Searching The Inner Nature of Music and the Experience of Tone Matches
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Query was: atlantean
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- Title: Lecture: Inner Nature of Music: Foreword
Matching lines:
- Atlantean catastrophe, described in detail in Steiner's An
- early post-Atlantean period man's experience of the interval
- Title: Lecture: Inner Nature of Music: Lecture II
Matching lines:
- at the end of the Atlantean age. [A note in the
- Title: Lecture: Inner Nature of Music: Lecture III
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- continued from the Lemurian to the Atlantean age. In the Lemurian
- element of warmth. At the beginning of the Atlantean age, something
- Title: Lecture: Inner Nature of Music: Lecture V
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- the ancient Atlantean time — unless we wish to go back further,
- essential musical experience of the ancient Atlantean age. If you
- could go back into the Atlantean age, you would find that the music
- the seventh. Up into the post-Atlantean age, this continued to play a
- There was no f and no c. For the early post-Atlantean epochs, the
- into the fourth post-Atlantean epoch, in which experiences of the
- of the fourth post-Atlantean epoch and are related to the experience
- post-Atlantean epoch and with it the ability to express major and
- different kind of proof, however, from that of the ancient Atlantean,
- Title: Lecture: Inner Nature of Music: Lecture VI
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- dominant interval for the Atlanteans. They had only intervals of the
- Title: Lecture: Inner Nature of Music: Lecture VII
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- the ancient Atlantean time preceding the Atlantean catastrophe,
- bodies was more delicate than it became later in the post-Atlantean
- books — and these Atlanteans experienced the world completely
- kind of experience. Atlanteans could not yet experience musical
- fifths; these intervals did not exist for Atlanteans.
- as naturally as did the Atlanteans does not even perceive the musical
- into the cosmos. This was the case with the Atlanteans. Their musical
- post-Atlantean age during the period when people lived mainly in the
- in the post-Atlantean age too, man experienced in the internal of the
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