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- Title: Inner Impulses: Introduction by Frédéric Kozlik
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- Title: Inner Impulses: Lecture I
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- To comprehend law and jurisprudence and to represent human
- question is often raised as to whether the central figures represent
- figure of the representative of humanity in our group statue that is
- way, the salvation of the imaginative element. It represents a
- Title: Inner Impulses: Lecture II
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- artists. You will find that the representation of the life of Jesus
- art of pictorial representation was there in the West, as we know, but
- represented Him in its own way, and so we must recognize many
- different impulses at work in the different representations. Study,
- each case there is a strong desire to represent Jesus in a national
- representations, the Spanish; in LeBrun's, the French. All three
- Considering art in respect of its representations of the Jesus
- representation of Jesus because the forces that are at work in the
- representative art have given place to the word, for since the
- matters as pictorial representation had in earlier times, you will
- representations. These take the inner course of the events described
- the whole of humanity. Jesus is only the supreme representative for
- the representation of the Christ in mankind.
- Title: Inner Impulses: Lecture III
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- external description, so are Soloviev's representations of the Christ
- present day. They are wholesome impulses. Nevertheless, they represent
- Title: Inner Impulses: Lecture IV
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- represents the faculty that belongs to those centuries. It is clear to
- Goethe represents in the Lemurs scene and you will know that much of
- Title: Inner Impulses: Lecture V
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- attentively what the Lemurs represent. By these practices the initiate
- impulse. The Greeks, as represented by their greatest individuals,
- Title: Inner Impulses: Lecture VI
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- in which the Golden King became the representative of wisdom. Since spiritual
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