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Query was: conscious

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

• Title: Lecture: Inner Nature of Music: Lecture I
  Matching lines:
  • by reflecting on it. According to Schopenhauer, a blind, unconscious
  • who lives in dim consciousness feels the discontent of the will much
  • in color. Gradually, man expands his consciousness throughout that
  • this way, man now has two levels of consciousness, the everyday
  • waking consciousness on the dream consciousness.
  • completely unconscious state of sleep into one of consciousness. The
  • continuity of consciousness for a part of the night, for that part of
  • unconscious. He now learns to be conscious in a world about which he
  • consciousness, man develops the faculty to hear spiritually and to
  • world of the continuity of consciousness, man can bring the tone
  • time the human being falls asleep and loses consciousness, his astral
  • unconscious but living in the spiritual world. The spiritual sounds
  • into physical tone. Unconsciously, the musician has received the
  • consists of sentient soul, intellectual soul, and consciousness soul.
  • consciousness soul. The latter is connected with Manas, or spirit
  • works consciously on the purification and transformation of astral
  • intellectual soul, and consciousness soul were prepared by man's
  • “I” in an unconscious state.] When the human being
  • his own consciousness soul, intellectual, and sentient soul are
  • Then, the tones are consciously sent to the etheric body, and man
• Title: Lecture: Inner Nature of Music: Lecture II
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  • return to the three states of consciousness that are possible for the
  • belongs during any one of these three states of consciousness.
  • these three states of consciousness, there is only one fully known to
  • either of the other two. From them, he brings no conscious
  • consciousness, that is, the one we characterized as waking
  • day-consciousness. The second state of consciousness is familiar to
  • state of consciousness is dreamless sleep, a state of a certain
  • however, transforms the three states of consciousness. First, man's
  • day-consciousness. Actually, this astral world is always present and
  • acquainted with this wonderful world. He learns to be conscious in it
  • with a consciousness as clear — no even clearer — than
  • his ordinary day-consciousness. He also becomes familiar with his own
  • astral body and learns to live in it consciously. The basic
  • living beings. This experience of conscious dream-filled sleep then
  • day-consciousness, and he learns to see these beings in everyday life
  • attains the third state of consciousness when he is capable of
  • transforming dreamless sleep into a conscious state. This world that
  • increasingly longer periods. He is conscious in it and experiences
  • of consciousness, the state in which he begins to have sensations in
  • with resounding tones. In this third state of consciousness that man
  • Maximum number of matches per file exceeded.
• Title: Lecture: Inner Nature of Music: Lecture III
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  • sentient soul, the intellectual soul, and the consciousness soul.
  • element. The soul will then be capable of guiding consciously the
  • has become entirely part of him, and he is no longer conscious of it.
• Title: Lecture: Inner Nature of Music: Lecture IV
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  • today; he then consciously brings into activity this second stream
• Title: Lecture: Inner Nature of Music: Lecture V
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  • consciousness through the ear in quite a strange way. As you know,
• Title: Lecture: Inner Nature of Music: Lecture VI
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  • hearing). Though man is not conscious of it, the sensation he
  • of a fifth. Because he still possessed imaginative consciousness, he
  • time a speaking of the spiritual world. One was conscious that if one
  • closed circle. Man then had the consciousness, “I have been
  • to ordinary day-consciousness but that has something to do with that
  • again through death. It is present in the subconscious, however. For
  • musical element consciously, you cannot but experience it
  • people today were conscious of their musical experiences. Certainly
• Title: Lecture: Inner Nature of Music: Lecture VII
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  • bodies he is conscious of this world, which, as his environment, is
  • paradoxical expression — he cannot bring his consciousness into
  • super-sensible consciousness, we find a continuation, as it were, of
  • consciousness.
  • consciously.” A person who, through a special initiation, had
  • consciousness of the soul ceased to see supersensibly, to perceive,
  • [red] is already hidden from the senses. Ordinary consciousness knows
  • Supersensible consciousness, on the other hand, has the impression
  • human being having super-sensible consciousness senses that the
  • musical element that can become conscious in him in an interval
  • time has come when man must become conscious again of these matters,
  • himself — in a more conscious way than was formerly the case —
  • develop a consciousness — after all, we live in the age of
  • consciousness — of how that which has become inward can once