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- Title: Four Mystery Plays: The Portal of Initiation: Editorial Summary of the Scenes
Matching lines:
- Four Mystery Plays: The Portal of Initiation: Editorial Summary of the Scene
- The Portal of Initiation: Editorial Summary of the Scenes
- EDITORIAL SUMMARY OF THE SCENES
- to give some indication of the costumes and scenery, though this can
- of the scenes:
- Continuation of Scene 4. Felicia: her First Fable. Germanus.
- The Spirit-world. Maria and her soul powers. Theodora's vision of the past incarnation of Maria and Johannes. The scene ends with Benedictus' great mystic utterance.
- Johannes' second meditation among the mountains three years later than Scene 2. ‘Feel thou thyself.’
- As in Scene 3. A trial for Johannes.
- Title: Four Mystery Plays: The Portal of Initiation: Editorial Summary of the Scenes
Matching lines:
- The Portal of Initiation: Editorial Summary of the Scenes
- EDITORIAL SUMMARY OF THE SCENES
- to give some indication of the costumes and scenery, though this can
- of the scenes:
- Continuation of Scene 4. Felicia: her First Fable. Germanus.
- The Spirit-world. Maria and her soul powers. Theodora's vision of the past incarnation of Maria and Johannes. The scene ends with Benedictus' great mystic utterance.
- Johannes' second meditation among the mountains three years later than Scene 2. ‘Feel thou thyself.’
- As in Scene 3. A trial for Johannes.
- Title: Four Mystery Plays: The Portal of Initiation: Interlude
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- Title: Four Mystery Plays: The Portal of Initiation: Beings and Persons Represented
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- eleventh scenes and when in spirit form or acting as hierophant,
- heavy clogs, as if tied to earth. Scene 6.
- scenes and in the other plays have conventional angel-forms;
- scenes.
- is dressed like a spirit (except in Scene 1) but one associated
- Title: Four Mystery Plays: The Portal of Initiation: Scene 1
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- The Portal of Initiation: Scene 1
- Scene 1
- Of light and shade flow o'er the scenes around;
- All, friend, behind the changing scenes of life
- Through changing scenes of many centuries
- Title: Four Mystery Plays: The Portal of Initiation: Scene 2
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- The Portal of Initiation: Scene 2
- Scene 2
- rocks and springs. The entire scene
- Title: Four Mystery Plays: The Portal of Initiation: Scene 3
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- The Portal of Initiation: Scene 3
- Scene 3
- purple curtain. The scene is purple in colour with a large yellow
- Upon the scene where such contentions rage.
- Title: Four Mystery Plays: The Portal of Initiation: Scene 4
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- The Portal of Initiation: Scene 4
- Scene 4
- as it were, from his meditation. Here and in the following scene
- Title: Four Mystery Plays: The Portal of Initiation: Scene 5
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- The Portal of Initiation: Scene 5
- Scene 5
- out of his meditation, as in the previous scene):
- Title: Four Mystery Plays: The Portal of Initiation: Scene 6
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- The Portal of Initiation: Scene 6
- Continuation of Scene 4. Felicia: her First Fable. Germanus.
- Scene 6
- Scene
- Title: Four Mystery Plays: The Portal of Initiation: Scene 7
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- The Portal of Initiation: Scene 7
- past incarnation of Maria and Johannes. The scene ends with Benedictus'
- Scene 7
- domain of spirit: a scene of various coloured crystal rocks and a
- Title: Four Mystery Plays: The Portal of Initiation: Scene 8
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- The Portal of Initiation: Scene 8
- Scene 8
- room as for Scene 1. Johannes at an easel, before which Capesius,
- Title: Four Mystery Plays: The Portal of Initiation: Scene 9
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- Title: Four Mystery Plays: The Portal of Initiation: Scene 10
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- The Portal of Initiation: Scene 10
- As in Scene 3. A trial for Johannes.
- Scene 10
- room for meditation as in Scene 3
- Title: Four Mystery Plays: The Portal of Initiation: Scene 11
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- The Portal of Initiation: Scene 11
- Scene 11
- and Strader appear as in Scene 4.
