tangle, which to human eyes
    • Am but a woven thought in human brains.
    • (Ahriman goes off and returns with the soul of Fox, whose
    • Ahriman: (Aside)
    • I now have need of Strader. If this man
    • Will make his wisdom known amongst mankind.
    • When once a man hath formed a clever scheme
    • By dint of many nights of earnest thought
    • Had such a man as he shunned mystic snobs,
    • Much fruit and profit for humanity.
    • Ahriman:
    • But these are not so pleasing to mankind,
    • (Ahriman leads out Fox's soul and again blindfolds the
    • Ahriman (alone):
    • Ahriman:
  • Title: Four Mystery Plays: The Soul's Awakening: Scene 13
    Matching lines:
    • Romanus are in conversation.
    • A man who, full of shrewdness and of hate,
    • Romanus:
    • The things this super-clever man hath shown.
    • Romanus:
    • A man through error finds the way to truth.
    • Romanus:
    • Undaunted by the watchman will he stride
    • Whene'er a human soul is rightly strong
    • ‘A man can not attain the spirit-world
    • Who only seeks a mood for many years.’
    • 'Twill strengthen thee with many-coloured light;
    • Already as a man upon the earth,
  • Title: Four Mystery Plays: The Soul's Awakening: Scene 14
    Matching lines:
    • Wife in conversation with the Manager.
    • Manager:
    • Unable to be loosed by human sense —
    • Manager:
    • He was another man, a happy man;
    • Manager:
    • I feel as if my manhood would be lost
    • To help Romanus, whom I understand
    • Romanus only cares for Strader now;
    • Thou see'st the man with only that much sight
    • With which Romanus hath entrusted thee;
    • She too were present. Many mystics can
    • Romanus hath acquired of their worth.
    • Manager:
    • The judgment of Romanus seems to me
    • A man can only give me who can win
    • Manager:
    • Manager (alone):
  • Title: Four Mystery Plays: The Soul's Awakening: Scene 15
    Matching lines:
    • A great man surely doctor Strader was.
    • A man of lofty spirit and great gifts
    • Was naught but love. Love seeks for many forms
    • Of life in which to manifest.
    • Was Ahriman my foe; a spirit stood
    • (Ahriman appears; Benedictus sees him.)
    • (There is no longer any illusion about Ahriman. His form is
    • much more inhuman; his right arm is bone, his right hand a
    • Ahriman (aside):
    • And manifests to us from his own worlds,
    • Ahriman:
    • When thou dost lose thyself in human thought
    • Ahriman (aside):
    • (Ahriman disappears.)
    • Now only do I see 'tis Ahriman,
    • His aim is to confuse the thought of man
    • So shall they learn to know his many forms,
    • E'en at such times as dusky Ahriman,



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