Searching The Inner Nature of Music and the Experience of Tone Matches
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- Title: Lecture: Inner Nature of Music: Foreword
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- understandable why music speaks so directly and powerfully to almost
- unable to partake in super-sensible events directly.
- Title: Lecture: Inner Nature of Music: Back Cover
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- human subjectivity,” as Steiner remarks. Future directions of
- rhythm are directly related to the threefold constitution of the
- Title: Lecture: Inner Nature of Music: Lecture I
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- the will. Tone, however, is a direct expression of the will itself,
- role of directly portraying the very essence of the cosmos. He had a
- Title: Lecture: Inner Nature of Music: Lecture II
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- directly to the divine than is possible for intellectual knowledge.
- the melodies and harmonies of tones, is nature's direct
- nearer the heart of the world and is a direct expression of its
- surging and swelling, it also directly affects the human soul. It
- so direct, so powerful, so elemental.
- Title: Lecture: Inner Nature of Music: Lecture III
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- nothing directly to do with the inheritance of musical talent.
- Title: Lecture: Inner Nature of Music: Lecture IV
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- of this relationship directs us to the inner organization of man,
- forms the vowel streams in a consonantal direction. This was not the
- of breathing extends into the head and is directly activated from
- where the direct revelations of the spiritual are received —
- can, however, direct toward the divine what we are as earthly,
- the result of two cosmic arts. From one direction derives a cosmic
- Title: Lecture: Inner Nature of Music: Lecture V
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- direct sense organ but instead as transmitter to man's inner
- music in a subjective direction. Subjectivity only came into play in
- works spiritually, through the eye, for example, directly upon the
- pass over to the directly experienced “I,” in that we
- Title: Lecture: Inner Nature of Music: Lecture VI
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- the musical element continues in both directions. I need the
- or instrumental music. The element of harmony takes hold directly of
- willing. Harmony directly addresses itself to feeling and is
- musical element itself could become a direct will impulse without
- directions it must be contained. The musical experiences must take
- this reason, music has no direct equivalent in outer nature. In
- harmony in the direction of willing. This is restricted willing, a
- Title: Lecture: Inner Nature of Music: Lecture VII
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- direction of our physical-etheric environment, we perceive the three,
- experience converged with a direct religious experience. Their
- that it directly transported him, that he could say, “The world
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