Searching Rudolf Steiner Lectures by Date Matches
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- Title: Memória e Amor
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- Prova abundante disso reside na maneira como a arte se desenvolveu. Originalmente era uma com a vida religiosa. Nas eras primitivas da humanidade, ela era imbuĂda nos cultos religiosos. As imagens que os homens formavam de seus deuses eram a fonte das artes plásticas. A tĂtulo de exemplo, recordemos os MistĂ©rios da Samotrácia a que alude Goethe na segunda parte de Fausto, onde fala dos Cabiros. [Vide ciclo de palestrasGoetheanism as an impulse for man's transformation,Dornach, janeiro de 1919.] Em meu estĂşdio em Dornach tentei fazer um desenho desses Cabiros. E o que resultou disso? Foi algo muito interessante. Simplesmente me propus a desvendar intuitivamente a maneira como os Cabiros teriam aparecido nos MistĂ©rios da Samotrácia. E imagine sĂł: cheguei a trĂŞs jarros, mas jarros, Ă© verdade, moldados plástica e artisticamente. A princĂpio fiquei pasmo, embora Goethe tenha realmente falado de jarros. O assunto ficou claro para mim apenas quando descobri que esses jarros ficavam sobre um altar: entĂŁo, algo semelhante a incenso era colocado neles, as palavras sacrificiais eram cantadas, e pelo poder das palavras de sacrifĂcio – que nos tempos mais antigos da humanidade carregavam uma força de estĂmulo vibratĂłrio bastante diferente de qualquer coisa possĂvel hoje – a fumaça do incenso era formada na imagem desejada da divindade. Assim, no ritual, o cântico imediatamente se expressava plasticamente na fumaça do incenso.
- Title: Evil and Spiritual Science
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- Goethe let something be said in his “Faust,”
- Title: Popular Occultism: Lecture 2: Man's Ascent into the Supersensible World
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- this quality of the astral world at the end of his “Faust”:
- knew this. In “Faust” he says:
- Title: New Spirituality: Lecture 3: The New Spirituality and the Christ Experiance of the Twentieth Century - 2
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- Title: New Spirituality: Lecture 4: The New Spirituality and the Christ Experiance of the Twentieth Century - 3
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- (Goethes Geistesart in ihrer Offenbarung durch seine 'Faust' und durch sein
- Title: "Heaven and Earth will pass away but my words will not pass away"
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- the key, like Mephistopheles. But we must develop the Faustian attitude
- Title: Lecture: Art As A Bridge Between The Sensible And The Supersensible
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- as Faust's instruction to a sixteen-year-old girl.
- Title: The Social Question: Lecture III: Fanaticism Versus a Real Conception of Life in Social Thinking and Willing
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- man in Goethe's Faust which Wagner produces as a test tube
- Title: The Social Question: Lecture V: The Social Will as the Basis Towards a New, Scientific Procedure
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- part of Goethe's “Faust” and come to the scene
- Title: Lecture: Richard Wagner and Mysticism
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- words in the Chorus Mysticus at the end of his Faust are
- Title: Problems of Our Time: Main Features of the Social Question and the Threefold Order of the Social Organism
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- divinity. In this, their attitude is like Faust's attitude
- which Faust gave to the child Gretchen, suited to her years,
- philosophical. There Faust says, “The
- he not thee, me, Himself?” (Faust, Part I, Scene
- glad to speak to his work-people about the State as Faust
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