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  • Title: Four Mystery Plays: Introduction
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    • of the previous incarnation in the Middle Ages, traces the characters
  • Title: Four Mystery Plays: The Portal of Initiation: Prelude
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    • But you realize, I hope, from our previous discussions, that those
  • Title: Four Mystery Plays: The Portal of Initiation: Scene 5
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    • out of his meditation, as in the previous scene):
  • Title: Four Mystery Plays: The Soul's Probation: Scene 2
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  • Title: Four Mystery Plays: The Soul's Probation: Scene 10
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    • from the vision which had brought his previous incarnation before
  • Title: Four Mystery Plays: The Soul's Probation: Scene 11
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    • Must show strong traces of their previous life.
  • Title: Four Mystery Plays: Guardian of the Threshold: Scene 10
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  • Title: Four Mystery Plays: The Soul's Awakening: Editorial Summary of the Scenes
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    • The Spirit World. The same remarks apply. Capesius is struck by the figures of his previous incarnations, as shown in the former plays. The Guardian of the Threshold will allow an even earlier incarnation to appear.Theodora's quotation refers to Scene 9 in ‘The Soul's Probation.’
    • About 2000 B.C. The hierophant (Capesius) has refused to use his thought power to suggest to the candidate what his vision should be. The candidate has a free vision looking far into the future. A breath of love and freedom is wafted into the closely sealed precincts. The truth shall make thee free. But with this rebellion against the old order, there is a consequence. Lucifer and Ahriman hitherto chained within the temple break their chains and begin to work their will. The ancient temple has been invaded, but the Ego begins to wake. The reader will not over-look, in all this cosmic development, the individual development of the different characters which are difficult to understand from the other plays with-out this glimpse into their previous incarnation. The author has presented it in this order, as it corresponds to the reader's own experience.
  • Title: Four Mystery Plays: The Soul's Awakening: Editorial Summary of the Scenes
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    • The Spirit World. The same remarks apply. Capesius is struck by the figures of his previous incarnations, as shown in the former plays. The Guardian of the Threshold will allow an even earlier incarnation to appear.Theodora's quotation refers to Scene 9 in ‘The Soul's Probation.’
    • About 2000 B.C. The hierophant (Capesius) has refused to use his thought power to suggest to the candidate what his vision should be. The candidate has a free vision looking far into the future. A breath of love and freedom is wafted into the closely sealed precincts. The truth shall make thee free. But with this rebellion against the old order, there is a consequence. Lucifer and Ahriman hitherto chained within the temple break their chains and begin to work their will. The ancient temple has been invaded, but the Ego begins to wake. The reader will not over-look, in all this cosmic development, the individual development of the different characters which are difficult to understand from the other plays with-out this glimpse into their previous incarnation. The author has presented it in this order, as it corresponds to the reader's own experience.
  • Title: Four Mystery Plays: The Soul's Awakening: Scene 6
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    • (Referring to Balde, or Joseph Keane in the previous play.)
  • Title: Four Mystery Plays: The Soul's Awakening: Scene 8
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    • by the wall. She is a previous incarnation of Johannes Thomasius.



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