Searching Rudolf Steiner Lectures by Date Matches
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Query was: countenance
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- Title: Tree of Life/Knowledge: Lecture I: Tree of Life - I
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- countenance to the European world. And what we see flare up in this
- Title: Lecture: Art As A Bridge Between The Sensible And The Supersensible
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- corresponds only to the human countenance with its features. The human
- countenance with its features is an expression of the soul-life. With
- countenance in so far as it assumes a physiognomic expression in the
- nature builds up the human countenance — making every
- formation, every limb, so to speak, an extension of the countenance. Why
- Title: Raphael's Mission in the Light of the Science of the Spirit
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- of the picture. It appears to us further in each countenance of
- Title: Leonardo's Spiritual Stature: Lecture
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- Leonardo, the countenance with expressive furrows —
- example, draw a countenance and see what would result in making
- properly explains the darkness on the countenance of Judas! On
- the sense indicated. All the other countenances can be
- Judas and not the Christ-Jesus countenance. Proceeding in
- He wanted to make clear that this Christ countenance stands
- behind this countenance grants it luminosity of itself, so that
- the old man in whose countenance so much is engraved of painful
- countenance and sense the genius of humanity itself looking out
- from this human countenance. We begin to understand the age,
- Looking into Leonardo's countenance with our full powers of
- the age looks out from this countenance. These embittered
- Title: First Class, Vol. I: Lesson 1
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- understanding, and can only be revealed by the countenance of
- Title: First Class, Vol. I: Lesson 2
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- Title: First Class, Vol. I: Lesson 3
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- Title: First Class, Vol. I: Lesson 4
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- Title: First Class, Vol. II: Lesson 14
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- Title: First Class Lessons: Lesson XXI (recapitulation)
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- Title: First Class Lessons: Lesson XXIV (recapitulation)
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- before the countenance of the gods. He showed us how being
- Title: Problems of Our Time: Lecture III
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- just beginning) have only disclosed their real countenances
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