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Query was: devachan

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• Title: Lecture: Inner Nature of Music: Lecture I
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  • physical ear. This world is called Devachan.
  • Devachanic world, however, is this flowing ocean of tones. From this
  • Each aspect of the physical represents certain Devachanic
  • soul experiences Devachan between two incarnations on earth, then we
  • music of Devachan. The archetype, the pattern, of music exists in
  • Devachan, and physical music is but a reflection of the spiritual
  • soul, dwell in the world of Devachan.
  • Devachan, however, we do not feel ourselves outside of other beings;
  • in all esoteric schools, the sphere of Devachan and also the astral
  • saturated by these tones. When he returns, from the Devachanic world,
  • permeated with the vibrations of the Devachanic realm; he has these
  • brought these vibrations of Devachan along with him, man can convey
  • body must be acquired from the Devachanic world, and the force man
  • from the higher Devachanic world. One can work on the astral body
  • requires the forces of the Devachanic world. One can work on the
  • physical body only with the forces of the still higher Devachanic
  • feels in music an echo of what it has experienced in Devachan. The
• Title: Lecture: Inner Nature of Music: Lecture II
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  • opens to man is Devachan, the so-called mental world, and he enters
  • world rings out to him. This is how the Devachanic world truly
  • theosophical books contain other descriptions of Devachan, but they
  • plane and of experiences there, but his description of Devachan is
  • particular characteristic of Devachan, at least essentially. Of
  • course, one must not imagine that the Devachanic world does not
  • penetrates the Devachanic world. The essence of the Devachanic realm,
  • a still higher plane of Devachan, tone becomes something akin to
  • composer conjures a still higher world; he conjures the Devachanic
  • faithful copies of the Devachanic world. If we are at all capable of
  • astral and Devachanic worlds. In these worlds, specifically in the
  • Devachanic world, the soul absorbs into itself the world of tones.
  • physical to the astral and from these worlds to the Devachanic world,
  • Devachan. There he finds his true home; there he finds his place of
  • human being, however, experiences the elements of the Devachanic
  • Devachan, and the echoes from this homeland, the spiritual world,
  • the Devachanic world, is given to him in music. This is why music is
  • Just as the human soul flows downward from its home in Devachan and
• Title: Lecture: Inner Nature of Music: Lecture III
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  • shadow-image of the Devachanic life is given to us on the physical
  • above in Devachan. Even if the individual's spiritual sojourn
  • years in Devachan, if a suitable physical body is available on the
  • Devachan by remaining there that much longer. Such laws lie at the