Searching The Inner Nature of Music and the Experience of Tone Matches
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- Title: Lecture: Inner Nature of Music: Lecture I
Matching lines:
- existence much more keenly. Schopenhauer goes on to say that the
- from the realm of existence in which music has its true prototypes.
- music of Devachan. The archetype, the pattern, of music exists in
- bodily mediators of feelings no longer exist but where feelings
- Title: Lecture: Inner Nature of Music: Lecture II
Matching lines:
- this will working within us must exist and be active outside us as
- well. There must exist forces outside us that are the same as the
- existed. With the dense, earthy colors of our physical world,
- wonderful existence; they churn up man's innermost being and
- Title: Lecture: Inner Nature of Music: Lecture III
Matching lines:
- ancestors who existed on earth millions and millions of years ago
- body existed a million years earlier, they would have been able to
- states of matter that exist on earth. First, we have the solid state.
- united, we find beings existing on the physical plane who had not yet
- one will understand how a certain kinship can exist between music and
- in which this hereditary trait existed. Such are the intimate
- Title: Lecture: Inner Nature of Music: Lecture IV
Matching lines:
- existence between death and a new birth. We see how, after birth, the
- adaptation to the condition of equilibrium of earthly existence is
- gravity of earthly existence.
- pre-earthly existence, orientation does not refer to walking and
- adapted to them during earthly existence. In pre-earthly existence,
- inhalation, inspiration, something in pre-earthly existence that we
- adapted to earthly conditions. In pre-earthly existence we live
- means of recalling the experience of pre-earthly existence. We stand
- he moves closer to the realm of pre-earthly existence, from whence he
- he emerged out of pre-earthly existence.
- pre-earthly existence lives for the soul element in the earthly
- Title: Lecture: Inner Nature of Music: Lecture V
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- the musical element really does not exist in the physical world. It
- does not have a subject that exists in the outer physical world such
- not exist in our age is the feeling for the octave. A true feeling
- experience the difference that exists in comparison to feelings for
- exists for a fifth or a third is absent for an octave. Of course, we
- experience does not actually exist in the same sense as sense
- exist in the same way as elsewhere. Metabolic phenomena appear, but
- free of his earthbound existence and transported into another world
- primeval times, when the experience of the seventh existed —
- singing-with-accompaniment that existed in ancient times of human
- proof of the existence of god, because he will experience the “I”
- form of proving the existence of God. That is what the experience of
- this is inner proof of God's existence.” This is a
- music was evidence of God's existence, but it was in no way
- proof of man's existence. The great spirit took hold of the
- but himself as existing in both worlds. You can imagine the
- Title: Lecture: Inner Nature of Music: Lecture VI
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- fifth that still existed, let us say, four to five hundred years
- existed in music in the interval of the fifth. Only with the fourth
- exist. If one wishes to comprehend the musical element, one must
- no longer know why, the mysteries refer to the existence of two kinds
- element, however, he needs something that does not exist in outer
- Title: Lecture: Inner Nature of Music: Lecture VII
Matching lines:
- physical-etheric environment or world in which man exists during this
- exist as sleeping human beings, we naturally must select particular
- cosmic forces over everything existing in the world of colors, tones,
- fifths; these intervals did not exist for Atlanteans.
- a much diminished form, this musical experience still existed in the
- physical and etheric bodies. I interweave my earthly existence with
- evolution within earthly existence, within earthly becoming, betrays
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