Searching The Inner Nature of Music and the Experience of Tone Matches
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- Title: Lecture: Inner Nature of Music: Foreword
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- feeling of emptiness actually is caused, as Steiner explains, by the
- Title: Lecture: Inner Nature of Music: Lecture I
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- plants from the stones, and so on, because it is always discontent. A
- innermost essence of things. Because man feels himself near to this
- because these sounds are present already in his sentient body.
- seize the more solid substance of the etheric body and cause it to
- because he feels like a victor over his etheric body by means of his
- Because feelings are the innermost elements of the soul, akin to the
- spiritual world, and because in tone the soul finds the element in
- well-being, because these tones harmonize with what he has
- Title: Lecture: Inner Nature of Music: Lecture II
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- because outer things call forth mental images in the human senses,
- into himself; he causes it to arise in him again and then lets it go
- time, but he knows nothing about it, because he is conscious neither
- comprehensible to a spiritual scientist, because he discerns their
- world as his own innermost nature, because they are his primeval
- Title: Lecture: Inner Nature of Music: Lecture III
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- individual had to incarnate, because the circumstance drew him down
- Title: Lecture: Inner Nature of Music: Lecture IV
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- caused by our inhalation of air. Sketching it, we see that the air we
- I always spelled it m i a, because in the r is
- the planet moves from Aries to Taurus. Each planet, however, causes a
- Title: Lecture: Inner Nature of Music: Lecture V
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- must first be created in the given physical world. This caused people
- intellectualism cannot reach the musical element, because it can deal
- than other experiences, because for musical experience the ear is
- first of all as nerve man, because the ear is not important as a
- ruled out as accompanying factors. They are there because man is a
- cause for this is the spiritual element that descended the farthest
- because the matter reaches the etheric. Everything in man's
- because, as yet, man cannot find the link to the world in the musical
- proof of the existence of god, because he will experience the “I”
- instant we develop concepts about it. This is because the unfolding
- We must leave music behind when we think, because tone begins to
- Title: Lecture: Inner Nature of Music: Lecture VI
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- is not because the experience of the fourth in itself is the most
- interesting but because it arises at the dividing line between the
- of a fifth. Because he still possessed imaginative consciousness, he
- penetrate completely into thinking — because it would cease to
- you will go because it announced that it is time to go for dinner,
- instead of “rhythmic man” — because it is lifted
- dominant musical role and in which, because of this, the complication
- more outward element toward the major side. This causes the
- Title: Lecture: Inner Nature of Music: Lecture VII
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- include what, together with him and caused by him, takes place in his
- because philosophical terminology is a language for the material
- because this human soul surrendered itself to the earth. You perhaps
- increasingly senses the thoughts in his own being, because the Archai
- of the word empty. The fifth has become empty because the gods have
- and minor thirds. It is not a third in our sense, of course, because
- prime. Because ancient man was able to experience such intervals,
- times, the gods made jubilant music in the cosmos because they
- because otherwise the soul qualities of human nature will simply
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