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Searching The Inner Nature of Music and the Experience of Tone
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Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: Lecture: Inner Nature of Music: Lecture I
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    • in which today (1906) only an immediate impression of reality is
    • this way, man now has two levels of consciousness, the everyday
  • Title: Lecture: Inner Nature of Music: Lecture II
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    • Today we will develop further the theme of why music affects the
    • day-consciousness. The second state of consciousness is familiar to
    • day-consciousness. Actually, this astral world is always present and
    • his ordinary day-consciousness. He also becomes familiar with his own
    • day-consciousness, and he learns to see these beings in everyday life
  • Title: Lecture: Inner Nature of Music: Lecture III
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    • characterize the theme of today's lecture, we shall begin with
    • handed down in the Bernoulli family. Today we shall illuminate these
    • were completely different from human beings today. On the physical
    • today, since it became extinct long ago. The higher animals of today
    • ancient past are the ancestors of present-day physical human nature.
    • space in the same way he perceives tone today. Now the sense of space
  • Title: Lecture: Inner Nature of Music: Lecture IV
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    • we have been conducting for weeks. Today we have had the great
    • modern-day civilization and culture, we notice that, to a large
    • Conditioned by everyday life, man has become prosaic, placing more
    • today; he then consciously brings into activity this second stream
    • few days after man passes through the portal of death. He dwells, in
    • to use words somewhat differently from what is customary in today's
    • than it is in today's usage.
    • subject of today's lecture was intended by me as a greeting to
  • Title: Lecture: Inner Nature of Music: Lecture V
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    • we can discuss in these two days will naturally be fragmentary, and I
    • aesthetics of music — as conceived from today's
    • customary today one cannot grasp the element of music. If one does
    • octave will be something completely different and will one day be
    • is it that man today has an experience of the third? Why is he only
    • of that time, which had little similarity to today's music, was
    • we call c today are excluded, were permeated with a measure of this
    • fifth still predominated. (To this day, experiences of the fifth are
    • Only in the movements of our limbs — if we move our limbs today
    • today when you walk or dance. All other activities, especially the
    • embryonic development and today expresses itself in our movements and
    • whole experience naturally penetrates today into everything musical.
    • experience. This link to the world will be discovered one day when
    • same manner as seventh, fifths, and thirds — today's use
    • ordinary musical compositions today, which have come a long way
    • possible within present-day limits of music, it is also necessary to
  • Title: Lecture: Inner Nature of Music: Lecture VI
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    • yesterday's lecture and today's are intended to give
    • Yesterday,
    • this, we have described the origin of song as well. It is hard today
    • them as such today — they are the words of language. The
    • Yesterday,
    • perception within man's being. Today, therefore, man feels an
    • today is harmony. I am referring to the sum total of music, not song
    • to ordinary day-consciousness but that has something to do with that
    • today's music were not a part of the materialistic age, if all
    • that man experiences today did not contaminate the musical element,
    • then, based on what man possesses today in the musical element —
    • told you yesterday, however, one must forego concepts; abstract
    • himself and the world. Yesterday I told you that the seventh was the
    • seventh, though they did not have the same feeling as we have today.
    • bold experience of the second has not yet been attained by him today;
    • musical cognition, a spiritual-musical cognition. Though people today
    • people today were conscious of their musical experiences. Certainly
    • where musical instruments resound today, spiritual entities stood
    • are the things that I wished to tell you today, though in a
  • Title: Lecture: Inner Nature of Music: Lecture VII
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    • details to begin with. Today, I shall select one event of profound
    • the viewpoint of the physical-etheric world and its history. Today,
    • thoughts were objectively perceived in all things. Just as today we
    • present-day feeling for the fifth. Today, the fifth gives man an
    • however — we should say today, prime in the first octave,
    • actually experienced by human beings when what man experiences today
    • universe. What today he experiences inwardly was once projected out
    • into the universe. What today wells up in his life of feeling
    • world creation. What today we know as an inner minor mood experience,
    • knowledge, man of today and the immediate future would have to become
    • feeling experienced in a melody one day will be discovered in the
    • experience today with melody. As yet, today, man can hardly imagine



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