You may select a new search term and repeat your search. Searches are not case sensitive, and you can use regular expressions in your queries.

Enter your search term: by: title, keyword, or contextually

Query was: fifth

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

• Title: Lecture: Inner Nature of Music: Foreword
  Matching lines:
  • narrowed to that of the fifth; in our modern age, the period of the
  • experience of the third, we now perceive the fifth to be empty. This
• Title: Lecture: Inner Nature of Music: Lecture V
  Matching lines:
  • how the transition from the feeling for the fifth to the third came
  • exists for a fifth or a third is absent for an octave. Of course, we
  • arranged according to continuing sevenths; even the fifth was
  • painful. Man began to find the experience of the fifth more
  • feeling for f and c is missing; instead, the fifths throughout the
  • the course of time, the fifths began to be the pleasurable
  • carried into a different element. In the music of the fifths
  • fifth still predominated. (To this day, experiences of the fifth are
  • he experienced fifths, he would have been inclined to say, “The
  • the age when the fifths predominated, it was impossible to color
  • experience of the fifth, namely major and minor keys. One could not
  • this experience increasingly intensified. The experience of the fifth
  • leaving and returning to himself in the musical experience. The fifth
  • same manner as seventh, fifths, and thirds — today's use
  • readily admitted, the child essentially dwells in moods of fifths.
  • appreciation must be based on the appreciation of the fifths; this is
• Title: Lecture: Inner Nature of Music: Lecture VI
  Matching lines:
  • I spoke on the one hand of the role that the interval of the fifth
  • description that music progressing in fifths is still connected with
  • of himself; with the feeling for the fifth, man actually feels
  • tones above c — and consider that it is possible for the fifth
  • additional twelve-part scale with the interval of the fifth.
  • means that within the experience of the fifth, man with his “I”
  • his physical organization through the experience of the fifth.
  • transition from a third to a fifth — though there is much in
  • the fifth brings awareness of man within the divine world order. The
  • experience of the fifth is, as it were, an expansion into the vast
  • experience of the fifth of the outer world and the experience of the
  • of the fifth in order to be among the gods, in the experience of the
  • experience of the fifth as spiritual experience was the first to be
  • fifth that still existed, let us say, four to five hundred years
  • experience of the fifth, “I stand within the spiritual world.”
  • of a fifth. Because he still possessed imaginative consciousness, he
  • felt that the fifth, which he himself had produced, took its course
  • a musical objectivity, in the experience of the fifth. Man lost this
  • experience of the fifth was still pure. Song was indeed something
  • mentioned earlier, the fact of the twelve fifths in the seven scales
  • Maximum number of matches per file exceeded.
• Title: Lecture: Inner Nature of Music: Lecture VII
  Matching lines:
  • intervals of thirds, not even fifths. Their musical experience really
  • fifths; these intervals did not exist for Atlanteans.
  • interval of the fifth. This must not be compared to man's
  • present-day feeling for the fifth. Today, the fifth gives man an
  • experiences something empty in the fifth, though in a positive sense
  • of the word empty. The fifth has become empty because the gods have
  • fifth that the gods actually lived in these fifths. Only later, when
  • fifth. In the era of thirds, however, which as you know dawned only
  • definitely still the case in the “fifth-era,” if I may
  • ancient “fifth-era,” which preceded the above cosmic
  • see, however, how matters proceed from the seventh to the fifth, from
  • the fifth to the third, and from the third down to the prime, the