- Title: Four Mystery Plays: The Soul's Probation: Editorial Summary of the Scenes
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- The Soul's Probation: Editorial Summary of the Scenes
- EDITORIAL SUMMARY OF THE SCENES
- Meditation chamber the same as Scenes 3 and 10 of Play 1. Benedictus warns Maria that Johannes must be free. She resolves to look back upon past incarnations.
- As Scene 1. Capesius and Strader.
- Same period. Keane has discovered that Thomas and his sweetheart are the children of the First Preceptor and informs the First Preceptor of the fact. The scene closes with a discussion on evolution, and the inspired warning of the Second Master of Ceremonies.
- Scene same as Scene 5. The return to the present day. Explanation of Scenes 6 to 9.
- Meditation chamber as in Scene 2. Maria defeats Ahriman.
- Title: Four Mystery Plays: The Soul's Probation: Editorial Summary of the Scenes
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- The Soul's Probation: Editorial Summary of the Scenes
- EDITORIAL SUMMARY OF THE SCENES
- Meditation chamber the same as Scenes 3 and 10 of Play 1. Benedictus warns Maria that Johannes must be free. She resolves to look back upon past incarnations.
- As Scene 1. Capesius and Strader.
- Same period. Keane has discovered that Thomas and his sweetheart are the children of the First Preceptor and informs the First Preceptor of the fact. The scene closes with a discussion on evolution, and the inspired warning of the Second Master of Ceremonies.
- Scene same as Scene 5. The return to the present day. Explanation of Scenes 6 to 9.
- Meditation chamber as in Scene 2. Maria defeats Ahriman.
- Title: Four Mystery Plays: The Soul's Probation: Beings and Persons Represented
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- scenes of ‘The Portal of Initiation,’ and the events related
- to the Ninth Scenes contain the spiritual vision, of Capesius into his
- These scenes back into
- triangular. The apparition Benedictus in Scene 7, is in pink peach
- the whole ire of his appearance in this scene.
- Title: Four Mystery Plays: The Soul's Probation: Scene 1
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- Title: Four Mystery Plays: The Soul's Probation: Scene 2
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- Title: Four Mystery Plays: The Soul's Probation: Scene 3
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- Title: Four Mystery Plays: The Soul's Probation: Scene 4
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- The Soul's Probation: Scene 4
- Scene 4
- The same room as in Scene 1. Capesius and
- Title: Four Mystery Plays: The Soul's Probation: Scene 5
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- The Soul's Probation: Scene 5
- Scene 5
- But more than any scene thy words disclosed
- watched the scene between Johannes and the Double as if it were
- Title: Four Mystery Plays: The Soul's Probation: Scene 6
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- Title: Four Mystery Plays: The Soul's Probation: Scene 7
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- The Soul's Probation: Scene 7
- Scene 7
- in the preceding scene. Decorated throughout with symbols of a Mystic
- indicated in the course of the scene.
- Title: Four Mystery Plays: The Soul's Probation: Scene 8
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- Title: Four Mystery Plays: The Soul's Probation: Scene 9
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- The Soul's Probation: Scene 9
- Scene 9
- as in Scene 6. Joseph Keane, Dame Keane, their daughter Bertha;
- Yet 'tis a peaceful scene of former days
- I saw the scene of which I speak to thee.
- scenes.)
- Title: Four Mystery Plays: The Soul's Probation: Scene 10
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- The Soul's Probation: Scene 10
- Scene 10
- The same landscape as in Scene 5.
- And just as man doth often feel a scene
- Title: Four Mystery Plays: The Soul's Probation: Scene 11
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- The Soul's Probation: Scene 11
- Scene 11
- The same meditation-chamber as in Scene 2.
- Title: Four Mystery Plays: The Soul's Probation: Scene 12
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- Title: Four Mystery Plays: The Soul's Probation: Scene 13
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- The Soul's Probation: Scene 13
- Scene 13
- His son's heart find; but now in other scenes
- Title: Four Mystery Plays: Guardian of the Threshold: Editorial Summary of the Scenes
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- Guardian of the Threshold: Editorial Summary of the Scenes
- EDITORIAL SUMMARY OF THE SCENES
- Title: Four Mystery Plays: Guardian of the Threshold: Editorial Summary of the Scenes
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- Guardian of the Threshold: Editorial Summary of the Scenes
- EDITORIAL SUMMARY OF THE SCENES
- Title: Four Mystery Plays: Guardian of the Threshold: Beings and Persons Represented
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- Hence, for example, the incidents of Scene 8 between Strader and the
- Scene 2, the walls and furniture, etc., are decorated with Dr. Steiner's
- architectural design for Jupiter. Scene 4 is devoted to Venus. And
- all its appurtenances in Scene 5. To the other scenes no architectural
- when he is in the soul, e.g., in scenes 3 and 6, appears
- except in Scene 4, where he is in grey lavender.
