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Query was: case

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

• Title: Lecture: Inner Nature of Music: Foreword
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  • the case with architecture, sculpture, or painting. Since every night
• Title: Lecture: Inner Nature of Music: Lecture I
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  • different in the case of art. The Zeus by Phidias, for instance, was
  • is the case with all the arts except music. The other arts must pass
  • victor over the etheric body. In the case of minor keys, the etheric
• Title: Lecture: Inner Nature of Music: Lecture II
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  • marked musical talent. Another case is the Bernoulli family, in which
• Title: Lecture: Inner Nature of Music: Lecture III
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  • the astral plane. In man's case, however, the soul is here on
  • outward from within, this is not the case. The sounds made by the
• Title: Lecture: Inner Nature of Music: Lecture IV
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  • is similar in the case of language; the language we speak here on
  • when it utters vowels. This was not the case to such an extent in
  • case in earlier epochs of human evolution. Man lived less in his
  • added to producing the tone, as in the case of singing, the element
  • and he lives in each tone. This is already the case the very first
• Title: Lecture: Inner Nature of Music: Lecture V
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  • as is the case with painting. Even in our age, in which
  • the prime; it merges with the prime. In any case, the difference that
  • concepts that I use only as substitutes and in each case resort to
• Title: Lecture: Inner Nature of Music: Lecture VI
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  • therefore can say that in the case of the experience of the third the
  • prime, second and third — by backward movements and in the case
  • as typical forms. In the case of the forms that have been developed
  • case of the fourth. You see, the fourth is in fact a real perceiving,
  • composition of soul is definitely present in the case of music.
  • indeed so in Bruckner's case. It proves that something of the
• Title: Lecture: Inner Nature of Music: Lecture VII
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  • into the cosmos. This was the case with the Atlanteans. Their musical
  • definitely still the case in the “fifth-era,” if I may
  • himself — in a more conscious way than was formerly the case —
  • explained to you that this was in the case of music, but it was like