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Query was: human

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• Title: Lecture: Inner Nature of Music: Back Cover
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  • invisible spiritual world, the true home of the human soul. The
  • human subjectivity,” as Steiner remarks. Future directions of
  • whole human being. The musical elements of melody, harmony, and
  • human organism and then to the three types of orchestral instruments
  • human beings receive thoughts and sense impressions.
• Title: Lecture: Inner Nature of Music: Lecture I
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  • realm of human feeling (Gemüt); on the other hand it also
  • idealized reality of the human world. The same is true of painting,
  • Human
  • less than a civilized human being who can experience the pain of
  • all the faults. He formed an archetype from many human beings, which
  • human being from earliest childhood, becomes comprehensible to us
  • the human being. He experiences a world that is much more real than
  • time the human being falls asleep and loses consciousness, his astral
  • make an impression on his soul. The human being awakens each morning
  • music on the human being. This is the configuration of the human
  • and the actual individualized human soul, the content. The latter
  • “I” in an unconscious state.] When the human being
  • his spiritual home. In this shadow image of the spiritual, the human
  • itself. When the human being hears music, he has a sense of
• Title: Lecture: Inner Nature of Music: Lecture II
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  • human soul in such a definite, unique way. In doing this, we will
  • of the human mental image or idea. This reflection arises only
  • because outer things call forth mental images in the human senses,
  • forth by the human soul itself.
  • and he searches for an archetype, he does not focus on a single human
  • the human heart lies the capability of thinking things through to the
  • surging and swelling, it also directly affects the human soul. It
  • it is understandable that the effects of music on the human soul are
  • human being and to his relationship to the three worlds to which he
  • the ordinary human being, since he is unaware of himself while in
  • an extent to the ordinary human being. It is dream-filled sleep,
  • emptiness for the ordinary human being.
  • continuously surrounds the human being. It is a real world, as real
  • The only difference between the ordinary human being and the initiate
  • ordinary human being passes through these three worlds time after
  • human soul.
  • return once again to the nature of the human being. We find first of
  • concerning the various members of the human organization but that the
  • human being, however, experiences the elements of the Devachanic
  • the human soul is an evolving entity, so its reflection here on earth
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• Title: Lecture: Inner Nature of Music: Lecture III
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  • years ago, when the human being was constituted quite differently. In
  • comprehend how the human being is organized, we must look at the
  • so that all higher animals, just like the human being, possess a
  • the physical plane. With the human being, the sentient body is only
  • were completely different from human beings today. On the physical
  • ancient past are the ancestors of present-day physical human nature.
  • descends to meet it, so did the animal body and the human soul unite.
  • warm blood, be fructified with a human soul.
  • human evolution since it marks the beginning of the ability to live
• Title: Lecture: Inner Nature of Music: Lecture IV
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  • I pointed out that certain human functions appearing in early childhood
  • something the human being acquires only after life on earth has
  • upright. That faculty is incorporated into the human being when he
  • thoughts, our earthly thoughts, and the human intellect, that is, the
  • intellect among all human beings dwelling on earth. It is the same
  • we observe the human organization as it is manifested on earth, it is
  • us begin by considering speech. In the course of humanity's
  • culmination. When a human being brings forth a tone or sound, his
  • the entire human being. The form of the human organism could be
  • sculptural form of the human organization. Not speaking symbolically
  • at all, one can say that the human organism is expressed sculpturally
  • what is this human organization? Viewed from an artistic standpoint,
  • all consonants represents the sculptural form of the human organism.
  • discover a self-expression of the human being in each word and tone.
  • of the human bodily instrument. If we examine the speech of
  • earlier times of human evolution. Let me sketch on the blackboard
  • what takes place in the human head-nerve organism.
  • case in earlier epochs of human evolution. Man lived less in his
  • we see the human organism as the harmony of the consonants,
  • soul element. Why is that? The human organism while here on earth
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• Title: Lecture: Inner Nature of Music: Lecture V
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  • for the octave actually has not yet developed in humanity. You will
  • anew; I am uplifted in my humanity by the feeling for the octave.”
  • experience involves the whole human being, and the ear's
  • experienced with the whole human being. This experience reaches our
  • that regarding the musical experience, we must view the human being
  • really an experience of the whole human being.
  • that in human evolution all musical experience first leads back to
  • great role, until it began to have an unpleasant effect. As the human
  • [Quintenmusik], a human being felt lifted out of himself. The
  • making the whole musical feeling an inward experience; the human
  • strange bond between music and human subjectivity, the actual inner
  • drawn into the human being in a corresponding way. One thus can say
  • this process. Only an understanding of the whole human being —
  • like that to begin with in order to describe the human being in
  • world, the human “I” descends spiritually to the astral
  • human embryo, they in turn have been affected by the descent of the
  • the fully developed human being living in the physical world, the “I”
  • within the human organism, the “I” connects itself again
  • lives in us in a twofold way. First, inasmuch as we have become human
  • the musical experience actually penetrates the whole human being. The
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• Title: Lecture: Inner Nature of Music: Lecture VI
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  • a musical experience in which the human being is actually brought out
  • third — we arrive at an inner motion of the human being. The
  • “I” is, so to speak, within the confines of the human
  • becoming aware of the human being within himself. The experience of
  • universe, while the experience of the third is a return of the human
  • right at the border, as it were, of the human organism. The human
  • humanness, retaining it, yet viewing it from the other side.
  • lost to humanity. Modern man does not have the experience of the
  • before our era. At that time the human being truly felt in the
  • was like in very ancient ages of human evolution. Man did not yet
  • we return to the primeval song of humanity, we find that it was a
  • is evidence that the possibility of motion outside the human realm
  • human feeling. What is expressed in harmonies is experienced by human
  • In looking at the human being, we can say that we have feeling in the
  • unfold in that part of the human being that does not belong at all
  • experienced in the human head. The significance of the element of
  • melody in human nature is that it makes the head of the human being
  • musical element really pervades the whole human being.
  • the whole human being who experiences the musical element as a human
  • described for you here? I have described the human etheric body. If
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• Title: Lecture: Inner Nature of Music: Lecture VII
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  • human being experiences during his waking hours is experienced
  • mineral, plant, animal, and human realms — continue upward into
  • human realms. Ascending to those regions that are accessible only to
  • arrive at a more specific comprehension of what the human being
  • exist as sleeping human beings, we naturally must select particular
  • significance for the whole evolution of humanity in the last few
  • have described how the whole composition of human souls in the West
  • into this matter, one actually no longer understands how human beings
  • feeling. We have described in different words what human beings
  • is a prejudice of contemporary, so-called enlightened human beings to
  • that thoughts are only in the human head is as prejudiced as one —
  • ridiculous to claim that thoughts originate in the human head as it
  • were the possession only of the human being. Instead, we must be
  • the thoughts with which human beings made the world comprehensible to
  • human thoughts upon the world so that it can experience them
  • processes. A material science describes human deeds by noting what
  • of humanity now approached the fourth century A.D.
  • formerly bestowed the thoughts on human beings; they now give human
  • the thoughts on human beings.
  • I have described the human side, so to speak, of the matter, how this
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