- Title: Four Mystery Plays: Guardian of the Threshold: Scene 1
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- Guardian of the Threshold: Scene 1
- Scene 1
- Before he tries to picture all the scene
- Title: Four Mystery Plays: Guardian of the Threshold: Scene 2
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- Title: Four Mystery Plays: Guardian of the Threshold: Scene 3
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- Title: Four Mystery Plays: Guardian of the Threshold: Scene 4
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- Title: Four Mystery Plays: Guardian of the Threshold: Scene 5
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- Title: Four Mystery Plays: Guardian of the Threshold: Scene 6
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- Title: Four Mystery Plays: Guardian of the Threshold: Scene 7
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- Guardian of the Threshold: Scene 7
- Scene 7
- Reveal himself in scenes significant.
- Might stand quite near and view the spirit-scenes,
- Title: Four Mystery Plays: Guardian of the Threshold: Scene 8
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- Guardian of the Threshold: Scene 8
- Scene 8
- scene; then Strader; later on Thomasius and Maria; last of all Thomasius'
- now appear on the scene; they are blindfolded to show their
- Title: Four Mystery Plays: Guardian of the Threshold: Scene 9
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- Title: Four Mystery Plays: Guardian of the Threshold: Scene 10
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- Guardian of the Threshold: Scene 10
- Scene 10
- the first and second scenes. Here Benedictus, Torquatus, and Trustworthy
- sphere upon the altar of the West is red. As the scene opens Benedictus
- Title: Four Mystery Plays: The Soul's Awakening: Editorial Summary of the Scenes
Matching lines:
- The Soul's Awakening: Editorial Summary of the Scenes
- EDITORIAL SUMMARY OF THE SCENES
- Arguments on plans of action and occult powers, during which Ahriman glides stealthily across the stage to bring dissension and confusion of thought among the speakers, who are ignorant of his presence.Strader's temptations.Felix speaks on mysticism.The appearance in spirit form of Maria and Benedictus to help Strader, and of Ahriman to thwart him. There is a repetition of Strader's part in Scene 2.
- The Spirit World.This scene needs careful meditation and some knowledge of the author's system. Attention should be given to the indications of the planetary spheres — Mercury, Venus, Sun, Jupiter, and Saturn — to which in turn we may expand after death. Heed should be paid to the warning given by the Guardian of the Threshold.Lucifer here appears as a beneficent guide; so, too, the Other Philia.
- The Spirit World. The same remarks apply. Capesius is struck by the figures of his previous incarnations, as shown in the former plays. The Guardian of the Threshold will allow an even earlier incarnation to appear.Theodora's quotation refers to Scene 9 in ‘The Soul's Probation.’
- Drop scene. Egyptian woman (otherwise Johannes Thomasius) is in love with a man who is a neophyte or candidate for mysticism and about to retire from the world. This mystic is known to us otherwise as Maria.
- Johannes' awakening. The quotations refer to Scenes 7 and 8.
- Strader's awakening. Benedictus' vision is again clouded. The reason here is probably Strader's approaching death. The quotations refer to Scene 3.
- Secretary and Nurse.The Secretary's speech.Ahriman's shape is here even more that of the conventional devil than in Scene 12. This is to show that his true nature is now fully grasped by Benedictus and his followers. This is seen in Ahriman's last speech. Note Benedictus' speech about the dead and their messages (p. 293).Benedictus tells Ahriman that one can only serve Good when one does good not for oneself.Ahriman's knowledge of his own final destruction.The defeat and exit of Ahriman.The triumph and initiation of Strader; his future power.
