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Searching The Inner Nature of Music and the Experience of Tone
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  • Title: Lecture: Inner Nature of Music: Lecture I
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    • yearning for the higher thus dwells in everything.
    • senses. We must consider how these higher worlds are actually
    • constituted. Man is capable of awakening higher faculties of the soul
    • discern the higher spiritual worlds.
    • attains a still higher stage when he is able to transform the
    • Verstandesseele] and, as a still higher member, the
    • Atma (spirit man) are still-higher members of man's
    • etheric bodies, but the higher soul members, including the sentient
    • exercised in the etheric body stands higher than the activity of the
    • from the higher Devachanic world. One can work on the astral body
    • physical body only with the forces of the still higher Devachanic
    • soul finds its highest exaltation, the most intimate connection with
  • Title: Lecture: Inner Nature of Music: Lecture II
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    • on a higher level than all the other arts. Why? Schopenhauer finds
    • a still higher plane of Devachan, tone becomes something akin to
    • with the truths of the higher worlds. This phenomenon is entirely
    • composer conjures a still higher world; he conjures the Devachanic
    • highest position among the arts by those who know the relationships
    • held in such high esteem by all who sense such a relationship.
    • above. One who understands this expression in its highest sense
    • imprints of ever higher and higher worlds. In music, too, he
    • experiences the image of a higher world.
  • Title: Lecture: Inner Nature of Music: Lecture III
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    • so that all higher animals, just like the human being, possess a
    • higher animal, of which nothing remains any longer on the earth
    • today, since it became extinct long ago. The higher animals of today
    • these beings; it descended from the higher worlds. Animality
    • esotericist goes on to consider higher and subtler substances, more
    • a still higher state, we come to what esotericists call “chemical
    • a physical organ that stands at the highest level of development.
  • Title: Lecture: Inner Nature of Music: Lecture IV
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    • beings of the higher worlds, undertakes in the period between death
    • beings of the higher hierarchies. It is a relationship in which one
    • apparatus of speech and song; they represent only the highest
    • pronounced “meer” in high German), and look at how it is
    • Knowledge of the Higher Worlds and Its Attainment,
    • Knowledge of the Higher Worlds and Its Attainment.]
    • them. If one wishes to describe what is in this higher world
  • Title: Lecture: Inner Nature of Music: Lecture V
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    • arrive at the next higher octave. We must say, as it were: man
    • feeling for the octave brings us to find our own self on a higher
  • Title: Lecture: Inner Nature of Music: Lecture VI
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    • higher world. A piano is like the Philistine who no longer contains
    • within him the higher human being.
  • Title: Lecture: Inner Nature of Music: Lecture VII
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    • the realms of the higher hierarchies. We shall now take a closer look
    • next higher and the third of the second higher octave. He experienced



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