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Query was: pain

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

• Title: Inner Impulses: Introduction by Frédéric Kozlik
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  • History of the Things of New Spain).
• Title: Inner Impulses: Lecture I
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  • with Raphael's famous painting, “the School of Athens,” the
  • paintings of the Renaissance, one cannot tell whether the figures are
  • painting, is depicted by an old man who points with his hand to
• Title: Inner Impulses: Lecture II
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  • study how Spain, strictly Roman Catholic as it was, was fascinated by
  • really physical pains that I am quite unable to define. Such is my
  • other sufferings, the birth throes, actual physical pains that I am
  • literary accounts of His life; you can also look at the paintings of
  • for example, the head of Jesus as painted by
  • paintings, to a far
  • painters show evidence as well of the working of church tradition;
  • behind every one of their paintings stands the power of the Church.
  • Romanism hovers over the paintings of the nationally minded
  • in their paintings of faces, not of Jesus alone but also of other
  • Similarly, you would find that in the times when painting and
• Title: Inner Impulses: Lecture III
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  • superficially as modern people like to do to avoid giving pain. If,
• Title: Inner Impulses: Lecture VI
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  • carried over through such powers, and we have been at pains to show
  • societies over England, France, Spain, part of Italy and Central
  • afterward in other European countries — in England, Spain, then
  • suffering, pain and grief appear as the earth's Cross, which then
• Title: Inner Impulses: Lecture VII
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  • karma mankind is heavily burdened in our present grievous and painful