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Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: Memória e Amor
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    • Prova abundante disso reside na maneira como a arte se desenvolveu. Originalmente era uma com a vida religiosa. Nas eras primitivas da humanidade, ela era imbuĂ­da nos cultos religiosos. As imagens que os homens formavam de seus deuses eram a fonte das artes plásticas. A tĂ­tulo de exemplo, recordemos os MistĂ©rios da Samotrácia a que alude Goethe na segunda parte de Fausto, onde fala dos Cabiros. [Vide ciclo de palestrasGoetheanism as an impulse for man's transformation,Dornach, janeiro de 1919.] Em meu estĂşdio em Dornach tentei fazer um desenho desses Cabiros. E o que resultou disso? Foi algo muito interessante. Simplesmente me propus a desvendar intuitivamente a maneira como os Cabiros teriam aparecido nos MistĂ©rios da Samotrácia. E imagine sĂł: cheguei a trĂŞs jarros, mas jarros, Ă© verdade, moldados plástica e artisticamente. A princĂ­pio fiquei pasmo, embora Goethe tenha realmente falado de jarros. O assunto ficou claro para mim apenas quando descobri que esses jarros ficavam sobre um altar: entĂŁo, algo semelhante a incenso era colocado neles, as palavras sacrificiais eram cantadas, e pelo poder das palavras de sacrifĂ­cio – que nos tempos mais antigos da humanidade carregavam uma força de estĂ­mulo vibratĂłrio bastante diferente de qualquer coisa possĂ­vel hoje – a fumaça do incenso era formada na imagem desejada da divindade. Assim, no ritual, o cântico imediatamente se expressava plasticamente na fumaça do incenso.
  • Title: Popular Occultism: Lecture 3: The Different Conditions of Man's Life After Death
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    • soul gathers the honey of life which he brings to the altar of the Godhead
    • carry it up to the altar of spirituality. Nothing, really nothing, is
  • Title: Imperialism: Lecture 1
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    • transubstantiation at the altar, Jesus Christ must be present in the
    • the altar. Therefore the more powerful is not the Christ Jesus, but
    • he who performs the transubstantiation at the altar!
  • Title: Imperialism: Lecture 3
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    • present at the altar. This clearly shows that the institution of the
  • Title: Impulse for Renewal: Lecture VI: Anthroposophy and Theology
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    • that the Catholic Church denies the altar sacrament to anyone
  • Title: The Social Question: Lecture III: Fanaticism Versus a Real Conception of Life in Social Thinking and Willing
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    • brings to the altar — if one could call it an altar
  • Title: Lecture: Spiritual Wisdom in the Early Christian Centuries
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    • destroy the ancient temples and altars — in short to obliterate
    • been preserved. Altars were destroyed, temples burnt to the ground and
    • things — came to the temple and tested Plotinus before the altar
    • away from the domain of spiritual life just as the heathen altars were
  • Title: Polarities in Evolution: Lecture 4: Western Secret Societies, Jesuitism, Leninism
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    • time the priest performs the consecration at the altar
    • Christ is forced to be present by that altar, to be



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