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Query was: call

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• Title: Lecture: Inner Nature of Music: Foreword
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  • that is physically manifest. Music, therefore, is a messenger from
  • cosmos in its spiritual essence; also what may be called
• Title: Lecture: Inner Nature of Music: Back Cover
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  • Steiner's multi-faceted genius has led to radically new,
• Title: Lecture: Inner Nature of Music: Lecture I
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  • what the origin is of the artistically formed tones and what they are
  • without interpolation of the mental image. When man is artistically
  • recalls that in this world of light and color there were things and
  • world and, upon awakening, recalls that he had taken part in that
  • world. Man gradually learns to see what is called the astral body of
  • physical ear. This world is called Devachan.
  • realm have been called “the world of permeability.”
  • etheric body. A person is musically creative or sensitive to music
• Title: Lecture: Inner Nature of Music: Lecture II
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  • because outer things call forth mental images in the human senses,
  • Schopenhauer speaks physiologically of specific sense impressions.
  • like a Fata Morgana within him; it is a kind of reflection called
  • force active within us, as will. These forces Schopenhauer calls “the
  • if he undergoes the discipline of so-called “great stillness.”
  • opens to man is Devachan, the so-called mental world, and he enters
  • with some of the effects that these experiences called forth in him.
  • When he awakens in the morning, not only is he physically rejuvenated
  • astral and Devachanic worlds. In these worlds, specifically in the
• Title: Lecture: Inner Nature of Music: Lecture III
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  • physical heredity is to what we call an ongoing karma.
  • calls inanimate and the etheric body in common with all plants. Then
  • we examine the astral body closely, we have first the so-called
  • blood, for instance, is called “water.” Third, we have
  • increasingly delicate and reaches a new state. The esotericist calls
  • is called “light ether” by the esotericist. Continuing to
  • a still higher state, we come to what esotericists call “chemical
• Title: Lecture: Inner Nature of Music: Lecture IV
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  • sculptural form of the human organization. Not speaking symbolically
  • means of recalling the experience of pre-earthly existence. We stand
  • it actually consisted only of vowels and was rhythmically half-sung.
  • is basically the body of tone. It is not surprising, therefore, that
  • basically nothing but the pre-earthly force of clairvoyance. Just as
  • one finds chemical substances that may be examined chemically. That
  • things, the greatest artist was called Orpheus. He actually possessed
  • symbolically but in a very real sense. The matters are indeed as I
• Title: Lecture: Inner Nature of Music: Lecture V
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  • we call c today are excluded, were permeated with a measure of this
  • minor moods in music. Basically, we ourselves are still involved in
  • nine and ten and that should be specifically cultivated. As far as is
  • we experience how matter strives to become musically ensouled. This
  • is what the position of contra-tones in music basically signifies.
• Title: Lecture: Inner Nature of Music: Lecture VI
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  • not take this pedantically; pedantry must never play a role in the
  • attention be called to these things. In the sphere of music, too, the
  • etherically before us. The musical experience is nothing else than
  • anthroposophically.
  • remaining mystery traditions clairvoyant cognition is also called
  • musical instruments basically are a clear reflection of the fact that
  • instruments like the flute or violin originate musically from the
  • artist who basically lives completely in the element of music, such
• Title: Lecture: Inner Nature of Music: Lecture VII
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  • I have called attention repeatedly to the fact that, just as one can
  • is a prejudice of contemporary, so-called enlightened human beings to
  • who lives musically only in sevenths, with no intervals in between,
  • prophetically envisioned man's fall from the divine-spiritual
  • religiously and artistically, must go through with the world, so that