Searching The Inner Nature of Music and the Experience of Tone Matches
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Query was: fact
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- Title: Lecture: Inner Nature of Music: Lecture II
Matching lines:
- increasingly clear to us how the outer facts of our surroundings can
- Title: Lecture: Inner Nature of Music: Lecture III
Matching lines:
- facts from the esoteric standpoint, and from this standpoint we will
- Title: Lecture: Inner Nature of Music: Lecture IV
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- Goetheanum. As an expression of inner satisfaction over this
- fact, in a musical element, which is an element of speech at the same
- Title: Lecture: Inner Nature of Music: Lecture V
Matching lines:
- the strange fact that nowhere in the well-meant instruction of music
- ruled out as accompanying factors. They are there because man is a
- world. The metabolism is also an accompanying factor and does not
- and therefore, in fact, the experience of the entire scale —
- would then cease to be a pure musical experience. In fact, this is
- Title: Lecture: Inner Nature of Music: Lecture VI
Matching lines:
- between with which we are not concerned here — man in fact
- mentioned earlier, the fact of the twelve fifths in the seven scales
- the major third. The facts of human evolution are expressed in
- case of the fourth. You see, the fourth is in fact a real perceiving,
- cognition, which is in fact a musical cognition, a cognition living
- musical instruments basically are a clear reflection of the fact that
- Title: Lecture: Inner Nature of Music: Lecture VII
Matching lines:
- I have called attention repeatedly to the fact that, just as one can
- experiences there, despite the fact that, due to the absence of
- fact of the super-sensible world was mirrored below in the sense
- fact that the task of the Exusiai passed on to the Archai.
- It is the fact that human beings feel themselves more and more in
- to the primal beginnings. This is also reflected in the fact that the
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