- Title: Four Mystery Plays: The Soul's Awakening: Editorial Summary of the Scenes
Matching lines:
- The Soul's Awakening: Editorial Summary of the Scenes
- EDITORIAL SUMMARY OF THE SCENES
- Arguments on plans of action and occult powers, during which Ahriman glides stealthily across the stage to bring dissension and confusion of thought among the speakers, who are ignorant of his presence.Strader's temptations.Felix speaks on mysticism.The appearance in spirit form of Maria and Benedictus to help Strader, and of Ahriman to thwart him. There is a repetition of Strader's part in Scene 2.
- The Spirit World.This scene needs careful meditation and some knowledge of the author's system. Attention should be given to the indications of the planetary spheres — Mercury, Venus, Sun, Jupiter, and Saturn — to which in turn we may expand after death. Heed should be paid to the warning given by the Guardian of the Threshold.Lucifer here appears as a beneficent guide; so, too, the Other Philia.
- The Spirit World. The same remarks apply. Capesius is struck by the figures of his previous incarnations, as shown in the former plays. The Guardian of the Threshold will allow an even earlier incarnation to appear.Theodora's quotation refers to Scene 9 in ‘The Soul's Probation.’
- Drop scene. Egyptian woman (otherwise Johannes Thomasius) is in love with a man who is a neophyte or candidate for mysticism and about to retire from the world. This mystic is known to us otherwise as Maria.
- Johannes' awakening. The quotations refer to Scenes 7 and 8.
- Strader's awakening. Benedictus' vision is again clouded. The reason here is probably Strader's approaching death. The quotations refer to Scene 3.
- Secretary and Nurse.The Secretary's speech.Ahriman's shape is here even more that of the conventional devil than in Scene 12. This is to show that his true nature is now fully grasped by Benedictus and his followers. This is seen in Ahriman's last speech. Note Benedictus' speech about the dead and their messages (p. 293).Benedictus tells Ahriman that one can only serve Good when one does good not for oneself.Ahriman's knowledge of his own final destruction.The defeat and exit of Ahriman.The triumph and initiation of Strader; his future power.
- Title: Four Mystery Plays: The Soul's Awakening: Persons, Figures, and Events
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- The Soul of Ferdinand Fox in the realm of Ahriman (Scene
- scene as those of Johannes Thomasius, in the third scene as those of
- Strader. Maria appears thus to Johannes Thomasius in Scene 9.
- scenes of this play as ‘souls’; and in the temple
- in the seventh and eighth scenes as personalities living in a far
- and tenth scenes) nothing merely symbolical is portrayed. They are genuine
- certainly have left these scenes unwritten.
- Title: Four Mystery Plays: The Soul's Awakening: Scene 1
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- Title: Four Mystery Plays: The Soul's Awakening: Scene 2
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- Title: Four Mystery Plays: The Soul's Awakening: Scene 3
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- Title: Four Mystery Plays: The Soul's Awakening: Scene 4
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- The Soul's Awakening: Scene 4
- Scene 4
- But I see not the scene of its result.
- Title: Four Mystery Plays: The Soul's Awakening: Scene 5
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- The Soul's Awakening: Scene 5
- Scene 5
- The Spirit Realm. The scene is set in floods
- the group of gnomes as in Scene 2, page 173, in front of them Hilary,
- Title: Four Mystery Plays: The Soul's Awakening: Scene 6
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- Title: Four Mystery Plays: The Soul's Awakening: Scene 7
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- Title: Four Mystery Plays: The Soul's Awakening: Scene 8
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- The Soul's Awakening: Scene 8
- Scene 8
- As in Scene 7. An Egyptian woman is seen crouching
- Title: Four Mystery Plays: The Soul's Awakening: Scene 9
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- Title: Four Mystery Plays: The Soul's Awakening: Scene 10
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- The Soul's Awakening: Scene 10
- Scene 10
- Accounts for this, for, should I see the scene
- Title: Four Mystery Plays: The Soul's Awakening: Scene 11
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- The Soul's Awakening: Scene 11
- Scene 11
- The spirit spake this also in that scene.
- Title: Four Mystery Plays: The Soul's Awakening: Scene 12
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- The Soul's Awakening: Scene 12
- Scene 12
- scene is faintly luminous, transparent in some parts, and with the light
- Title: Four Mystery Plays: The Soul's Awakening: Scene 13
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- Title: Four Mystery Plays: The Soul's Awakening: Scene 14
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- Title: Four Mystery Plays: The Soul's Awakening: Scene 15
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