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Query was: body

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

• Title: Lecture: Inner Nature of Music: Foreword
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  • body and made any musical experience a cosmic-spiritual one. In the
• Title: Lecture: Inner Nature of Music: Lecture I
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  • becomes acquainted with a number of beings whose element, whose body,
  • consists of colors. They are beings who reveal and embody themselves
  • world. Man gradually learns to see what is called the astral body of
  • body emerges from his physical body. In this state man is certainly
  • melodies that impress themselves on his etheric body during the night
  • being that forms the basis of esoteric investigation: physical body,
  • etheric body, astral body, and ego or “I.” The etheric
  • body is an etheric archetype of the physical body. A much more
  • delicate body, which is related to the etheric body and inclines
  • toward the astral realm, is the sentient body
  • [Empfindungsleib].Within these three levels of the body we see
  • body. The sentient soul [Rudolf Steiner distinguishes
  • here between the sentient body, which is the container, as it were,
  • term “sentient body” refers both to the container and the
  • content.] is incorporated, as it were, into the sentient body;
  • it is placed within the sentient body. Just as a sword forms a whole
  • with the scabbard into which it is placed, so the sentient body and the
  • (sentient) body, etheric body, and physical body. Sentient soul,
  • is asleep, the sentient body remains in bed with the physical and
  • sentient soul onto the sentient body and the etheric body. Having
  • Maximum number of matches per file exceeded.
• Title: Lecture: Inner Nature of Music: Lecture II
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  • astral body and learns to live in it consciously. The basic
  • over the body's surface. It speaks of voluptuousness concealed
  • as if the body were imbibing the light and, permeated with its own
  • color is only playing about the body. The body allows the light only
  • all the physical world, then the etheric body, then the astral body,
  • In particular, the separation of the astral body
  • into sentient body and sentient soul was emphasized.]
  • man sleeps, the astral body and the sentient soul release themselves
  • his etheric body. All his other members loosen and dwell in the
  • body is of special significance. One must understand that all
  • soul over the sentient body. It is possible for one who returns from
  • perceive the victory of the sentient soul over the sentient body, so
  • that the soul feels itself stronger than the body. In the effects of
  • predominates over the sentient body. When the minor third is played,
  • one feels pain in the soul, the predominance of the sentient body,
  • leaves the physical body, he rises through the astral world up into
• Title: Lecture: Inner Nature of Music: Lecture III
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  • the physical form of the body — of the nose, for instance —
  • years in Devachan, if a suitable physical body is available on the
  • astral body. He has the physical body in common with all beings one
  • calls inanimate and the etheric body in common with all plants. Then
  • comes the astral body, in itself quite a complicated entity, and
  • we examine the astral body closely, we have first the so-called
  • sentient body. This man has in common with the entire animal kingdom,
  • physical body, an etheric body, and a sentient body below on the
  • the physical plane. With the human being, the sentient body is only
  • one part of his astral body. The fourth member of man's
  • They possessed only a physical body, an etheric body, and a sentient
  • body. During that age, the “I” gradually united with
  • descends to meet it, so did the animal body and the human soul unite.
  • The sentient body of this animal living below on earth — man's
  • Imperceptible to the outer senses, this “I”-body
  • body, etheric body, and sentient body.
  • beings possessing a physical body, an etheric body, and a sentient
  • body existed a million years earlier, they would have been able to
  • the sentient body below more refined. A kinship came into being
  • scabbard, so the sentient soul fits into the sentient body. We must
  • Maximum number of matches per file exceeded.
• Title: Lecture: Inner Nature of Music: Lecture IV
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  • equilibrium, how it learns to stand and walk upright. The body's
  • begun. We know that the form of man's physical body is the
  • speech and song, he expresses his whole organization of body, soul
  • actually based on the delicate sculptural formation of our body
  • M is based on something having a definite form in our body. In
  • toward the body, which serves as the musical instrument only by
  • for the vowels. The sculptural instrument of the body is really dead
  • imaginative world, one has left one's physical body behind
  • our body (sketch on left, white) and a vowel tone (red) pushes
  • it so that the tone becomes the soul's body.
  • is basically the body of tone. It is not surprising, therefore, that
  • body: the consonant element in him becomes the sculptural form of the
  • body; and the stream of breath, which does not pass into solid,
  • of the cosmos, one has the human body. This means that if one has the
  • relationships, the complete shape of the human body's
  • the already formed human body as an instrument, but with his tones he
• Title: Lecture: Inner Nature of Music: Lecture V
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  • being wished to incarnate more deeply into this physical body and
  • anthroposophy. One thus says that man consists of physical body,
  • etheric body, astral body, and “I.” One has to put it
  • head, where the physical body becomes the organ of the “I.”
  • with e, the vibrating of the etheric body plays an essential role.
  • vibrations of the astral body enter in. Now we reach a climactic
  • body vibrates and pushes up to the astral body — the origin of
  • the vibration being below in the etheric body — and we arrive
  • body. He therefore felt himself in the world. Music was for him the
  • only inwardly in man, namely, in the etheric body; regarding the
  • lowest tones of the scale, the physical body is naturally taken along
  • too. The physical body, however, must push upward into the etheric
  • body, which in turn pushes upon the astral body. The “I,”
  • experience reaches down only to the etheric body, and there it
  • neither in the “I” nor in the physical body but in
  • etheric and astral man — the inward-etheric body, i.e. down to
• Title: Lecture: Inner Nature of Music: Lecture VI
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  • described for you here? I have described the human etheric body. If
  • correctly, you actually have before you the human etheric body. It is
  • this. The human being really experiences himself as etheric body in
  • indistinct overlapping between the sentient body and sentient soul.
  • The sentient soul relates to the minor third, the sentient body to
• Title: Lecture: Inner Nature of Music: Lecture VII
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  • similarly developed soul-spiritual organs in his astral body and “I”
  • contained in the biography of this “I” and astral body,
  • perceives the musical element he feels transported out of his body
  • felt transported from his body while experiencing music. Man was
  • of tones draws my ‘I’ and my astral body out of my
  • transported from his physical body — as the experience of the
  • body, as the cosmic song of jubilation, as the cosmic music of