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Query was: astral

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

• Title: Lecture: Inner Nature of Music: Lecture I
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  • world. Man gradually learns to see what is called the astral body of
  • condensation that has been crystallized out of the astral world. In
  • to the astral world. The most characteristic element of the
  • time the human being falls asleep and loses consciousness, his astral
  • etheric body, astral body, and ego or “I.” The etheric
  • toward the astral realm, is the sentient body
  • works consciously on the purification and transformation of astral
  • in all esoteric schools, the sphere of Devachan and also the astral
  • etheric body is lower than the astral body, but the activity
  • astral body. Man's evolution consists of his transforming with
  • his “I” the bodies he possesses: first, the astral body
  • man). Since the astral body is the most delicate, man requires the
  • from the higher Devachanic world. One can work on the astral body
  • with the forces of the astral world itself, but the etheric body
  • astral body. This pleasurable feeling is strongest when a person is
  • etheric body continuously resounds in the astral body. When a person
  • hears music, the impression is experienced first in the astral body.
  • with certain musical sounds, something of the astral body flows into
• Title: Lecture: Inner Nature of Music: Lecture II
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  • astral world. This is no newly created world. It is new only for a
  • day-consciousness. Actually, this astral world is always present and
  • astral body and learns to live in it consciously. The basic
  • can arrive at perception of the second world, the astral world, only
  • must precede the awakening in the astral world. This deep stillness
  • dreamless sleep. The colors of the astral world become increasingly
  • himself is color and light. He feels himself astrally within this
  • astral world, and he feels afloat in a great, deep peace. Gradually,
  • now approaches, the colorful world of the astral realm in which he
  • Leadbeater, for example, gives an accurate description of the astral
  • inaccurate. It is merely a construction modeled on the astral plane
  • astral world, for the two worlds are not separated: the astral world
  • unconscious one, of experiences in the astral world. Where has he
  • them? They are the after-effects of the astral experiences he has had
  • shadow-image, a precipitation of the astral world in the physical
  • world, and we see how the effects of the astral realm bear
  • concealed in his work. The precipitations of his astral vision need
  • painting the shadow, the precipitation, of the astral world in our
  • all the physical world, then the etheric body, then the astral body,
  • In particular, the separation of the astral body
  • Maximum number of matches per file exceeded.
• Title: Lecture: Inner Nature of Music: Lecture III
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  • astral body. He has the physical body in common with all beings one
  • comes the astral body, in itself quite a complicated entity, and
  • we examine the astral body closely, we have first the so-called
  • the astral plane. In man's case, however, the soul is here on
  • one part of his astral body. The fourth member of man's
  • physical body is permeated by the etheric body; similarly the astral
  • body permeates the etheric body. The astral element can descend as
  • astral descends to “fire,” and the etheric body occupies
• Title: Lecture: Inner Nature of Music: Lecture V
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  • etheric body, astral body, and “I.” One has to put it
  • world, the human “I” descends spiritually to the astral
  • and etheric. In penetrating the astral and etheric, the “I”
  • “I” through the astral and etheric into the physical. In
  • physical, at first bypassing the astral and etheric. Later, from
  • with the astral and etheric. We bring into ourselves the etheric and
  • astral only from within out. We thus can say that the “I”
  • builds up from the physical with the inclusion of the astral and
  • taking hold of our astral nature. There it gains influence over our
  • vibrations of the astral body enter in. Now we reach a climactic
  • through the etheric and astral bodies to the seventh. We must now
  • and f-sharp, he shakes up our etheric and astral bodies. The etheric
  • body vibrates and pushes up to the astral body — the origin of
  • at the astral experience in the tones up to the seventh. We do not
  • body, which in turn pushes upon the astral body. The “I,”
  • etheric and astral man — the inward-etheric body, i.e. down to
• Title: Lecture: Inner Nature of Music: Lecture VII
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  • similarly developed soul-spiritual organs in his astral body and “I”
  • contained in the biography of this “I” and astral body,
  • of tones draws my ‘I’ and my astral body out of my